While I have an article that explores this topic in a more linear fashion (link), I felt it was worthwhile to show a list of all the bluegrass songs I found with Civil War themes. I have sorted this list both alphabetically and by year; here, "year" refers to the year the song or text was recorded or received, when known. Though this is usually the same year the album was recorded or released, it is different in a few cases. For the purpose of my project, I am more interested in knowing the date the material was created rather than the date it was released or first published. The only song needing further explanation in this regard is "Those Cruel Slavery Days" by The New Ballard's Branch Bogtrotters; the date here is noted as 1929 rather than the year of the recording and album, 1994, because it is a more complete recording than available elsewhere based on an oral tradition by the original Ballard's Branch Bogtrotters.
The intent of this project was to find original compositions about the Civil War in the bluegrass vernacular. While some traditional songs have been included here (either as a point of interest or because I included the rest of the album), the primary focus is on original material. Additionally, not all of these songs or artists are strictly bluegrass; some are folk, some are done by bands who primarily focus on country rock, etcetera. Similarly, some of the songs below have only a line or two which reference the Civil War, while others are instrumental songs with titles either referencing the Civil War or associated with the Civil War. In general, I'd rather lean towards being too wholistic rather than too exclusive.
Tony Trischka's 2021 experimental bluegrass album, Shall We Hope, is very interesting. While the album is not always strictly bluegrass and features several songs that are pre-Civil War -- "On The Mississippi (Gambler's Song)" and "Carry Me Over The Sea" -- it features predominantly a northern or slave perspective. Unfortunately, it was not released at the time of my paper's writing. In an interview with "American Songwriter", Trischka said:
"I decided to write a song about a river boat gambler, which became 'On the Mississippi (Gambler's Song)' on the album. I had fun doing that, so I said, 'I'm going to write some more lyrics.'"
As Trischka continued writing, an overarching theme started to emerge. "['On the Mississippi'] was sort of placed in the mid-1800s. Then I wrote a song about the hijacking of a train during the Civil War, which is called 'The General' on the album. After those two songs, it started percolating in my mind, 'Okay, I could turn this into something,” Trischka says. "I continued to write songs [set] in that period.” Finally, he realized that he could tell many different stories of that era by using the Civil War as a through-line.
"I've always had a fascination with the Civil War—it really captures my imagination,” Trischka says. "So this whole thing came together as basically a Civil War-based story.” To that end, he did in-depth online research, seeking out stories that went well beyond the often-told ones about famous battles. He says he was careful to make his lyrics as historically accurate as possible.
Some of Trischka's songs were not included here, either because they were not directly related to the Civil War or its causes, or because they are too far-removed from the bluegrass idiom.
The few texts included on this list are texts used in my essay. Their titles are italicized.
Song | Artist | Album | Year | Trad. |
---|---|---|---|---|
Andersonville | Nothin' Fancy | Where I Come From | 2016 | |
Angel In Gray | Rogers & Johnson | When the Bands Played | 2009 | |
Antietam | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Appomattox | Lonesome Ride | Crossing the Wall | 2002 | |
Appomattox | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Army of the Lord | Rogers & Johnson | When the Bands Played | 2009 | |
At the Purchaser's Option | Rhiannon Giddens | Freedom Highway | 2017 | |
Atlanta Is Burning | The Boys From Indiana | Atlanta Is Burning | 1975 | |
Ballad of the 20th Maine | The Ghost of Paul Revere | Field Notes Vol. 1 | 2015 | |
The Battle Of Atlanta | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
The Battle of Stone River | Oscar Parks | VARIOUS: Fine Times At Our House | 1964 | * |
Battlefield Blues | Lonesome Ride | Crossing the Wall | 2002 | |
Big Round Top March / Drummer Boys | Tony Trischka | Shall We Hope | 2021 | |
Billy Yank and Johnny Reb | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
Blue-Eyed Boston Boy | Lonesome Ride | Crossing the Wall | 2002 | * |
Brandy Station | Rogers & Johnson | When the Bands Played | 2009 | |
Brotherly Love | Lonesome Ride | Crossing the Wall | 2002 | |
Burning Georgia Down | Balsam Range | Marching Home | 2007 | |
Butler Brothers | Del McCoury Band | The Streets of Baltimore | 2013 | |
Can You Run | Steeldrivers | Reckless | 2010 | |
Carrie's Graveyard Book | Carrie Hassler | God Didn't Choose Sides | 2013 | |
Carry Me Back | Old Crow Medecine Show | Carry Me Back | 2012 | |
The Cedar Forest | Bill Steele | Chocolate Chip Cookies | 1977 | |
Centreville | Hobbs & Partners | Centreville | 1984 | |
Charleston Town | New Christy Minstrels | Today | 1964 | * |
Christmas Cheer (This Weary Year) | Tony Trischka | Shall We Hope | 2021 | |
Christmas In Savannah | Dale Ann Bradley | God Didn't Choose Sides | 2013 | |
Civil War | Wildwood | Lonesome Hideaway | 2003 | |
Civil War Diary | Eric Cutshall | Banjo Tunes and Tall Tales | 1995 | |
Company of Cowards | New Christy Minstrels | Today | 1964 | |
Confederate Flag | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Confederate Gray | Glen Duncan & Phoenix | Glen Duncan & Phoenix | 1981 | |
Confederate Horseman | East Virginia | Pathways of Tradition | 1980 | |
Confederate Soldier | Chatham County Line | Speed Of The Whippoorwill | 2006 | |
Confederate Soldiers | Travis Wetzel | The Mad Fiddler II: Confederate Soldiers | 1985 | |
Crossing the Wall (Pickett's Charge) | Lonesome Ride | Crossing the Wall | 2002 | |
The Curse of Cain | Curtis Eller's American Circus | Wirewalkers & Assassins | 2008 | |
Damn Yankee Lad | Jimmy Driftwood | The Wilderness Road and Jimmie Driftwood | 1959 | |
Darling Alalee | The Country Gentlemen | Country Songs, Old And New | 1960 | * |
Dawn At Antietam | Paul the Resonator | Dawn At Antietam | 2022 | |
Day of Liberty | Carolina Chocolate Drops | VARIOUS: Divided & United - Songs of the Civil War | 2013 | * |
Dear Sarah | Scott Miller | Thus Always To Tyrants | 2001 | |
Dear Sister | Claire Lynch | Dear Sister | 2013 | |
Died Before Their Time | Henhouse Prowlers | Lead And Iron | 2023 | |
Dixie/Marching Through Georgia | David Pengelly | Recorded Live | 1977 | * |
Dixieland | Steve Earle | The Mountain | 1999 | |
Dodsworth Drum | The Hogranch | Ridden Hard and Put Away Wet | 2015 | |
Drummer Boy Of Shiloh | Pearl Webb | Frank C. Brown folklore collection | 1921 | * |
Dry Creek Run | The Seldom Scene | Dream Scene | 1996 | |
The Federal Soldier | Gandydancer | Gandydancer | 1996 | * |
Final Reward | Chatham County Line | Tightrope | 2014 | |
The First Shot | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Following This Ghost | Curtis Eller's American Circus | 1890 | 2000 | |
From a Georgia Battlefield | Balsam Range | Five | 2014 | |
From Dixie With Love | Danny Davis & The Nashville Brass | Live—In Person | 1972 | |
Furlough | Rogers & Johnson | When the Bands Played | 2009 | |
The General | Tony Trischka | Shall We Hope | 2021 | |
Georgia Moon | Jimmy Arnold | Southern Soul | 1983 | |
Gettysburg Recalled | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
The Giant On the Thunderhead | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
Git Along Little Yearlings | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
God Didn't Choose Sides | Marty Raybon | God Didn't Choose Sides | 2013 | |
Going Across the Mountain | Frank Proffitt | Frank Proffitt of Reese, North Carolina | 1962 | * |
Goodbye Little Darlin | Chicken Bone | Hickabilly Casserole | 2002 | |
Goodbye Reb, You'All Come | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
The Grey Ghost | Bill Emerson and Pete Goble | Tennessee 1949 | 1987 | |
Greycoat Soldiers | New Grass Revival | unreleased studio recording, 1972 | 1972 | |
Greycoat Soldiers | Norman Blake | The Fields of November | 1974 | |
Harder Than Steel | Kruger Brothers | Harder Than Steel | 2018 | |
Hardtack and Salt Pork | Lonesome Ride | Crossing the Wall | 2002 | |
He Had A Long Chain On | Jimmy Driftwood | Tall Tales In Song | 1960 | |
He Walked All the Way Home | Blue Highway | Midnight Storm | 1998 | |
He's Coming To Us Dead | Wade Mainer's Mountaineers | Soldier's Grave [single] | 1947 | * |
Heading South | Rogers & Johnson | When the Bands Played | 2009 | |
Heroes | Jimmy Arnold | Southern Soul | 1983 | |
Hold The Line | Rogers & Johnson | When the Bands Played | 2009 | |
How Do You Like the Army | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
A Hundred Years Ago | Limeliters | A Hundred Years Ago [single] | 1961 | |
I Know Moon-Rise | Tony Trischka | Shall We Hope | 2021 | |
I'm a Pore Rebel Soldier | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | * |
I'm Almost Home | Steve Gulley | God Didn't Choose Sides | 2013 | |
I'm Going Home Tonight | Lonesome Ride | Crossing the Wall | 2002 | |
Jeb's Black Horse Brigade | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Jenny's Mill | ToneBlazers | Grass Roots | 2012 | |
Jesse James | Jimmy Arnold | Southern Soul | 1983 | |
The Jingling Hole | Linda Lay | The Jingling Hole | 2021 | |
John Wilkes Booth | Tony Rice | Native American | 1988 | |
John Wilkes Booth (Don't Make Us Beg) | Curtis Eller's American Circus | Wirewalkers & Assassins | 2008 | |
Johnny Boy's Bones | Colter Wall, The Dead South | Imaginary Appalachia | 2015 | |
Johnny Reb | The Panfil Brothers | Saved By the Night | 2007 | |
Johnson Island Prison | Joe Mullins and the Radio Ramblers | Another Day From Life | 2014 | |
Julie | Rhiannon Giddens | Freedom Highway | 2017 | |
Just Before the Battle Mother | printed in Andrew K. Smith and James E. Akenson | Country Music Goes to War | unknown | * |
Kennesaw Line | Front Porch String Band | Lines & Traces | 1991 | |
The Lady In Gray | Ronnie Bowman | God Didn't Choose Sides | 2013 | |
Last Day at Gettysburg | Larry Sparks | Blue Mountain Memories | 1996 | |
Last Day At Vicksburg | Bradley Walker | God Didn't Choose Sides | 2013 | |
Last Letter Home | Sam Bush | Late As Usual | 1987 | |
The Last Time | The McPeak Brothers Band | Bend In the River | 1978 | |
Leaving This Lonesome Land | Tony Trischka | Shall We Hope | 2021 | |
Lee's Command | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Lee's March | Reno & Smiley | Banjo Special | 1962 | |
The Legend Of Jennie Wade | Lonesome River Band | God Didn't Choose Sides | 2013 | |
Legend of the Rebel Soldier | Country Gentlemen | The Award Winning Country Gentlemen | 1972 | |
Legend of the Rebel Soldier | Charlie Moore | The Fiddler | 1975 | |
Lincoln's Funeral Train | Norman Blake & Tony Rice | Norman Blake & Tony Rice 2 | 1990 | |
Mandy Play Your Mandolin/The Girl I Left Behind Me | Rogers & Johnson | When the Bands Played | 2009 | |
Massa Run Away | Sam Connor | VARIOUS: Appalachia-The Old Traditions | 1982 | * |
Masters/Dixieland Lady | The Cache Valley Drifters | The Cache Valley Drifters | 1979 | |
Miss Anne's Cotillion | Rogers & Johnson | When the Bands Played | 2009 | |
Mandy Play Your Mandolin/The Girl I Left Behind Me | Rogers & Johnson | When the Bands Played | 2009 | |
Montani Semper Liberi | Scott Holstein | Cold Coal Town | 2011 | |
A Mother's Prayer | Lonesome Ride | Crossing the Wall | 2002 | |
Murderers On the Cumberland Plateu | Robin and Linda Williams | Dixie Highway Sign | 1979 | |
My Black Bird Has Gone | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
My Brother Paul and Me | New River Line | Chasing My Dreams | 2006 | |
My Home's Across the Blue Ridge Mountains | Lost & Found | Across the Blue Ridge Mountains | 1995 | * |
(My Mammy's Miss America) My Daddy's Uncle Sam | Jimmy Driftwood | Voice of the People | 1963 | |
My Mammy's Miss America & My Daddy's Uncle Sam | Don Reno | My Mammy's Miss America & My Daddy's Uncle Sam [single] | 1966 | |
My Sittin' Window | Blue Moon Rising | Strange New World | 2010 | |
New Dixie | Gid Tanner and His Skillet Lickers | Kickapoo Medicine Show | 1927 | |
Nights On The Tennessee | Rogers & Johnson | When the Bands Played | 2009 | |
Northern Prison Blues | Lonesome Ride | Crossing the Wall | 2002 | |
Not A Word of That Be Said (aka Write a Letter To My Mother) | Wade Mainer | Not A Word of Of That Be Said [single] | 1939 | * |
O Captain! My Captain! | Tony Trischka | Shall We Hope | 2021 | |
Oh Florie | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
Old Elijah | Iron Horse | New Tracks | 2005 | |
Old John Burns | Rickey Wasson & Dwight McCall | God Didn't Choose Sides | 2013 | |
A Picture Of Three Children | Russell Moore | God Didn't Choose Sides | 2013 | |
Poor Rebel Soldier | Flatt & Scruggs | Recorded Live At Vanderbilt University | 1964 | |
Powder Dry | Backline | A Thousand Wishes | 2018 | |
Providence Spring | Tim Stafford | God Didn't Choose Sides | 2013 | |
The Rebel and the Rose | Becky Buller | Crepe Paper Heart | 2018 | |
Rebel Hart | Brad Gulley | God Didn't Choose Sides | 2013 | |
Rebel March | Hershel Sizemore | Bounce Away | 1979 | |
Rebel Raider | Carl Basham & The Virginia Rebels | I Sat Quiet By My Still (single) | 1961 | |
Rebel's Last Request | The Bluegrass Cardinals | Home Is Where The Heart Is | 1984 | |
Rebel Soldier | John D. Hale Band | One of a Kind | 2006 | |
Rebel Soldier (Your Memory Will Never Die) | Bob Smallwood, Charlie Moore And The Dixie Partners | Rebel Soldier (Your Memory Will Never Die) | 1975 | |
Reflections Of Love | Paul Adkins & Borderline Band | Reflections Of Love | 1991 | |
Restless Spirit Wandering | Tom O'Brien | Traveler | 2003 | |
Reverend Peter Tinsley | Lonesome Ride | Crossing the Wall | 2002 | |
The River Man | Dave Adkins | God Didn't Choose Sides | 2013 | |
River Runs Red | Steeldrivers | The Muscle Shoals Recordings | 2015 | |
Rock of Chickamauga | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
Safe Passage | The Gibson Brothers | Help My Brother | 2011 | |
Sam Smith | The Gibson Brothers | Red Letter Day | 2006 | |
Secesh (aka Southern Soldier) | Tennessee Mafia Jug Band | VARIOUS: Divided & United - Songs of the Civil War | 2013 | * |
Secesh (Shiloh) | Howdy Forrester | Home Made Sugar and a Puncheon Floor | 1986 | * |
Shadow of the Grave | Dennis Walters | not on album | 2012 | |
Sharpshooter's Blues | Rogers & Johnson | When the Bands Played | 2009 | |
Shenandoah Wind | Eric Uglum | Shenandoah Wind | 2003 | |
Sherman's Retreat | John W. Summers | VARIOUS: Fine Times At Our House | 1964 | * |
Shiloh | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Shiloh's Hill | Lonesome Ride | Crossing the Wall | 2002 | * |
Shiloh's Hill (On Top of...) | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | * |
Soldier's Last Letter Home | Lonesome Ride | Crossing the Wall | 2002 | |
Soldier's Song (aka Southern Soldier) | Tony Trischka | Shall We Hope | 2021 | * |
The Soldier's Wooing | Maude Minish Sutton | Frank C. Brown folklore collection | unknown | * |
Someone Play Dixie For Me | Dry Branch Fire Squad | Tried & True | 1987 | |
Song of the South | Tom T. Hall and Earl Scruggs | The Storyteller And the Banjo Man | 1982 | |
The Southern Girl's Reply | Tim Eriksen | Every Sound Below | 2004 | * |
Southern Medley | Charlie Poole | Southern Medley [single] | 1930 | |
Southern Son | Mike Auldridge, Richard Bennett & Jimmy Gaudreau | This Old Town | 1999 | |
Sticks that Made Thunder | Steeldrivers | The Steeldrivers | 2008 | |
Stonewall's Brigade | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
The Stranger | The Squid Jiggers | 33-1/3 | 2011 | |
Sweatshop Fire | Curtis Eller | Wirewalkers & Assassins | 2008 | |
The Tatham Boys | Rogers & Johnson | When the Bands Played | 2009 | |
Tennessee | Kevin McClung | Minor Indiscretions | 2003 | |
The Texas Ranger | Maude Minish Sutton | Frank C. Brown folklore collection | unknown | * |
Texas Outlaw | Frankenpipe | The Crooked Mountain | 2010 | |
Thirteen Steps | Chris Stuart & Backcountry | Crooked Man | 2008 | |
This Favored Land | Tony Trischka | Shall We Hope | 2021 | |
Three Days In July | The Infamous Stringdusters | The Infamous Stringdusters | 2008 | |
Those Cruel Slavery Days | The New Ballard's Branch Bogtrotters | The Galax Way: A Collection of Old Time Mountain Tunes & Songs | 1929 | |
Traveller | Lonesome Ride | Crossing the Wall | 2002 | |
Two Little Boys | Country Gentlemen | Bluegrass At Carnegie Hall | 1962 | * |
The Two Soldiers | I. G. Greer | Frank C. Brown folklore collection | 1913 | * |
The Undelivered Message | Larry Sparks | Special Delivery | 2000 | |
Union Drummer Boy | Outdoor Plumbing Company | Moonshine Mountain | 1978 | |
The Union Mare And The Confederate Grey | The Rarely Herd | Pure Homemade Love | 1995 | |
V.M.I.'s Gallant Hour | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Vicksburg | Tennessee Boltsmokers | Hydroradio | 2006 | |
Virginia's Heritage | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
When The Bands Played | Rogers & Johnson | When the Bands Played | 2009 | |
Whistlin' Dixie | New Christy Minstrels | Today | 1964 | |
The Widow's Ghost | NewTown | Time Machine | 2013 | |
Wildfire | Mandolin Orange | Blindfaller | 2016 | |
Willie Boy | Seldom Scene | Act 3 | 1973 | |
Wishing | Rogers & Johnson | When the Bands Played | 2009 | |
Won't You Come Along and Go | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
The Yellow Rose Of Texas | printed in Andrew K. Smith and James E. Akenson | Country Music Goes to War | unknown | * |
Young Rebel Soldier | The New Highland Ramblers | The New Highland Ramblers | 1987 |
For the songs sorted by year, traditional songs are listed first, in order of the publication of the referenced version.
Song | Artist | Album | Year | Trad. |
---|---|---|---|---|
Just Before the Battle Mother | printed in Andrew K. Smith and James E. Akenson | Country Music Goes to War | unknown | * |
The Soldier's Wooing | Maude Minish Sutton | Frank C. Brown folklore collection | unknown | * |
The Texas Ranger | Maude Minish Sutton | Frank C. Brown folklore collection | unknown | * |
The Yellow Rose Of Texas | printed in Andrew K. Smith and James E. Akenson | Country Music Goes to War | unknown | * |
The Two Soldiers | I. G. Greer | Frank C. Brown folklore collection | 1913 | * |
Drummer Boy Of Shiloh | Pearl Webb | Frank C. Brown folklore collection | 1921 | * |
Not A Word of That Be Said (aka Write A Letter To My Mother) | Wade Mainer | Not A Word of Of That Be Said [single] | 1939 | * |
He's Coming To Us Dead | Wade Mainer's Mountaineers | Soldier's Grave [single] | 1947 | * |
Darling Alalee | The Country Gentlemen | Country Songs, Old And New | 1960 | * |
I'm a Pore Rebel Soldier | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | * |
Shiloh's Hill (On Top of...) | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | * |
Going Across the Mountain | Frank Proffitt | Frank Proffitt of Reese, North Carolina | 1962 | * |
Two Little Boys | Country Gentlemen | Bluegrass At Carnegie Hall | 1962 | * |
The Battle of Stone River | Oscar Parks | VARIOUS: Fine Times At Our House | 1964 | * |
Charleston Town | New Christy Minstrels | Today | 1964 | * |
Sherman's Retreat | John W. Summers | VARIOUS: Fine Times At Our House | 1964 | * |
Dixie/Marching Through Georgia | David Pengelly | Recorded Live | 1977 | * |
Massa Run Away | Sam Connor | VARIOUS: Appalachia-The Old Traditions | 1982 | * |
Secesh (Shiloh) | Howdy Forrester | Home Made Sugar and a Puncheon Floor | 1986 | * |
My Home's Across the Blue Ridge Mountains | Lost & Found | Across the Blue Ridge Mountains | 1995 | * |
The Federal Soldier | Gandydancer | Gandydancer | 1996 | * |
Blue-Eyed Boston Boy | Lonesome Ride | Crossing the Wall | 2002 | * |
Shiloh's Hill | Lonesome Ride | Crossing the Wall | 2002 | * |
The Southern Girl's Reply | Tim Eriksen | Every Sound Below | 2004 | * |
Day of Liberty | Carolina Chocolate Drops | VARIOUS: Divided & United - Songs of the Civil War | 2013 | * |
Secesh (aka Southern Soldier) | Tennessee Mafia Jug Band | VARIOUS: Divided & United - Songs of the Civil War | 2013 | * |
Soldier's Song (aka Southern Soldier) | Tony Trischka | Shall We Hope | 2021 | * |
Traditional songs above this line (^^), modern songs below (vv) | ||||
New Dixie | Gid Tanner and His Skillet Lickers | Kickapoo Medicine Show | 1927 | |
Those Cruel Slavery Days | The New Ballard's Branch Bogtrotters | The Galax Way: A Collection of Old Time Mountain Tunes & Songs | 1929 | |
Southern Medley | Charlie Poole | Southern Medley [single] | 1930 | |
Damn Yankee Lad | Jimmy Driftwood | The Wilderness Road and Jimmie Driftwood | 1959 | |
He Had A Long Chain On | Jimmy Driftwood | Tall Tales In Song | 1960 | |
Rebel Raider | Carl Basham & The Virginia Rebels | I Sat Quiet By My Still (single) | 1961 | |
Billy Yank and Johnny Reb | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
Git Along Little Yearlings | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
Goodbye Reb, You'All Come | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
How Do You Like the Army | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
My Black Bird Has Gone | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
Oh Florie | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
Rock of Chickamauga | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
The Giant On the Thunderhead | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
Won't You Come Along and Go | Jimmy Driftwood | Songs of Billy Yank and Johnny Reb | 1961 | |
A Hundred Years Ago | Limeliters | A Hundred Years Ago [single] | 1961 | |
Appomattox | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
The Battle Of Atlanta | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Confederate Flag | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
The First Shot | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Gettysburg Recalled | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Jeb's Black Horse Brigade | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Lee's Command | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Shiloh | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Stonewall's Brigade | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
V.M.I.'s Gallant Hour | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Virginia's Heritage | Reno & Smiley | Folk Songs Of The Civil War | 1961 | |
Lee's March | Reno & Smiley | Banjo Special | 1962 | |
(My Mammy's Miss America) My Daddy's Uncle Sam | Jimmy Driftwood | Voice of the People | 1963 | |
Poor Rebel Soldier | Flatt & Scruggs | Recorded Live At Vanderbilt University | 1964 | |
Company of Cowards | New Christy Minstrels | Today | 1964 | |
Whistlin' Dixie | New Christy Minstrels | Today | 1964 | |
My Mammy's Miss America & My Daddy's Uncle Sam | Don Reno | My Mammy's Miss America & My Daddy's Uncle Sam [single] | 1966 | |
From Dixie With Love | Danny Davis & The Nashville Brass | Live—In Person | 1972 | |
Legend of the Rebel Soldier | Country Gentlemen | The Award Winning Country Gentlemen | 1972 | |
Greycoat Soldiers | New Grass Revival | unreleased studio recording, 1972 | 1972 | |
Willie Boy | Seldom Scene | Act 3 | 1973 | |
Greycoat Soldiers | Norman Blake | The Fields of November | 1974 | |
Atlanta Is Burning | The Boys From Indiana | Atlanta Is Burning | 1975 | |
Legend of the Rebel Soldier | Charlie Moore | The Fiddler | 1975 | |
Rebel Soldier (Your Memory Will Never Die) | Bob Smallwood, Charlie Moore And The Dixie Partners | Rebel Soldier (Your Memory Will Never Die) | 1975 | |
The Cedar Forest | Bill Steele | Chocolate Chip Cookies | 1977 | |
The Last Time | The McPeak Brothers Band | Bend In the River | 1978 | |
Union Drummer Boy | Outdoor Plumbing Company | Moonshine Mountain | 1978 | |
Masters/Dixieland Lady | The Cache Valley Drifters | The Cache Valley Drifters | 1979 | |
Murderers On the Cumberland Plateu | Robin and Linda Williams | Dixie Highway Sign | 1979 | |
Rebel March | Hershel Sizemore | Bounce Away | 1979 | |
Confederate Horseman | East Virginia | Pathways of Tradition | 1980 | |
Confederate Gray | Glen Duncan & Phoenix | Glen Duncan & Phoenix | 1981 | |
Song of the South | Tom T. Hall and Earl Scruggs | The Storyteller And the Banjo Man | 1982 | |
Georgia Moon | Jimmy Arnold | Southern Soul | 1983 | |
Heroes | Jimmy Arnold | Southern Soul | 1983 | |
Jesse James | Jimmy Arnold | Southern Soul | 1983 | |
Centreville | Hobbs & Partners | Centreville | 1984 | |
Rebel's Last Request | The Bluegrass Cardinals | Home Is Where The Heart Is | 1984 | |
Confederate Soldiers | Travis Wetzel | The Mad Fiddler II: Confederate Soldiers | 1985 | |
The Grey Ghost | Bill Emerson and Pete Goble | Tennessee 1949 | 1987 | |
Last Letter Home | Sam Bush | Late As Usual | 1987 | |
Someone Play Dixie For Me | Dry Branch Fire Squad | Tried & True | 1987 | |
Young Rebel Soldier | The New Highland Ramblers | The New Highland Ramblers | 1987 | |
John Wilkes Booth | Tony Rice | Native American | 1988 | |
Lincoln's Funeral Train | Norman Blake & Tony Rice | Norman Blake & Tony Rice 2 | 1990 | |
Kennesaw Line | Front Porch String Band | Lines & Traces | 1991 | |
Reflections Of Love | Paul Adkins & Borderline Band | Reflections Of Love | 1991 | |
Civil War Diary | Eric Cutshall | Banjo Tunes and Tall Tales | 1995 | |
The Union Mare And The Confederate Grey | The Rarely Herd | Pure Homemade Love | 1995 | |
Dry Creek Run | The Seldom Scene | Dream Scene | 1996 | |
Last Day at Gettysburg | Larry Sparks | Blue Mountain Memories | 1996 | |
He Walked All the Way Home | Blue Highway | Midnight Storm | 1998 | |
Dixieland | Steve Earle | The Mountain | 1999 | |
Southern Son | Mike Auldridge, Richard Bennett & Jimmy Gaudreau | This Old Town | 1999 | |
Following This Ghost | Curtis Eller's American Circus | 1890 | 2000 | |
The Undelivered Message | Larry Sparks | Special Delivery | 2000 | |
Dear Sarah | Scott Miller | Thus Always To Tyrants | 2001 | |
Appomattox | Lonesome Ride | Crossing the Wall | 2002 | |
Battlefield Blues | Lonesome Ride | Crossing the Wall | 2002 | |
Brotherly Love | Lonesome Ride | Crossing the Wall | 2002 | |
Crossing the Wall (Pickett's Charge) | Lonesome Ride | Crossing the Wall | 2002 | |
Goodbye Little Darlin | Chicken Bone | Hickabilly Casserole | 2002 | |
Hardtack and Salt Pork | Lonesome Ride | Crossing the Wall | 2002 | |
I'm Going Home Tonight | Lonesome Ride | Crossing the Wall | 2002 | |
A Mother's Prayer | Lonesome Ride | Crossing the Wall | 2002 | |
Northern Prison Blues | Lonesome Ride | Crossing the Wall | 2002 | |
Reverend Peter Tinsley | Lonesome Ride | Crossing the Wall | 2002 | |
Soldier's Last Letter Home | Lonesome Ride | Crossing the Wall | 2002 | |
Traveller | Lonesome Ride | Crossing the Wall | 2002 | |
Civil War | Wildwood | Lonesome Hideaway | 2003 | |
Restless Spirit Wandering | Tom O'Brien | Traveler | 2003 | |
Shenandoah Wind | Eric Uglum | Shenandoah Wind | 2003 | |
Tennessee | Kevin McClung | Minor Indiscretions | 2003 | |
Old Elijah | Iron Horse | New Tracks | 2005 | |
Vicksburg | Tennessee Boltsmokers | Hydroradio | 2005 | |
Confederate Soldier | Chatham County Line | Speed Of The Whippoorwill | 2006 | |
My Brother Paul and Me | New River Line | Chasing My Dreams | 2006 | |
Rebel Soldier | John D. Hale Band | One of a Kind | 2006 | |
Sam Smith | The Gibson Brothers | Red Letter Day | 2006 | |
Burning Georgia Down | Balsam Range | Marching Home | 2007 | |
Johnny Reb | The Panfil Brothers | Saved By the Night | 2007 | |
The Curse of Cain | Curtis Eller's American Circus | Wirewalkers & Assassins | 2008 | |
John Wilkes Booth (Don't Make Us Beg) | Curtis Eller's American Circus | Wirewalkers & Assassins | 2008 | |
Sticks that Made Thunder | Steeldrivers | The Steeldrivers | 2008 | |
Sweatshop Fire | Curtis Eller | Wirewalkers & Assassins | 2008 | |
Thirteen Steps | Chris Stuart & Backcountry | Crooked Man | 2008 | |
Three Days In July | The Infamous Stringdusters | The Infamous Stringdusters | 2008 | |
Angel In Gray | Rogers & Johnson | When the Bands Played | 2009 | |
Army of the Lord | Rogers & Johnson | When the Bands Played | 2009 | |
Brandy Station | Rogers & Johnson | When the Bands Played | 2009 | |
Furlough | Rogers & Johnson | When the Bands Played | 2009 | |
Heading South | Rogers & Johnson | When the Bands Played | 2009 | |
Hold The Line | Rogers & Johnson | When the Bands Played | 2009 | |
Mandy Play Your Mandolin/The Girl I Left Behind Me | Rogers & Johnson | When the Bands Played | 2009 | |
Miss Anne's Cotillion | Rogers & Johnson | When the Bands Played | 2009 | |
Nights On The Tennessee | Rogers & Johnson | When the Bands Played | 2009 | |
Sharpshooter's Blues | Rogers & Johnson | When the Bands Played | 2009 | |
The Tatham Boys | Rogers & Johnson | When the Bands Played | 2009 | |
When The Bands Played | Rogers & Johnson | When the Bands Played | 2009 | |
Wishing | Rogers & Johnson | When the Bands Played | 2009 | |
Can You Run | Steeldrivers | Reckless | 2010 | |
My Sittin' Window | Blue Moon Rising | Strange New World | 2010 | |
Texas Outlaw | Frankenpipe | The Crooked Mountain | 2010 | |
Montani Semper Liberi | Scott Holstein | Cold Coal Town | 2011 | |
Safe Passage | The Gibson Brothers | Help My Brother | 2011 | |
The Stranger | The Squid Jiggers | 33-1/3 | 2011 | |
Carry Me Back | Old Crow Medecine Show | Carry Me Back | 2012 | |
Jenny's Mill | ToneBlazers | Grass Roots | 2012 | |
Shadow of the Grave | Dennis Walters | not on album | 2012 | |
I'm Almost Home | Steve Gulley | God Didn't Choose Sides | 2013 | |
A Picture Of Three Children | Russell Moore | God Didn't Choose Sides | 2013 | |
The Legend Of Jennie Wade | Lonesome River Band | God Didn't Choose Sides | 2013 | |
Christmas In Savannah | Dale Ann Bradley | God Didn't Choose Sides | 2013 | |
Providence Spring | Tim Stafford | God Didn't Choose Sides | 2013 | |
Old John Burns | Rickey Wasson & Dwight McCall | God Didn't Choose Sides | 2013 | |
The Lady In Gray | Ronnie Bowman | God Didn't Choose Sides | 2013 | |
Last Day At Vicksburg | Bradley Walker | God Didn't Choose Sides | 2013 | |
Rebel Hart | Brad Gulley | God Didn't Choose Sides | 2013 | |
Carrie's Graveyard Book | Carrie Hassler | God Didn't Choose Sides | 2013 | |
The River Man | Dave Adkins | God Didn't Choose Sides | 2013 | |
God Didn't Choose Sides | Marty Raybon | God Didn't Choose Sides | 2013 | |
Butler Brothers | Del McCoury Band | The Streets of Baltimore | 2013 | |
Dear Sister | Claire Lynch | Dear Sister | 2013 | |
The Widow's Ghost | NewTown | Time Machine | 2013 | |
Final Reward | Chatham County Line | Tightrope | 2014 | |
From a Georgia Battlefield | Balsam Range | Five | 2014 | |
Johnson Island Prison | Joe Mullins and the Radio Ramblers | Another Day From Life | 2014 | |
Ballad of the 20th Maine | The Ghost of Paul Revere | Field Notes Vol. 1 | 2015 | |
Dodsworth Drum | The Hogranch | Ridden Hard and Put Away Wet | 2015 | |
Johnny Boy's Bones | Colter Wall, The Dead South | Imaginary Appalachia | 2015 | |
River Runs Red | Steeldrivers | The Muscle Shoals Recordings | 2015 | |
Andersonville | Nothin' Fancy | Where I Come From | 2016 | |
Wildfire | Mandolin Orange | Blindfaller | 2016 | |
At the Purchaser's Option | Rhiannon Giddens | Freedom Highway | 2017 | |
Julie | Rhiannon Giddens | Freedom Highway | 2017 | |
Powder Dry | Backline | A Thousand Wishes | 2018 | |
Harder Than Steel | Krueger Brothers | Harder Than Steel | 2018 | |
The Rebel and the Rose | Becky Buller | Crepe Paper Heart | 2018 | |
Big Round Top March / Drummer Boys | Tony Trischka | Shall We Hope | 2021 | |
Christmas Cheer (This Weary Year) | Tony Trischka | Shall We Hope | 2021 | |
The General | Tony Trischka | Shall We Hope | 2021 | |
I Know Moon-Rise | Tony Trischka | Shall We Hope | 2021 | |
The Jingling Hole | Linda Lay | The Jingling Hole | 2021 | |
Leaving This Lonesome Land | Tony Trischka | Shall We Hope | 2021 | |
O Captain! My Captain! | Tony Trischka | Shall We Hope | 2021 | |
This Favored Land | Tony Trischka | Shall We Hope | 2021 | |
Dawn At Antietam | Paul the Resonator | Dawn At Antietam | 2022 | |
Died Before Their Time | Henhouse Prowlers | Lead And Iron | 2023 |
Lyrics from the above-mentioned songs are taken from the recordings listed above. If any additional information is known about the songs, it is listed there. Lyrics and information is listed for educational purposes only.
In the spring of '61
I kissed my mother goodbye
And I put on a blue uniform
And I fought for Lincoln's side
Til I got caught by Johnny Reb
In the woods near Chapel Hill
And I wished to God he would have killed me then
But he sent me to Andersonville
My uniform is faded now
There's no boots upon my feet
And I'm pulling worms out of the mud
There's nothing else here to eat
The Rebs can't even feed their own
There's now way that they can fill
The bellies of them Yankees here
Starving in Andersonville
CHORUS Some men are born to preach God's word
Some men are born to kill
I guess that I was only born
To die in Andersonville
I dug a hole with my bare hand
In that red, hard Georgia clay
Cause there's just no shelter from the sun
Or the cold wind or the rain
I'm too damn weak to stand up tall
So I'll just lay quiet and still
Lincoln burried me in this hole I dug
When I died in Andersonville
I dream the same dream ever night
Of a woman I've never known
She's standing by a warm fireside
She whispers "I have come home"
Every morning when I wake, I pray
Some day that she will lay
A flower on my graveside
When I die in Andersonville
CHORUS
CHORUS
I saw an angel in gray
Jump a wall to where the dying lay
On his back, no room for golden wings
All he had was water-filled canteens
Giving hope to the wounded that day
I saw an angel in gray
Fredericksburg, December '62
Skies were gray and winter winds they blew
Two armies poised for a fight
Both believing that their cause was right
Behind the stone wall, below the heights
We know Johnny's waiting for a fight
So we grab our guns and we fix our bayonnets
Try to prepare for what we know is next
We attacked wave after wave
Charged the wave on the slopes that day
Thousands called home to rest
Hundreds more dying a slow death
For hours the wounded lay
Death or water, they all prayed
No relief is on the way
Because the snipers play their deadly game
CHORUS
Only a boy of seventeen
I've seen war and all the pain it brings
Yeah, I've seen mercy from the enemy
He knelt down and he shared a drink with me
CHORUS
And if I live a hundred years from today
I can't forget the angel in gray
I won't forget the angel in gray
Adapted from Lee's Command by Albert J. Russo
Antietam, a tribute to you
As General Lee headed his mighty army to Antietam Creek, Maryland
No one knew or even dreamed the dreadful day that was waiting for his command
The Conferates caught the Federals resting, awaiting tomorrow's fight
And the next moment the cannon's roar drowned out their screams of fright
The dead were thicker than the cornstalks that grew on the Miller farm
And you couldn't hardly walk at all unless it was on a back, chest, or arm
The Louisiana and Georgia brigades, face to face in death row, stood
And they had to give some of the cornfield away until reinforced by General Hood
The men of the First Texas Regiment, while eight out of ten of them dying
They made Meade's Pennsylvanian's pay hard for their pain and their suffering and crying
Twelve thousand three hundred and fifty union men perished and thirteen thousand seven hundred Grays in one day's hours
These dedicated lives were lost forever, their grave was only cornstalks for flowers
Thus ended Lee's invasion north, what a terrible price he had to pay
The Southern cause was jolted south, time it was to think and pray
Antietam's battlefields are kept today in memory of those who had to die
And as we think and look at you, Antietam, we can't help but wonder why
Antietam, a tribute to you
Adapted from Lee's Command by Albert J. Russo
General Lee and his troops knew now the end of the war had come
And General Grant felt surely now for their blood loss would help none
Four years of bitter fighting with mind and heart and soul
A cavalcade of heroes dead and dying in their role
What thinks a man, I've often thought, as good as General Lee
When his ragged comrades call to him, "Please let us die for thee"?
Three hundred fifty nine thousand died wearing the northern blue
Two hundred fifty eight thousand wore gray finally died too
What did a general great as Lee think of or want to say?
When tired troops stacked their battle flags and have to end the fray?
He heard their cries of "no, no no," their faces wet with tears
For him they would fight on and on, death for them had no fear
Appomattox Courthouse stands today, a shrine where peace was signed
Thank God for Generals Lee and Grant, both sides have peace of mind
"Appomattox" - Gary G. Smith
On April 9, 1865, the war for the Army of Northern Virginia surrendered at Appomattox Court House. Griffith Creasy and brother, Thomas, two of about 50 remaining soldiers of the 28th, didn't remain for a pardon from U. S. Troops. They, like many other confederate soldiers, didn't trust the pardon process, so the next day they took their guns and accouterments, walked away, and went home. In Griffith's and Thomas' case, home was just a few miles south of Bedford, (then Liberty), Virginia. The song relays the hardships of the final days of the war for Southern soldiers and Griffith's leaving to go home.
This music is dedicated to my mother, Myrtle Creasy Smith, and to Lewis Griffith Creasy (2/10/1862 - 4/9/1865), John Hancel Creasy (4/27/1861 - 6/15/1865), Thomas Garrett Creasy (4/27/1861 - 4/9/ 1865), Co. G, 28th Virginia Infantry
Chorus
Appomattox, Appomattox you'll go down in history
Along with names like General Grant and Robert E. Lee
Appomattox, Appomattox on April nine and ten
In the town of Appomattox the war came to an end
We've fought this war for four years now
There's been some bloody fights
But here we are in this old town
To end it on this night
We fought all the way from Richmond
From White Oak to Sailor's Creek
Our clothes were dirty tattered and torn
We were hungry tired and weak
Chorus
General Lee said we'd surrender
That we'd fought our last fight
That they would give us a pardon
And food for the night
But I don't want no pardon
I ain't done nothing wrong
I'll just take my gun and walk away
And go back to my home
Chorus
General Lee rode out to meet them
The men all bowed their heads
It was a sad and mournful day
That we'd all come to dread
This war we'd fought so hard to win
Will now come to an end
Hail to the men who fought and died
Their freedom to defend
Chorus
This old war had finely made me see
I'd been living on the edge of eternity
I'd been drifting aimlessly til God got ahold of me
And joined up in the army of the Lord
CHORUS
Cause when I fought with just a gun and a sword
I wasn't sure what I was fighting for
But new orders have come down calling me to higher ground
And now I'm in the army of the Lord
Revival swept through the camp that day
I saw many men like me change their way
Nonbelievers saw the light and readied for the fight
And joined in the army of the Lord
CHORUS
Oh I know I've picked the right way
And I don't believe it's the blue or gray
Showing others wrong from right and teaching of God' might
Training soldiers in the army of the Lord
CHORUS
I've got a babe, but shall I keep him?
'Twill come the day when I'll be weepin'
But how can I love him any less?
This little babe upon my breast
CHORUS
You can take my body
You can take my bones
You can take my blood
But not my soul
You can take my body
You can take my bones
You can take my blood
But not my soul
I've got a body, dark and strong
I was young but not for long
You took me to bed a little girl
Left me in a woman's world
CHORUS
Day by day, I work the line
Every minute overtime
Fingers nimble, fingers quick
My fingers bleed to make you rich
CHORUS (x2)
I've got a babe, but shall I keep him?
(spoken intro accompanying some live performances)
The date of April 13th, 1865 partly closed the greatest strife this nation has ever endured. Four long and paintful years our country was divided in a great Civil War. In the spring of 1863 a young man from Georgia left his bride of just one week to wear the gray uniform of the Confederate States of America...
Two (or three) years we've been fighting, though it seems like a hundred
Away to the South is the home I once knew
Where my loved ones are waiting, for word from the captain
That the battle has ended for the gray and the blue
I left dear old Georgia on the first day of April
The grass in the valley was just turning green
I married my Sally, just a week before leaving
We now have a baby that I've never seen
She sent me a letter, that told of our baby
He's just like his daddy were the words that she said
But that's been so long now, that it seems like forever
And Lord I'm so homesick I wish I were dead
Atlanta is burning, the horizon is flame
The thunder of cannons in the distance I hear
I think of my Sally, and the son that she gave me
If I could just see her and the baby so dear
A bullet has found me, and the darkness is falling
The pain is unreal and my body's so weak
The captain is calling, but I cannot answer
My thoughts wander Southward as I go to sleep
My thoughts wander Southward as I go to sleep.
My name is Andrew Tozier, I'm a child of Litchfield, Maine
And I left my only family for the sea, the salt, and rain
And when Lincoln called the banners in 1861
Well I joined the union army for the land that I am from
We were baptized by fire in the battle of Bull Run
And we fought our southern brothers in the wind, the snow, and sun
And when our time was over I heard the governor say
"Keep fighting for the union for just another day"
So we joined the lion of Bowdoin, Chamberlain his name
And we marched once more toward battle as the 20th of Maine
CHORUS
If we should die today, then dream a dream of heaven
Take your northern hearts with you to the grave
Be proud and true you are a union soldier
Stand fast, ye are the boys of Maine
Well, our western flank, it was missing
As the confederates, they pushed on
And I fought them tooth and nail
Our ammunition all but gone
And alone I stood with colors
I was Flying proud and true
For to let my northern brothers know
The battle was not through
And then appeared our lion, he was roaring bayonets
Charging down the mountain with what forces we had left
'Cause we're as steadfast as Katahdin
We're as hard as winter's rain
Go straight to hell with your rebel yell
We are the boys of Maine
CHORUS
Adapted from Lee's Command by Albert J. Russo
Forgotten men who lie asleep in a lonely soldiers' grave
Who fought and die for the flag that waves across our land today
Atlanta, "gate city of the South" was in the shank end of the Civil War fight
Where William T. Sherman had a hundred thousand men backing up his might
General J. E. Johnston's sixty thousand Confederates never had a chance to hit Sherman full force
Exacted as he delayed and harried Sherman, hoping the price he'd paid would cancel Sherman's course
After General Johnston's failure against Sherman, he was replaced by a hot-headed, one-armed and one-legged General Hood
He attacked Sherman in the Battle of Peachtree Creek and there Sherman made Lee wonder if the plan was really any good
Atlanta's dying city saw its dying men, row upon row, crowding its erupted, war-torn streets
And the medical supplies were blockaded out and soon exhausted and the shelters were soon blasted down by the Federals' cannon beat
Two Kessler Brothers coming from Germany; one went north and signed for the Union first
The other went south trying to find him and was conscripted into the Confederates burst
As the fighting progressed in and around Atlanta's geographical map
One brother found the wounded other too late; tears fell as he died in his brother's lap
During the month-long Atlanta siege, every house was hit, some a dozen times
Broken homes were everywhere seen, and broken bodies steadily coming from the lines
So many soldiers who fought in the Battle of Atlanta were just young, teenaged, reckless boys
Atlanta, you must always remember this, for youth made most of the noise
Sherman boldly then cut loose from his lines, circling far to the south of the city
And General Hood's only rail line was smashed, his withdrawal from Atlanta was a pity
With the end of each desperate charge, opposing youths were killed hand to hand
While clasping each other in death's embrace, the blue and the gray died together, for Atlanta's land
Forgotten men who lie asleep in a lonely soldiers' grave
Who fought and die for the flag that waves across our land today
Sung by Oscar Parks. Recorded in Alton, Crawford, Co., Dec. 30, 1963, by P. Dunford and A. Rosenbaum.
Doc Parks sang this vivid ballad for us a hundred and one years to the day after the Army of the Cumberland, under General William W. Rosecrans, and the Army of the Tennessee, under General Braxton Bragg, met to fight one of the fiercest battles of the Civil War in the cedar thickets along Stone River, near Murfreesboro, Tennessee. Many Indiana men participated in the hard-won Union victory that cost both sides nearly 19,000 killed and wounded. Many Civil War songs tend toward the sentimental, as does the Ohio song about the same battle:
Among the pines that overlook Stone River's rocky bed,By contrast, the Union man who composed this ballad had no time for pious comment and concentrated on recording both the significant military movements and the feelings of a foot-soldier who had been through the bitter fight. The resulting piece, from the magnificent first verse to the sarcastic concluding one, has many of the qualities of the classic British ballads.
Ohio mourns many a son that's numbered with the dead ... (EDDY, p. 127)
The confederate generals referred to are William Hardee and John C. Breckenridge; the Union ones, Richard Johnson and Horatio P. Van Cleve. General Joshua Sills was indeed killed leading a charge. We hope that no one is offended by Doc Parks' description of the man who claimed to have slain him, a rebel who was exceptional in the Kentucky hills, where sympathies were generally with the Union cause.
For background, see Battles and Leaders of the Civil War, New York, 1956.
See Parks earlier recording: AAFS 1727
Last New Year's Day we had a fight, and on the day before
And then we fought right straight along, for three or four days or more
Old Bragg he called his men to line, and he told them they must hold
Stone River and the country around, or else that they'd be sold
Hardee was in the cedar swamp, that line just on the right
Our general had his men in line all ready for the fight
When General Johnson saw their force, he told them men to run
He said that it was in vain to fight them rebels ten to one
But when Rosecrans saw their scheme, he understood their plot
And he reinforced General Van Cleves, and make them rebels hot
I never will forget that day, the ground all stained with blood
When hundreds of our gallant men lie weltering in the mud
We fought them full five hours or more, them rebels would not yield
Until our dead and wounded men lie piled upon the field
They swore that they would not leave the field, and Breckenridge rolled in
He took advantage of the night while everything was still
And he bravely dashed into the fight, and there fell General Sills
In wild confusion they left the ground, Stone River they plunged through
And they never stopped to look around for Yankees as they flew
I used to sing that--there's an old Col. Perry, right in that fight, and he shot old General Sills. And I used to sing that to him--he rode up un me one day, a-singin' it right out in the woods, and he made me sing it all to him... And when I'd sing it to him, he'd say "I'M THE VERY GODDAM MAN THAT SHOT HIM" and his neck-veins would get as big around as your fist--arm! Yeah, he'd say it just thataway, when I'd come over that part of it, "and there fell General Sills", he's say, "Yes, and I'm the very damn man that shot him," and those neck veins would just crawl up!
This fast moving instrumental represents the emotions Civil War soldiers must have had following a hard fought battle. The tension set by a G minor tuning gives rise to the exhaustion and forlorn feelings, and loss of friends that the soldiers experienced. Even the high from victory could not erase the devastation of the battle. It is a tribute to great uncle John Creasy who served four years in the Confederate Army, April 27, 1861 to June 15, 1865. John played the banjo on many occasions in the camps when one was available. His talent has been passed through four generations and is demonstrated in this performance by Tom Smith, its author.
My prized possession was my drum; I loved it. Though I recall to this day the tired muscles after a long day's march over northern fields and southern miles, scorching sun, blinding storms, the drum growing heavier and heavier until it took all the grit a fella had not to let the others know just how near a body came to collapsing. Then, someone would shout "Lively, there, boys!" And then, the little fellas went at it with renewed vigor.
We sons of Kerry in the drummers' brigade
We hit the long road, every battle I pray
I prayed for my father, was he lost in the war?
I wondered if I'd see him once more
We marched for days, shoeless and worn
Drums at our shoulders, our uniforms torn
Drummer boys, drummer boys, dreaming of glory
Set the tempo for battle, I'll tell you a brave story
Set the tempo for battle, I'll tell you a brave story
The smell of the powder that June afternoon
Our drumsticks blazing to the limerick tune
[Vocalizing]
My friend bore the flag, but to him death came
He was cut down in a volley of flame
I knelt by his side and I closed his white eyes
I lifted his colors and I carried them high
We rallied the troops, we strengthened their hearts
As the bullets, they flew, each man did his part
Drummer boys, drummer boys, through bodies new fallen
Over cannon shot roar hear Gabriel calling
Over cannon shot roar hear Gabriel calling
Drummer boys, drummer boys, dreaming of glory
Set the tempo for battle, I'll tell you a brave story
Set the tempo for battle, I'll tell you a brave story
Who's gonna blow the bugle
And give the battle cry?
Who's gonna fire the gatling gun
And who's gonna bravely die?
Who's gonna be the daring?
Who's gonna be the bold?
Who's gonna bathe in pools of blood
And sleep out in the cold?
Billy Yank
And Johnny Reb
Billy Yank
And Johnny Reb
Who's that with the blisters
On their feet and mouth?
Not the politicians
In the north and in the south!
Who's that in the moonlight
Talkin to his pa?
Who's that in the bushes
Tradin coffee for a chaw?
When the war is over
Lawsy mercy me!
Who's gonna guard our country
From some foreign enemy?
Who's gonna drive the cattle?
Who's gonna fed the mill?
Who's gonna plow cotton n corn
And who's gonna run the stills?
Who's gonna court the ladies
And buy their wedding bands?
Who's gonna shoe their pretty little feet
And glove their pretty little hands?
Who's gonna be the leaders?
Who's gonna be the men?
Who's gonna see that we
Don't ever fight ourselves again?
The song, "Blue-Eyed Boston Boy" taken from "The Last Fierce Charge," a Civil War era song, tells the story of a pact made by two fellow cavalrymen, one a young blue-eyed, blonde-haired boy, the other a tall, dark man. The pact was made just before their cavalry unit's last fierce charge of a well fortified Rebel position at the top of a hill. They each agreed to tell the others loved ones if one should fall. Both are killed in the battle so none was left to write to the tall man's sweetheart or the blue-eyed boy's mother. The song depicts clearly the Civil War soldier's deep-seated desire to inform love ones should they die in battle and the faith and trust they placed in each other.
He was just a blue-eyed Boston Boy
His friend a tall dark man
The tall dark man was first to speak
I fear this will be my end
I have a face pinned to my breast
Of a damsel oh so fair
Write to her friend if I should fall
Tell her I died up there
There were tears in the eyes of the blue-eyed boy
His voice was low with pain
I'll do your bidding comrade mine
If you will do the same
I have a mother whose waiting at home
To hear the news of me
If you ride on and I should fall
Write to her tenderly
Just then the orders came to charge
For a moment hand touched hand
They answered "Aye" and on they rode
That brave and devoted band
They rode together to the top of the hill
And the Rebels with shot and shell
Tore furrows and gaps in the struggling ranks
And cheered them as they fell
There soon came a horrible dying sound
From the heights they could not gain
And those that death and doom did spare
Rode quietly back again
Among the dead at the top of the hill
Lay the boy with the yellow hair
And the tall dark man who rode by his side
Lay dying by him there
There was no one to write to the blue-eyed girl
The words her lover had said
And a mother awaiting the news of her boy
Will only find he's dead
Instrumental
During the Civil War, many families were divided on the issues that led to the Civil War. Although not confined to areas of Border States, many of these differences of opinion between brothers, fathers and sons sprang from border states that created boundaries dividing North and South. Several cases were reported where brothers who met on one of the battlefields visited with each other during a lull in the fighting. The song "Brotherly Love" shares a story of a divided family and develops the concept of two brothers, one Union, the other Confederate, meeting on a battlefield. It relates the emotions of brotherly love following the death of one brother unintentionally killed by the other.
When shells fell on Fort Sumpter that dreary April day
Many families were divided between the Blue and Gray
Mine was such a family who lived along that line
That divided North and South in everybody's mind
My father and my brother chose the union way
But I had different feelings so I dressed in Rebel Gray
Each time we fought a battle and I fired my gun
I wondered if I'd hit my Pa or his other son
(Place of optional verse if used) see bottom of page
Chorus
Brotherly love will break your heart
When a Civil War tears a family apart
If you kill your brother, you will surely pay
For your memories will haunt you the rest of your days
In that awful bloody battle of eighteen sixty-two
We were firing cross a cornfield at the men in blue
As we charged into the Yankees, someone called my name
I looked and found my brother who fell among the slain
I sat there with his head cradled in my arms
I told Joe that I loved him and meant to do no harm
The fighting raged around us though I could take no part
For I had sent a bullet into my brother's heart
Chorus
Yes my memories will haunt me the rest of my days
Optional verse (not sung on tape)
You see, I still respected and loved them in my heart
And it hurt me awful bad to see us torn apart
But I did what I did and what I thought was right
Still I worry that I'll shoot them each time we have a fight.
The Yankee letter said that they’d be comin’ any day
And if you planned on getting out alive we’d best be on our way
Our tattered gray was torn between if we should run or fight
But our Southern pride swelled up inside as we dug in for the night
Then I heard a rider callin’, they’re coming down the road
And the fiery flash of twenty pounders started to explode
We tried our best to stop them but our efforts were in vain
In the distance you could hear the sound of Dixie’s last refrain
CHORUS
They’re burnin’ Georgia down
Those devils dressed in blue
They took the higher ground
Dying’s all we can do
Atlanta's bound to fall
Smell the smoke and the cinder
They're burnin’ Georgia down
But we never will surrender
Sherman left Atlanta leading sixty thousand of his best
Spreading the destruction over 50 miles abreast
Marching to the sea, leaving nothing in their path
Factory farms and churches, nothing spared their wrath
Ah, Christmas day in ‘64, they cut off all supplies
And then they offered Mr. Lincoln up Savannah has a prize
And though our lives are broken, we fought on ‘til the end
And pray someday we’ll find some way to Dixie once again
CHORUS
The Butler Brothers grew up on the Loudon County line
As winds of war blowing through the north Virginia pine
Reuben was the baby, Zach was the eldest son
Those boys became men too soon in 1861
One foot on Yankee soil, one foot on rebel ground
Soon Virginia split in two just like the north and south
Zach fought with George McClellan, Reubeb with Longstreet
And left their momma fighting anxious teardrops on her cheeks
CHORUS
With one hand on the Bible and both knees on the floor
She begs and pleads with Heaven to end this bloody war
Surely God's heart breaks in two when He hears her praying
"Stop the guns that called my sons away"
Once a week they posted on the county courthouse door
The names of all the soldiers killed the week before
She always double checked it for names she might have missed
And wept each time she couldn't find a Butler on the list
CHORUS
Brother against brother, they marched to different drums
Til they covered Williamsburg one spring in Butler blood
Reuben went home dressed in gray, Zach in Union blue
And left their momma wearing black in 1862
CHORUS
There's smoke down by the river
Hear the cannon and the drum
I've got one thing to ask you honey
Can you run?
You know I hate to ask so late
But the moment's finally come
And there won't be time to change your mind
Can you run?
CHORUS
Can you run, to the freedom line of the Lincoln soldiers?
Where the contraband can be a man
With a musket on his shoulder
I've got to stand up tall before I'm done
Wrap these hands of mine around a gun
And chase the taste of bondage from my tongue
Can you run?
Can you run?
I'm taking nothing with me
We've just got time to beat the sun
And the boys in gray are never far away
Can you run?
CHORUS
There's smoke down by the river
Hear the cannon and the drum
And even if I die, I've got to try
Can you run?
CHORUS
“Unaffrighted by the sight of blood, unawed by horrid wounds, unblanched by ghastly death, [Carrie] walked from room to room, from man to man, her very skirts stained in blood.” – Colonel W. D. Gale, in a letter to his wife.
The soldiers who fought in the Battle of Franklin in 1864 may have been far from home, but it took place right on Carrie McGavock’s doorstep. Her home plantation, Carnton, was commandeered as a field hospital, where she first treated the wounded, and after the battle, the dead. More than a thousand soldiers needed to be buried, and Carrie took it upon herself to make sure each boy rested peacefully in her graveyard. Until her death in 1905, she spent her time and fortune burying and recording each name in her graveyard book so that every family could know the fate of their husband, son, or brother.
With the loss of three children down in Franklin, Tennessee
Carrie McGavock was no stranger to tragedy and grief
So with rows of wounded soldiers lying on her blood-stained floor
She nursed them by the hundreds back in 1864
Five hours the battle ended, but for Carrie it lived on
Many long years after, the winds of war grew calm
And on the field of battle, bones in danger of the plow
Moved to Carrie's graveyard, they rest peacefully now
CHORUS
In that two acre graveyard, over fourteen hundred lay
And to honor every soldier, Carrie kept a list of names
So they wouldn't be forgotten, like so many others would
And now they live forever in Carrie's graveyard book
From all across the southland, for years the letters came
From mothers, wives and fathers, searching for a loved-one's name
When that name was written with honor on a page
They'd come by horse and wagon to mourn upon his grave
CHORUS
Well, I come from the valley, I'm a rebel boy
Born on the banks of the Shenandoah
In '61, I went to the war to win one for Virginia
Yeah, my brother went first and they called me too
I was green as clover in the morning dew
So I marched to the drum and I sang to the tune
Carry me back to Virginia!
Fire in the cannon, water in the well
Raced through the valley with a rebel yell
I learned right quick how to march like hell
And affix that bayonet
Won't ya carry me back?
Won't ya carry me back?
Carry me back to Virginia
With a sword and a saddle, powder in the gun
We thought for a minute our fight was done
So they lined us up with our medals on
And hammered us into the quicksand
Then they burned that valley in a blaze of fire
Cut through the lands like a red hot iron
Til the men took cover where the horses piled
Then we shivered in the cold against them
But the war raged on like flames of hell
We dug through the pockets of the ones who fell
Dressed in rags and we ate like rats
When they cut off our legs we cried!
Won't ya carry me back?
Won't ya carry me back?
Carry me back to Virginia
Won't ya carry me back?
Won't ya carry me back?
Carry me back to Virginia
And they died in the valley, died in the swamp
On the banks of the river where the whitetail jumped
Died in the ditches, died in the fields
In the belly of a wagon 'fore our wounds were healed
Died in the war, starved in the camps
Locked in the prisons of a meaner man
Spilled our blood in the fight to defend
And they buried us all over Dixieland
Down in Alabama, down in Caroline
Way down in Georgia, on the Tennessee line
We fought for the rebels, and Robert E. Lee
Now we want to go home to Virginia
Say we want to go home to Virginia!
Won't ya carry me back?
Won't ya carry me back?
Carry me back to Virginia
Won't ya carry me back?
Won't ya carry me back?
I wanna be buried in Virginia
I left my friends who wear the gray
Along a rocky run
To see my darling Juliette
The only girl I love
Tomorrow I must leave her
The blue-clad foe to fight
But my darling sleeps within my arms
In Centreville tonight
The seven days, the seven pines
The seven deadly sins
Have got the best of this poor boy
As from the battle I ran
Three days and then I saw the lights
Along the war turnpike(?)
But the flag of the foe from the North now flies
In Centreville tonight
I made my way up to her door
My spirit overflowed
But the sight I saw through her window
It made my blood run cold
I saw a soldier dressed in blue
My darling on his knee
My bullet finished both of them
His saber finished me
A few more feet for me to crawl
As the world fades from my south?
And my darling sleeps within my arms
In Centreville tonight
When I saw the first wave coming I loaded and primed my gun
When I saw the next wave coming I took to my heels and run
I run clear up in the Blue Ridge Mountains and down the other side
I run til I come to the cedar forest, there I found my bride
She lived at the edge of the cedar forest, working her father's land
She said he'd gone to be in the war and died in a foolish stand
She didn't much care for my suit of blue and I told her I felt the same
We dug a hole in the cedar forest and buried it with my name
Well, we worked the land and dreamed our dreams and bore ourselves a son
And three years passed before we heard that foolish war was done
But wars are sometimes hard to end and in a month or two
Six men rode out of the cedar forest dressed in ragged blue
And at their head was Sergeant Crumb, the man who'd taught me fear
He laughed when he saw me with my gun and said, "Now lads, look here
We've found ourselves a cowards' nest, I watched him run away
So we shall have his food and drink and his woman here today"
Well they were six and I was one but I was hard to kill
I drove them back in the cedar forest, I guess they're running still
Now a man who turns and runs away from a politicians' war
Might fight and die for what he loves though hell be at the door
Don't cry, don't cry
Don't cry, Liza Jane
Oh, goodbye, goodbye
Oh, goodbye Liza Jane
Charlestown town is burnin' down
Goodbye, goodbye
Cotton balls are turnin' brown
Goodbye Liza Jane
Charlestown town is burnin' down
Goodbye, goodbye
Cotton balls are turnin' brown
Goodbye Liza Jane
I'm gonna get my musket
Don't cry, don't cry
I'm gonna get my musket
Goodbye Liza Jane
Where will I be in the mornin'?
Don't cry, don't cry
Where will I be in the mornin'?
Goodbye Liza Jane
Charlestown town is burnin' down
Goodbye, goodbye
Cotton balls are turnin' brown
Goodbye Liza Jane
Charlestown town is burnin' down
Goodbye, goodbye
Cotton balls are turnin' brown
Goodbye Liza Jane
Don't cry, don't cry
Don't cry, Liza Jane
Ooooh, goodbye, goodbye
Ooooh, goodbye Liza Jane
Who's gonna save Atlanta?
Don't cry, don't cry
Who's gonna save Atlanta?
Goodbye Liza Jane
Oh, I'm gonna ride with Beauregard
Don't cry, don't cry
I'm gonna ride with Beauregard
Goodbye Liza Jane
Well, I'm gonna be with General Lee
Don't cry, don't cry
Fancy me with Robert E. Lee!
Goodbye, Liza Jane
When will I kiss your lips again?
Don't cry, don't cry
Will I ever kiss your lips again?
Goodbye Liza Jane
I'm gonna get my musket
Don't cry, don't cry
I'm gonna get my musket
Goodbye Liza Jane
Where will you be, my darlin'?
Don't cry, don't cry
Where will you be, my lover?
Goodbye Liza Jane
Charlestown town is burnin' down
Goodbye, goodbye
Cotton balls are turnin' brown
Goodbye Liza Jane
Charlestown town is burnin' down
Goodbye, goodbye
Cotton balls are turnin' brown
Goodbye Liza Jane
Said Goodbye, Goodbye Liza Jane!
Just this one night, let's step back to celebrate and pray
May the cannons cease and peace abide to honor Christmas Day
Let us still our guns and dry our tears, friends and foe alike
Brother must love brother evermore this Christmas night
Looking 'cross the fortress grounds, sun through thinning cloud
One smithy's shop shop and bake house door to greet the piney boughs
Some play winter football while waiting for the dinner
It's been a hard, cold Autumn and we're looking all the thinner
CHORUS
Christmas cheer this weary year
Not like the last, you know
But hopefully by the next we'll be
United with our families back home
Sergeant Kant, for recreation, scrambles up a pole
We greased it well, he slides right down, his comrades laugh and roar
Roasted goose and oysters and a soup of greens and hock
All simmered down with beef bone and a thimble full of 'nog
Now hear the guns within the forts saluting old Saint Nick
Who's just arrived through triumph's arch, he'll do just the trick
CHORUS
Fading light of winter, Major Bartlett finds a stocking
A meerschaum pipe awaiting him and pretzels, interlocking
Young Collin, our drummer boy, opens up his gift
A jack in the box jumps right up, we watch his spirits lift
As Santa comes, so he must leave for Richmond and the west
"G'lang" he cries and off he speeds, his sleigh with vested dress
His absence leaves an empty space a song could never fill
A battle looms, the war resumes, we face the evening chills
CHORUS
“I beg to present you as a Christmas gift, the city of Savannah.” -General William T. Sherman, in a telegram sent to President Lincoln on Christmas Day 1864
The capture of Savannah on Christmas Day 1864 marks the completion of Sherman’s March to the Sea and the tipping point of the war in the Union’s favor. Savannah was occupied on December 20th, and though he flooded the rice fields around the city, Sherman largely spared the city itself. None of the mansions were harmed, and the churches were allowed to stay open. In areas where food was scarce, the troops put together carts loaded with Christmas dinner and delivered food pulled by mules dressed as reindeer. Despite the war and occupation, Christmas still came to Savannah.
Christmas in Savannah is candy to the eyes
Steeped in rich traditions of Savannah's southern life
They celebrate with Santa and a festival with lights
Rolling down the river, singing Silent Night
CHORUS
Christmas in Savannah, 1864
Came with no holly, no wreaths upon the door
Christmas in Savannah came in the worst of times
'Cause Santa couldn't make it through General Sherman's line
Savannah fell to Sherman as that year drew to an end
And a victory letter from General Sherman's pen
Was sent with pride to Lincoln as a Christmas gift
While people in Savannah had to make the best of it
CHORUS
There were no Christmas carols heard in that war-town town
Til ninety Yankee soldiers from Michigan came 'round
With food and fresh provisions in wagons that were pulled
By little Christmas reindeer that looked a lot like mules
CHORUS [ends: Til ninety Yankee Santas brought cheer from Sherman's line (x2)]
Well, that old stone house is standing in the middle of the dell
Yes, that old stone house is standing where my brother used to dwell
Well, my family split in two by that Mason-Dixon Line
Yes, my family split in two by that Mason-Dixon Line
CHORUS
Well we stormed the hill at Potter's Point like lightning from the skies
And I shot my brother dead before I ever saw his eyes
And I swore right then and there, never to again
And I swore right then and there, never to again
Well I walked a thousand miles and my boots are showing skin
If I walk a thousand more I'll never kill again
And you can call me what you want, but a coward's what I am
You can call me what you want, but a coward's what I am
Well my brother took the north road and I stayed at home with pa
Yes, my brother took the north road and I stayed at home with pa
Well, the day my brother died, I quit the revolution
Yes, the day my brother died, I dropped my guns and ran
CHORUS
It was cold and wet the morning we left for Atlanta
We marched twenty five miles in the rain
Walking on muddy roads, crossing flooded creeks
Bridges burned out by rebel boys
Sent for men in horses to get more supplies
It's been sixth months since we've been paid
I've had a fever and a chill five weeks now
Haven't eaten in at least a couple days
CHORUS
Can't wait to see the old home
Is it still the way that I left it
Don' you cry, I'll be coming home soon
And we'll get married in the spring
We captured thirty rebels, they were hungry and cold
Most of them were only boys
Just turned twenty a few months ago
Spent my birthday in a camp near Bowling Green
Fought Rebels near Selma, more in Montgomery
They were outnumbered, their supplies very low
Looks like the end is coming pretty soon
Those Southern boys won't quit without a fight
CHORUS
I hope I'll be coming home soon
As I was walkin' down the road, 'twas on one summer's day
What d'you suppose I chanced to see, goin' the other way?
Well I knew it weren't the Navy nor the whole McDougal clan
'Twas a company of cowards, I could tell by the way they ran
Oh get around oh get around get around
Oh get around get away
'Tis a company of cowards
And they've come to save the day
You should've seen their uniforms, shabby as you please
Mighty shy of buttons, rather baggy at the knees
And such was their appearance, we laughed until we cried
It's a pity, Mr. Lincoln, they're not on the other side
Oh get around oh get around get around
Oh get around get away
'Tis a company of cowards
And they've come to save the day
I don't recall I ever heard that bugle sound retreat
I could only hear the thunder of a hundred scamperin' feet
It was forward into battle they came marching one by one
But I guess they thought it over, and they thought it best to run
Oh get around oh get around get around
Oh get around get away
'Tis a company of cowards
And they've come to save the day
All men who bear the saber share the scandal of that day
Napoleon would have died of shame to see them run away
Remember George at Valley Forge made the British boys behave
You can well imagine now he's rolling over in his grave
Oh get around oh get around get around
Oh get around get away
'Tis a company of cowards
And they've come to save the day
Adapted from Lee's Command by Albert J. Russo
A beloved way of life, in Southland's lazy way
Came into being as many worlds would say
Plantation's fertile fields and colonnaded home
A symbol of the Southland, its dignity and loam
Many slaves were slowly getting freedom's taste
As time-measured means, back then, to stop a war in haste
The War Between the States, South's blood and honor mars
They found their glorious flag: red and white with stars and bars
A waving fabric cloth, honors white and colored red
Reminds us of the promises that warring wounds had bled
The purity in its blue, ladyhood's southern belle
Rebels Lee, Jackson and Stuart, they never cease to tell
Battle-borne and battered, proudly waves through all the fray
Bullet-scarred and blood-stained, "never leave us" they did pray
When Appomattox came, in marched the Rebel men
They stacked their guns that caused this loss to assault the flag again
The loss of Southern Cause so slow for legs that lag
Never will the South surrender, its stars and bars displayed
Nighttime comes to Cumberland Mountain
I hear the sound of the distant bell
The birds all sing in the deep dark forest
They sing a song I know so well
CHORUS
Please don't go, please don't go
Can't you see I love you so?
But I've had to leave, Lord, I could not stay
For I wore a coat of Confederate Gray
I miss my home in the Cumberland Mountain
I long to lay by my sweetheart's side
The battle's won but there's no one singing
Seems I hear true love cry
CHORUS
Now I'm at home in the Cumberland Mountain
I'll stay til Judgment is at hand
My true love sings to me each evening
It's hard for her to understand
CHORUS
And her tears fall silent on my grave
For I wore a coat of Confederate gray
For I wore a coat of Confederate gray
Instrumental
We were on a walk down by the old field
Where the fire line led up where they kneeled
A hush filled our ears as we began to pray
The whole Union Army was asleep in our way
CHORUS
And I still remember you telling those lies
They sooner ran through them then through my disguise
Confederate soldier running through the night
You should grab my hand and see my eye
Well I thought we were safe til I heard the call
A lonesome old bugle sang the devil's song
Well, I dropped my rifle, picked up my speed
My old horse in Georgia was all I did need
CHORUS
Passing a homestead, saw a flickering light
You motioned me inside out of the night
You took off my coat, dear, and offered me some wine
And when the soldiers came knocking, one of their own they did find
CHORUS
Confederate soldier running through the night
You should grab my hand and see my eye
Instrumental
"Crossing the Wall" is a story about great grandfather, Griffith Creasy, a confederate soldier, Co. G, 28th Virginia Infantry when as an old man, he returned to Gettysburg to visit one last time the scene of Pickett's Charge where he fought and survived this famous battle. As he stands by the angle, he reminisces about the battle and shares the emotions of that day July 3, 1863. Just as he did, thousands of Union and Confederate Veterans came back to visit this bloodstained battlefield.
I went back to the battlefield to visit just once more
To see the scene of Pickett's charge where we fought in that war
I walked out to the angle and stood beside the wall
Recalled the face of thousands as they begin to fall
We marched up here from Richmond with Robert E. Lee
We came to fight the Yankees in eighteen sixty-three
Two long days we struggled to drive them from this land
And on the third we crossed this field to make our final stand
As memories flooded back, tears rolled down my face
I looked around at Gettysburg and saw a bloodstained place
I saw my brothers dying and others who would fall
I lived through the Rebel charge as we crossed this wall
Through the smoke of battle, I saw their faces well
Heard their cries of agony amid their Rebel yell
I heard the cannons rumble and the muskets roar
So many comrades crumbled gone forever more
We charged across the angle in hopes of victory
An awful fate awaited us there at that clump of trees
We fought them hand-to-hand with swords and stones and guns
But in the end, the fight was lost the boys in blue had won
This battlefield is silent it's been nigh sixty years
I still recall the thousands of comrades who were dear
Soon I'll go to greet them on that other shore
And one again we'll heed that call to charge across this wall
Yes one more time we'll dress in gray to charge across this wall
Another moon on the stinking Potomac
I'll be ready when the dogs break their chains
They’ve chased me like a thief through the dark roads of Virginia
But if I had to I would do it all again
Jefferson Davis is just a shadow
No heart left in Robert E. Lee
Useless, useless, they're all worse than cowards
Every Confederate heart has cut me free
CHORUS
Abandoned with the curse of Cain upon me
I am abandoned with the curse of Cain upon me
Abraham Lincoln had it coming
He had the blood of the Union to bear
He may rise like a ghost in every dream north of Richmond
But behind him I will always be there
CHORUS (x2)
I'm just a Damyankee way down in the South
I love to kiss Southern belles in the mouth
I laugh when they say all Damyankees are bad
For nobody knows I'm a Damyankee Lad
When I found old Sherman had left me behind
A very strange notion came into my mind
I dressed up in grey and I made up a spiel
And I headed straight for the town of Mobile
CHORUS
I'm having fun like I never have had
Nobody knows I'm a Damyankee Lad
Not far from Atlanta I heard people say
Old Sherman had taken the food all away
'Twas there that I smiled on a lovely Mad-dam
Who fed me on honey and peaches and ham
I stopped in the country and got in a tight
Where six widows claimed me and had a big fight
I had to be slick as a slippery eel
To get on my way to the town of Mobile
CHORUS
I got to Mobile and I found a Creole
She captured my heart an' she captured my soul
It's been twenty years since I made up my spiel
And went on my Damyankee way to Mobile
I've raised a fine family of girls and young men
They swear that damn Yankees are all full of sin
They'd call you a liar if you said their dad
Had marched to Mobile as a Damyankee Lad
CHORUS
When I get so old that I'm ready to die
I'll put on my uniform blue as the sky
They'll march 'round my coffin and won't they get mad
When they learn that I was a DamnYankee Lad
I'm just a Damyankee way down in the South
I love to kiss Southern belles in the mouth
I laugh when they say all Damyankees are bad
For nobody knows I'm a Damyankee Lad
CHORUS
The song is originally from the pre-Civil War ballad called 'Ella Rhee.' It is, no doubt, from the Negro-minstrel stage, though its history is vague. The chorus is unchanged from the original but the verses in this version are of the post-Civil War era. It is the story of a slave who has run away from his master but longs for his love (Alalee, who is undoubtedly a slave also) and therefore wishes to return.
Sweet Alalee, so dear to me
She's gone for ever more
My home was down in Tennessee
Before the cruel war
CHORUS
Then carry me back to Tennessee
There's where I long to be
Among the fields of yellow corn
With my darling Alalee
Oh why did I from day to day
Keep wishing to be free
And from my master run away
And leave my Alalee
CHORUS
They said that I would soon be free
And happy all the day
And if they'll take me back again
I'll never run away
CHORUS
"Hope you enjoy my anti-war tribute to the common soldier at Antietam. Two-finger and clawhammer style banjo" (via Facebook group "Dedicated to Old Time Music" post)
I am a rebel soldier a long way from home
Am a rebel soldier a long way from home
General Lee gave the order, north we must roam
We marched all week, to Sharpsburg we did come
Marched all week, to Sharpsburg we did come
One thing I knew for sure is that I would never run
We took our possition at Antietam Creek
Took up our possition at Antietam Creek
By the dawn's early rise, we could hear the cannons' shriek
We saw the Yankee's come and bullets flying around
Saw the Yankee's come and bullets fly around
Our sargeant gave the order, "Boy's, hold your ground"
I looked to my left and I looked to my right
Looked to my left and I looked to my right
Two friends were dead and two more were dying
I fired my gun and a Yankee went down
Fired my gun and a Yankee went down
Gave up his last breath with a mournful sound
We fought all day to keep Burnside off that bridge
Fought all day to keep Burnside off that bridge
By the bloody sun went down there were four thousand dead
I am a fortunate man, I come out of there alive
Am a fortunate man, I come out of there alive
With one arm, one leg, and one good eye
The "Good Time Coming" is almost here!
It was long, long, long on the way!
Now run and tell Elijah to hurry up Pump
And meet us at the gumtree down in the swamp
To wake Nicodemus today
Nicodemus, the slave was of African birth
And was bought for a bagful of gold
He was reckon'd as part of the salt of the earth
But he died years ago, very old
'Twas his last sad request so we laid him away
In the trunk of an old hollow tree
"Wake me up!" was his charge, "at the first break of day
Wake me up for the great Jubilee!"
Fellas don't you see the light
The day of liberty's coming, coming
Almost gone, the gloomy night
The day of liberty's coming
Hi-ho, we gladly sing
Aloud, loud our voices ring
Good news, the Lord he bring
Now let my people go, oh
Just you look and see that light
The day of liberty's coming, coming
Almost gone, the gloomy night
The day of liberty's coming
The Union folks they wait so long
We think they never was coming, coming
And Secesh he got so strong
We think they never was coming
Now Uncle Abe he say
Come, Massa, while you may
And for the slave he'll pay
For he must let us go, oh
Just you look and see that light
The day of liberty's coming, coming
Oh, the blessed, blessed sight
The day of liberty's coming
He was a prophet -- at least was as wise
For he told of the battles to come
And he trembled with dread when he roll'd up his eyes
And we heeded the shake of his thumb
Though he clothed us with fear, yet the garments he wore
Were in patches at elbow and knee
And he still wears the suit that he used to of yore
As he sleeps in the old hollow tree
Just you look and see that light
The day of liberty's coming, coming
Almost gone, the gloomy night
The day of liberty's coming
Nicodemus was never the sport of the lash
Though the bullet has oft cross'd his path
There were none of his masters so brave or so rash
As to face such a man in his wrath
Yet his great heart with kindness was filled to the brim
He obeyed who was born to command
But he long'd for the morning which then was so dim
For the morning which now is at hand
By folks in this sweet trust
The day of liberty's coming, coming
We will fight and die for us
The day of liberty's coming
Yes, yes, we'llfight and sing
Loud, loud our voices ring
Soon, soon, the mighty king
Will let his people
Just you look and see that light
The day of liberty's coming, coming
Now we'll help the Yankees fight
The day of liberty's coming
Oh, the Lord will bring it right
The day of liberty's coming, coming
From this dreadful bloody fight
The day of liberty's coming
Shout, everyone shout and sing
Aloud, let your voices ring
Soon, soon the mighty King
Will let his people go, oh
Just you look and see that light
The day of liberty's coming, coming
Yes, the Lord will bring it right
The day of liberty's coming
'Twas a long weary night -- we were almost in fear
That the future was more than he knew
'Twas a long weary night -- but the morning is near
And the words of our prophet are true
There are signs in the sky that the darkness is gone
There are tokens in endless array
For when the storm which has seemingly banished the dawn
Only hastens the advent of day
Just you look and see that light
The day of liberty's coming, coming
Yes, the Lord will bring it right
The day of liberty's coming
Dear Sarah I’m stuck on a train bound for Richmond
We marched down from Gurnstown uphill all the way
At the train stop in Stanton, we pulled up and climbed on
Then we just sat there for a night and a day
Chorus:
And the nights are long, but I write you ev’ry day
And I hum a song that you used to sing
The one of sweet William his love, Barbara Allen
And how she was always a long ways away
My insides are all torn from hard tack and parch corn
My hat flew in a windstorm so the sun has turned me red
The first chance to lie still I pull out your Bible
But fall fast asleep before one verse is read
CHORUS
Dear Sarah in parting keep me in your heart
I do not drink or gamble ‘cause I promised you I’d do
So as not to mislead you I did have a need to
When we were surrounded and looked like we were through
CHORUS
The one of sweet William, his love Barbara Allen
And how she was always a long ways away
In Scarlet Town, I did dwell. There was a fair maid a-dwellin’
Many men cried, well, for the love Barbara Allen.
This could be my last letter
I may never see the cotton fields of home again
I miss you, dear sister
Tonight I never felt so all alone
And the fog was so thick
That the Stones River stars
Could scarcely invade
The dread and the dark
And all that I could see
When I closed my eyes to dream
Was home, sweet home
In the camps around Forrest
The midnight coals were glowing through the haze
The union boys sang Hail Columbia, and
We sang look away, look away
Then a hush in the rain
And there rose a sweet refrain
In the dark before dawn
And instead of battle songs
The enemy and we all sang a melody
Of Home, Sweet Home
So if this is my last letter
And I never see the cotton fields of home again
And if I fall here at Stones River
I know that God will bear away my soul
To be with Him
And I'll wait for you there
Where all is bright and fair
Where the light of his face
Outshines the blue and gray
Where all of humankind
Yes every man will find
His home, sweet home
Devil Forrest's blood-stained hands
Father of the Ku Klux Klan
Sent many to that hanging line
Made 'em die before their time
CHORUS
Yeah, they died before their time
Died before their time
Execution in the streets
The Hutu and the Tutsi meets
Weapons falling from the sky
Helped 'em die before their time
CHORUS
When art and music threatened rule
Prison camps where once were schools
Pol Pot stacked the skulls so high
Millions died before their time
CHORUS
Charles Taylor had a dirty skill
Teaching little kids to cool
Liberia was soon inclined
To let 'em die before their time
CHORUS
The moral of the story, friend
Lust for power has no end
No matter what, where, when, or how
Those who lead must take a vow
Stand up for all human kind
So we don't die before our time
CHORUS (x2) [So we don't die... / Die before our time]
Die before our time
Instrumental
(Introduction from Steve Earle's 2004 Farm Aid performance [link]): I have written a bunch of songs about the Civil War over the years, and I don't know why that is, but there's been a ton of them. But I think I'm probably a little different from most Southerners who write songs about the Civil War in that I'm not a Southerner who believes that the Civil War was fought about states' rights -- I figure it was probably about slavery. And the reason that I believe that is everything I've read about it leads me to believe that it was about slavery as slavery related to economics at the time. And I believe with all my heart when it gets right down to it, whether they tell us or not, all wars are fought about money.
I stole this character outright from a book called The Killer Angels by Michael Shaara, which is a novel about the Battle of Gettysburg, and for those of you that have lives and don't sit around reading about the Civil War all the time, the guy in this song is a composite character based on three guys that actually lived and fought and two died fighting with the 20th Maine, at Gettysburg. And the 20th Maine was the unit at the end of the line on top of Little Roundtop the second day at Gettysburg, and if it hadn't been for them, all you motherfuckers would talk like me. It was close!
But this character, Buster Kilrain, was like a lot of people that were professional soldiers in that war -- he was from Ireland -- and he believed that the reason he was fighting the Civil War, is he believed he was fighting a class war; he believed that the system that he saw in the Southern United States was the same system that he fought against in Ireland and left to avoid. And it never ceases to amaze me the kind of pinko shit that you can sneak in on a bluegrass record -- I like my job.
I am the Kilrain, and I'm a fightin' man and I come from County Clare
And the Brits would hang me for a Fenian, so I took my leave of there
And I crossed the ocean in the Arrianne, the vilest tub afloat
And the captain's brother was a railroad man and he met us at the boat
So I joined up with the 20th Maine; like I said, my friend, I'm a fighting man
We're marching south in the pouring rain, we're all going down to Dixieland
I am the Kilrain of the 20th Maine and we fight for Chamberlain
'Cause he stood right with us when the Johnnies came like a banshee on the wind
When the smoke cleared out of Gettysburg, many a mother wept
For many a good boy died there, sure, and the air smelled just like death
I am Kilrain of the 20th Maine and I'd march to hell and back again
For Colonel Joshua Chamberlain, we all going down to Dixieland
I am the Kilrain of the 20th Maine, and I damn all gentlemen
Whose only worth is their father's name and the sweat of a working man
Well, we come from the farms and the city streets, a hundred foreign lands
And we spilled our blood in the battle's heat, now we're all Americans
I am the Kilrain of the 20th Maine -- did I tell you, friend, I'm a fightin' man?
And I'll not be back this way again 'cause we're all goin' down to Dixieland
Listen, friends, I've a tale of going to fight
The rhythm of death on an old rawhide
Old bass drum came straight from hell
Dodsworth drum played and the angels cried
It was '61 at the First Bull Run
Beauty and hope sprouted
Saw many men died on either side
While the Dodsworth drum beat counted
CHORUS
From the horror of Manassas to Abraham's final run
The beat told out the answer, no good would ever come
On morning, see the sunrise, a happy tune you'll hum
When you hear the sound of Carl's Dodsworth drum
Gettysburg called to the nation
A more stirring address was never heard
A clarion call of things to come
And along played Dodsworth drum
When the war was done and Lincoln had won
The president savior of the doomed
That Southerner decreed then shot like a thief
In a theater with Dodsworth drum drummed
CHORUS
As the funeral passed and people lost hope
The hunt for Abe's killer was done
The conspirators danced at the end of a rope
And I swear to the beat of a drum
CHORUS
When you hear the sound of Carl's Dodsworth drum
From Miss Pearle Webb, Pineola, Avery county. It may be one of "several song ballads" sent Dr. Brown on July 29, 1921. Compared with the printed version in Allan's Lone Star Ballads, Miss Webb's version shows several differences in the order and the diction of the drummer boy's prayer, and it simplifies the account of the burial.
On Shiloh's dark and bloody plain
The dead and dying lay.
Among them was a drummer boy
That beat the drum that day.
A wounded soldier held him up;
His drum lay by his side.
He raised his eyes and clasped his hands
And prayed before he died.
'I love my country and my God;
To serve them have I tried.'
He smiled, shook hands; death seized the boy
Who prayed before he died:
'Angels around the throne of Grace,
Look down from heaven on me.
Receive me in thy fond embrace
And carry me home to thee.'
Each soldier wept then like a child.
Stout heart and brave were they
Who mourned the loss of the drummer boy
Who beat the drum that day.
They wrote upon a single board,
Each word it was a guide;
They mourned the loss of the drummer boy
That prayed before he died.
Angels around the throne of Grace
Look down upon the brave
Who fought and died on Shiloh's plains
And now slumbers in the grave.
Thirteen hundred died that day
It took ten good men just to dig the grave
Burried them shallow, they burried them deep
Burried them next to Dry Run Creek
CHORUS
And their momma's cried
Oh my Lord, how their momma's cried
Well, they weren't just blue and they weren't just gray
Death took no sides when it came that day
They laid them down side by each
They placed no stones at their head or feet
CHORUS
When the digging was through they gathered round
A lonesome dove made the only sound
They said prayers, got to their feet
They left their friends at Dry Run Creek
War'd been over for about a week
Word hadn't gotten to dry run creek
Fought and died right to the end
A battle that shoulda never been
CHORUS
West Virginia broke away after Virginia's secession from the Union. In the border states, depredations were numerous. Ron has this from Sherman Hammons and sister Maggie, whose ancestors migrated from Kentucky to West Virginia at the time of the Civil War.
One morning, one morning, one morning in May
A pretty young soldier, lamenting and saying
"O Molly, my dear Molly, it's from you I must roam
And leave my aging father, my country, and my home
I bid farewell to old Kentucky, no longer can I stay
Hard times and the rebels, they're driving me away
Hard times and the rebels are causing me to roam
I am a Federal soldier far from my home
I will build me a castle on yonders mountains high
Where the wild geese can hear me as they go passing by
Some turtle dove may hear me, and come to me to mourn
I am a Federal soldier, and far from my home
So here's a glass of good old whiskey, and a bottle of port wine
So you can drink to your true love while I will mourn for mine
For to go with General Burnside, his army now to roam
I am a Federal soldier, and far from my home
Walk through the valley with me, young soldier
Let me take the breath from your life
Your mother may lay there, sound asleepin'
At your age you'll never know a wife
They held Atlanta, boys, they tried
But soon she fell by the way
Let's drink to the memory of those who died
For in ashes our Georgia lays
CHORUS
He's gone to his final reward
Seen the savior's sword
Touch the coat of Robert E. Lee
Like it was the garment of the Lord
This country was built on arrogance
And the blood of the fallen men
When brother shot brother those years ago
Let it not happen here again
CHORUS
Well, let us rise up now to become
Greater than we were before
The colors on this here flag
Yes, in that fire been forged
CHORUS
Adapted from Lee's Command by Albert J. Russo
Black clouds of war was hovering o'er the Southland like a plague
The North and South, both thought was right, marched proudly for their flag
In President Buchanan's time, his last four months in power
The Union disintegrated, Congress watched its faded flower
Six states from the Union then withdrew, gave loyalty the riot
For guardsmen shelled Fort Sumter, and that was the first shot
Then fears of Carolina folk hoorayed in Southern mind
General Lee and Jackson stook a stand, for a vengeance they would vie
If then they could have only known the sorrow war would bring
The first shot would have not been fired on enemy or friend
So many thousand died in vain, the soldiers do believe
If that first shot had not been fired, peace might have been achieved
The shoulder-to-shoulder tactics used by rifled muskets changed
Too soon to many clumps of dead, to a defensive war arranged
Today we decorate their graves, their honor marks the spot
They lost their lives on the battlefield all because of one first shot
In a 2020 FaceBook livestream (link), Eller explained the origins of the song as follows: "I sing a lot about the Civil War and stuff like that. And it seems like any time there's a war or anything like that, somebody gets totally forgotten, and of course, back in those days, whether you were on the North or the South, if you're a woman, you got left behind. Just trying to make things... work out, you know?"
I remember thinking it was over
And that man of mine would soon be coming home
But nowadays you can't depend on nothing
And I never can get drunk in this house all alone
And the falling of the shadows wakes me up when I need you most
And I'm so tired of following this ghost
The picture frame on the fireplace has rusted
And Abraham Lincoln can go to Hell
Well, for all I care this civil war is just murder
And your yellowed face don't hardly ring a bell
And the rumors out of Richmond echo down in the morning post
And I'm so tired of following this ghost
Oh, I'm so tired of following this ghost
My nights all burn up in this heat and turn to steam
But I know they're drinking on that battlefield
And praying every night just makes me mean
I'm not asking much, I'm just saying that I can't stay up
And if this thing is ever done
Don't bother and wake me up to say who won
And the summers are longer every year
And the wind don't blow down the southeast coast
And I'm so tired of following this ghost
Oh, I'm so tired of following this ghost
Instrumental
Instrumental
Andrew's Union raiders set out to undermine
The Western Atlantic railroad line
From Georgia to Chattanooga, we'd tear up the track
Cut Southern supply lines, make way for a Union attack
Listen to the train, the General, listen to the train
Listen to the train, The General, listen to the train
Oh, down in North Georgia, in the Spring of '62
All of the passengers and the General's crew
Stumped up for breakfast in Big Shanty town
While eighteen Ohio boys made of with The General Tennessee-bound
We sped to the North destroying as we'd go
But our luck ran out over by Jericho
We pulled up the track, cut telegraph wires
Pursued by Conferate trainmen on the Texas high-flyer
The Texas high-flyer was hot in pursuit
Ran in reverse, closed the gap on our route
Just north of Ringgold we ran out of steam
Got 87 miles to the end of our dream
Captured and hung in Atlanta one day
Oh, we did some damage but Hell was to pay
We didn't change a battle, we didn't change the war
And now they've gone on to their final reward
Listen to the train, the General, listen to the train
Listen to the train, The General, listen to the train
CHORUS
Come a high-de-diddle, boys, play on your fiddle
Come a high-de-diddle-dum-doe-de-yay
Play me a tune 'neath the Georgia moon
Then we'll all have a little peach brandy
Now the Yankees came and the cannons roared
And the sky was red as crimson
It was Sherman's turn so Atlanta burned
And the South lost another fine lady
CHORUS
Now I'm a-goin' home to my Georgia land
But I don't walk like I used to
I hope I find her heart's still mine
And a warm hand to hold on to
CHORUS
Well, the house burnt down and the barn did, too
And the little old lady's gone
But we'll have a tune 'neath the Georgia moon
So Heaven can sing along
CHORUS (x2)
Adapted from Lee's Command by Albert J. Russo
On the evening before the Battle of Gettysburg
It was around about nine that night
The Rebel men gathered and beautiful songs
Were sung to the soldiers' delight
Then singing and gaiety ended
The Federals replied tunes in kind
Dixie and Aura Lee then filled the air
Thoughts of loved ones and home filled their mind
On Rappahannock's banks these two armies
Quietly listened to the words of Home Sweet Home
While a hundred thousand men were regrouping
On the morrow they'll be covered with loam
Cannons and muskets and sabers were used
Hitting hard into General Pickett's lines
Out of fifteen-thousand, eleven only reached the angle's end
Retreating rebels left their dead on the vines
In Gettysburg's armageddon battle
General Lee lost twenty thousand men
The tide suddenly turned with its rattle
General Grant knew the war would soon end
Gettysburg will always be remembered
For this was the turning point of the war
Now today, we're a nation united
There's no hatred remembered anymore
A bunch of Rebel soldiers were sittin' 'round one night
A-talkin' to some Yankees in a spot way out of sight
They'd stepped across the picket line to have a little chat
A chawin' their tobaccer and swappin' this and that
And while they were a-talkin' they looked a-way up high
And there they saw a man a-walkin' across the moonless sky
He sat down on a pillow upon a thunderhead
He looked down on the soldiers and this is what He said:
CHORUS
You Yankees and you Rebels, shake hands and then caress
Go home and read your Bible and the Gettysburg Address
The boys ran to their bed rolls afraid to talk out loud
About the mighty giant they'd saw upon the cloud
Next day two famous general met near an apple tree
And one of them was U.S. Grant and one was Robert Lee
And when they'd finished talking and everybody knew
The awful war was over, they shouted Hallelu'
And all the people wondered about the thunderhead
Did U.S. Grant and Robert Lee hear what the giant said?
CHORUS
You'll never build a nation in all this bloody mess
Go home and read your Bible and the Gettysburg Address
You've got the grandest country this world has ever known
Your Constitution is the brightest star that's ever shone
CHORUS
Go home and read your Bible and the Gettysburg Address
The Yanks took our corn, the Rebs took our cotton
The bank took our land and the tax got our home
We yoked up our oxen, then loaded our wagons
With a drove of poor yearlings we started to roam
CHORUS
Git along, little yearlings, we're a-going to Texas
Don't stray far away or you can't hear the bell
Git along, little yearlings, we're a-going to Texas
Stay close to the wagons and all will be well
Twas in Alabama we lost our first wagon
We thanked the good Lord we'd lost only one
In ol' Mississippi we fought the Jayhawkers
And in Lou'siana we buried a son
CHORUS
There's bears in the woods, and there's wolves and there's Indians
There's quick sandy holes and there's mountains of stone
Last night a poor yearling strayed too far from camp
And this morning we found just a bundle of bones
CHORUS
Hooray and hurrah, give a big Hallelujah
The journey is ending, we're very near there
Give thanks to the oxen and pray to Jehova
We'll soon be a-resting beneath the Lone Star
CHORUS
“As soon as we reached the water’s edge, we began to sing that grand old hymn ‘There is a Fountain Filled with Blood’ and at once the enemy began to leave their works and hastened to the riverside.” -Reverend Willie Ragland, Chaplain of the 13th Virginia Brigade.
In December 1863, the Union Army of the Potomac and the Confederate Army of Northern Virginia came together over the Rapidan River, not in violence, but in song. Though just days before they were locked in bloody conflict, on this cold morning God was praised as they sang together the old hymn, “There is a Fountain Filled with Blood”, while a Confederate soldier (Goodwin from Company A) was baptized by the Confederate Chaplain. Despite being enemies, the tired and homesick men laid down their weapons to celebrate Jesus, and embrace the truth that God didn’t choose sides.
On a river in Virginia, in the middle of a war
There were Rebels on the south side, and Yankees on the north
The sounds of war fell silent til all that could be heard
Were the songs of faith in Jesus, both sides knew them word for word
CHORUS
God didn't choose sides 'tween the Blue and Gray
He didn't choose sides, in His eyes they were the same
For every man who died, Heaven's arms were open wide
They'd hear "Soldier, welcome home. God didn't choose sides"
Now on both riverbanks together, souls of Blue and Gray were saved
They were baptized in the waters were blood had flowed that day
Some soon would meet in Heaven, where on common, peaceful ground
All husbands, sons, and fathers, finally laid their weapons down
CHORUS
For every man who died, Heaven's arms were open wide
They'd hear "Soldier, welcome home. God didn't choose sides"
Going across the mountain
Oh, fare you well
Going across the mountain
You can hear my banjo tell
Got my rations on my back
My powder it is dry
I'm a-goin' across the mountain
Chrissie, don't you cry
Going across the mountain
To join the boys in blue
When this war is over
I'll come back to you
Going across the mountain
If I have to crawl
To give old Jeff's men
A little of my rifle ball
Way before it's good daylight
If nothing happens to me
I'll be way down yander
In old Tennessee
I expect you'll miss me when I'm gone
But I'm going through
When this war is over
I'll come back to you
Going across the mountain
Oh, fare you well
Going across the mountain
Oh, fare you well.
(written by Chris Whelan & Kevin Winchester [BMI])
Pardon me if I should cry
This could very well be our last goodbye
Try, darling, to understand
That your Johnny's gone to take a Rebel stand
CHORUS
So goodbye little darlin'
You will hear my heart callin'
As I turn and go down 'round the bend
And just you remember
If I cross o'er the river
I will hold you in my arms again
Often shall I think of you
And my longing heart will be forever true
If by chance that I am slain
Please place a laurel wreath o'er my grave
CHORUS (x2)
General Grant and General Lee met beneath the apple tree
"The war is over" "Yes-siree, all of us fighting men are free"
CHORUS
Goodbye reb, y'all come, goodbye reb, y'all come
Goodbye reb, y'all come, we'll have a cake and a bottle of rum
I've got a sweet thing in New York, I've got a sweet thing in New York
I've got a sweet thing in New York, I'm gonna tell her about this war
Well, I've got a wife in New Orleans, I've got a wife in New Orleans
I've got a wife in New Orleans, I want some of her turnip greens
CHORUS
Sister said to bring her, yay! Sister said to bring her, yay!
Sister said to bring her, yay! Her corn cellar ain't got no prey
Bring your sister to Ohio, bring your sister to Ohio
Bring your sister to Ohio, my good brother will be her beau
CHORUS
Ain't a-gonna play war no more, ain't a-gonna play war no more
Ain't a-gonna play war no more, I lost my hat and my pants got tore
I'm so glad this war is done, I'm so glad this war is done
I'm so glad this war is done, let's home and have some fun
CHORUS (x2)
Instrumental
Where the cold, clear mountain spring did roll
The green beech tree hung ‘cross the road
Iron rim wagons caught the sun
Back in the year of sixty-one
Now Sherman’s army marched around
In 64, he burned Georgia down
Settings wings to the feet
Of every living soul he’d meet
CHORUS
Graycoat Soldiers have gone
Marching in a ragged war
Young wives and babies cried alone
For fathers, they saw no more
Well, they tore up rails and wrecked the bridge
Down by the hill they call Mission Ridge
Hell it raged for days and nights
An end it seemed was not in sight
Well they loaded up the cannon with nails and chains
A noise that would drive a man insane
Rifles rang sharp and loud
In that battle above the clouds
CHORUS
Graycoat Soldiers have gone
Marching in a ragged war
Young wives and babies cried alone
For fathers, they saw no more
Now they’re all gone to the rocks and the hills
And the green grave yard on the hill
And no one does recall the day
Corporal Johnson rode away
And cast iron markers they stand there
Guarding the battleground with care
Cannons rest all in a row
Prepared to meet some ghostly foe
CHORUS
Have you heard the red hawk's cry
In the morning high on Roan Mountain
When the sun comes up over Carolina hills
The wind sweeps softly through the pines
Have you seen the blue smoke rise
From the chimney down in the valley
Where the big water wheel turns the iron ore to steel
Harder than a heart that's made of stone
CHORUS
The trail winds up past the rocks and the balds of the Roan
And it's leading me back to the old home 'neath the pines
Why did I decide to roam?
I had shared the stream with the wounded
I washed my eyes that were blind from the gunsmoke
And when the fighting was all done and we knew that we had won
We laid our brothers in the ground
Every spring I return to Roan Mountain
Just to search for the heart that was lost there
And I look for the stones that mark long forgotten bones
Harder than the steel that cut them down
CHORUS
Have you heard the red hawk's cry
In the morning high on Roan Mountain
When the sun comes up over Carolina hills
Why did I decide to roam?
Hardtack and salt pork was standard food issue to soldiers of the Union Army, and because of its ability to remain safe to eat for long periods of time, it was issued in plentiful amounts to troops on the move, marching from one location to another or one battle to another. Soldiers grew to dislike the steady diet of salt pork and hardtack and complained vigorously about it, but because of hunger and the lack of other food, they ate it anyway. From another point of view, Robert Catlett Cave, of the 13th Virginia Infantry, related that upon securing a Union haversack containing hardtack and raw pork from the field following a battle, he scraped the raw pork and spread it on the hardtack. He said, "I found it to be rather tasty." (Hardtack and Raw Pork) The song pokes fun at its constant issue and tells the sad but funny tale of the ordinary soldier's feeling toward it.
Well it's hardtack and salt-pork to eat every day
We dont like it, it's the Army way
I swear I won't take it but do any way
So it's hardtack and salt-pork to again today
One day they gave us beans and cornbread
But the cornbread had weevils that weren't even dead
We were happy to get it -- it sure were a treat
Cause hardtack and salt-pork just ain't hard to beat
Well they sent me to prison but I ran away
Cause dinner was rat soup and rice every day
I went back to my unit without delay
And was happy for hardtack and salt-pork that day
We found some green apples and ate them instead
In just a few hours we wished we were dead
Cause this old dysentery it sure is a fright
We were glad to get hardtack and salt-pork that night
Whenever we wake up, the men always pray
That we won't have hardtack and salt-pork that day
They all ask for biscuits and gravy and steak
But there's only two things that the Army can make
I've ate so much hardtack and salt-pork by now
That when I find water I drink it all down
When this war is over if we loose or win
I will never eat hardtack or salt-pork again
At the beginning of the Civil War the men in Arkansas where I [Jimmy Driftwood] live, Searcy and later Stone Counties, said they would not fight against the U.S. Government, neither would they fight against their friends in the South. They were rounded up and captured by the southern army and marched away to Little Rock in chains. I was told there were 100 of them and the odd man just wore a ball and chain whereas the other 99 were chained in three's. The man with the ball and chain got into the thick willows in a creek near my home and got away according to legend. He never was captured nor would he ever let the welded chain be cut off his body. Wherever I have sung this song, there have been differences of opinion as to its meaning. Alan Lomax thinks this is one of the greatest songs he has ever heard and he said, "Let each individual interpret it for himself."
One night as I lay on my pillow
Moonlight as bright as the dawn
I saw a man a-walking
He had a long chain on
I heard his chain a-clanking
It made a mournful sound
Welded around his body
Dragging along the ground
CHORUS
He had a long chain on
He had a long chain on
He had a long chain on
He stood beside my window
He looked at me and he said
"I am so tired and hungry
Give me a bite of your bread"
He didn't look like a robber
He didn't look like a thief
His voice was as soft as the moonlight
His face full of sorrow and grief
CHORUS
I went into my kitchen
Got him a bowl full of meat
A drink and a pan of cold biscuits
That's what I gave him to eat
Though he was tired and hungry
A bright light came over his face
He bowed his head in the moonlight
He said a beautiful grace
CHORUS
I fetched my hammer and chisel
Offered to set him free
He shooked his head and said sadly
"I guess we had best let it be"
When he had finished his supper
He thanked me again and again
Though it's been years since I've seen him
Still hear him draggin' his chain
In the grim and final hour of the War between the States
He had enough dying, all the grief that he could take
From the Appamattox Courthouse, where the deed was sadly done
There was no place left for him to go but home
He walked all the way home to Southampton County
To carry all he owned and try to forget
Wearing sadness like a mantle for the friends he lost in vain
He walked all the way home to start his life again
In the end he knew the reasons but so many had been lost
For years to come the fallen would sleep beneath the cross
What he held in angry silence, time could never burn away
It was just the saddest price he'd ever pay
He walked all the way home to Southampton County
To carry all he owned and try to forget
Wearing sadness like a mantle for the friends he lost in vain
He walked all the way home to start his life again
When he stopped to take some water at a little roadside place
A pretty southern widow sadly looked into his face
As they talked a while his blue eyes seemed to ease her broken heart
One day he came back and took her home
He walked all the way home to Southampton County
To carry all he owned and try to forget
Wearing sadness like a mantle for the friends he lost in vain
He walked all the way home to start his life again
He walked all the way home to start his life again
Norm Cohen, in Long Steel Rail: The Railroad In American Folksong, states "There is nothing in the text of this song to link it unequivocally with either the Civil War or the Spanish-American War. The pieces was published in 1899 with words and music credited to Gussie L. Davis... however it was not uncommon for sentimental songs to be published in the 1890s that dealt with the Civil War. (Nor is it out of the question that Davis rewrote an earlier song or poem, as he did in the case of 'In the Baggage Coach Ahead.')"
Text from Songs As Sung by J. E. Mainer and His Mountaineers (1967)
One morning when the office had opened, a man came over here
To the express office, showing signs of grief and fear.
When the clerk approached him, with trembling words to say:
"I'm waiting for my boy sir, he's coming home today."
["]You have made a sad mistake, and you must surely know
This is a telegraph office sir, and not a town depot.
If your boy is coming home, this perfect mother's day
You'll find him with the passengers, at th station over the way.["]
"You do not understand me sir," the old man shook his head
"He's not coming as a passenger, but by express", he said.
"He's coming home to mother," the old man gently said
"He's coming in a casket sir, he's coming to us dead."
Then a whistle pierced the air, the express came in on time
The old man raised in a breathless speech and quickly rushed outside.
Then a long white casket was lowered to the ground
It showed a sign of grief and fear for those who gathered around.
"Do not use him so roughly boys, for that contains our darling Jack
He went away as you boys are, this is the way he's coming back.
He broke his poor old mother's heart, these things come true
And this is the way they all come back when they join the boys in blue."
CHORUS
I'm headed South to North Carolina
This tar on my heels won't slow me down
Four years I've been gone and trying to get back home
To a little girl I left there crying
In our cabin in the Carolina pines
In Virginia we got our parole
And the Colonel said that we could go
He didn't have to tell me twice, I was through with all the fights
So many battles fought even though our cause that was lost
Goodbye to the lonely nights on picket
Goodbye to the moldy hard-tack biscuits
Not more cussin', screamin', cryin', no more watching my friends dyin'
Now I put my dirt feet on that old dusty road
CHORUS
When I kissed her at our cabin door
So many tears I've never seen before
But I remembered every day the last words she had to say
Right here I'll always be, oh, she's thinking back to me
CHORUS (x2)
Jackson fell in Chancellorsville, and his own men shot him down
May the 12th in '63, they laid old Jackson down
General Lee lost his right arm when he laid old Jackson down
Yeah, they laid old Stonewall down
JEB Stuart was next in line to fill old Jackson's shoes
To stand up to a Stonewall had to be hard to do
Then May the 10th in '64 they got old JEB Stuart too
Lord, they got old JEB Stuart too
A.P. Hill was next in line before the fight was through
He rode hard at Petersburg to aide his battered troops
Then a Yankee bullet found his heart and A.P. Hill was through
Oh, A.P. Hill was through
Chancellorsville and Yellow Tavern, sacred southern ground
Petersburg, then on to glory, heroes will be found
And when the final armageddon turns this world around
And Jesus comes back to sounds of trumpets through the land
I'll bet that Jackson, Stuart and Hill will be on His right hand
Will be on His right hand
Chancellorsville and Yellow Tavern, sacred southern ground
Petersburg, then on to glory, heroes will be found
Heroes will be found
Heroes will be found
Been marching on this old road since the break of day
Quick-stepping all the way
This time we'll have the high ground and we'll be here to stay
If they hit us now, well, they'll hell to pay
CHORUS
Hold the line, boys, hold the line
They're forming up to hit us one more time
We can't let 'em break us 'cause it could turn the tide
Close 'em up, we've gotta hold the line
We finished up the trenches across the valley road
Really had that dirt a-flyin'
Then the Colonel says we got 'em, they're in for a hard time
We got good ground if we'll just hold the line
CHORUS
Earlier they hit us with a mighty valiant charge
All we saw was men in blue
Boy, they really pressed us but they broke at fifty yards
But they're coming back and we know just what to do
CHORUS
Boys, hold the line
They're forming up to hit us one more time
We can't let 'em break us 'cause it could turn the tide
Close 'em up, we've gotta hold the line
Whiskey is good medicine, it helps with great and small
But when you're in the army, headquarters gets it all
They drink it by the barrel, the drink it by the yard
But if a private touches it they put him under guard
CHORUS
Oh, how do you like the army, the rootin'-tootin' army
The high-falutin army where the soldier is a mule
Oh, how do you like the army, the rootin'-tootin' army
The high-falutin army where the big brass buttons rule
The generals eat the chicken til they cackle in their sleep
The colonels and the captains eat all the cows and sheep
When soldiers get so hungry they steal a mangy pig
The biggest dump in Dixie they're sure to have to dig
CHORUS
And when we take a city they put us all on duty
The general and his officers go in to judge the beauty
The generals get the choices, the majors get the pickin's
The captains get the servants and the privates get the dickens
CHORUS
In 1861 in it was, a hundred years ago
Our nation went to battle in a war that's shamed us so
Brother against brother, father against son
The Yankee bayonet against the Southern rebel gun
A hundred years ago, a hundred years ago
At Gettysburg the soldiers prayed
The shots were fired, the taps were played
A hundred years ago
Now it was at Fort Sumter that the bloody stage was set
For this great war our nation soon would not forget
Cousin killing cousin, so the story's told
Before the end we were to lose five hundred thousand bold
A hundred years ago, a hundred years ago
General Grant and General Lee
Shaped our nation's destiny
A hundred years ago
Vicksburg, Bull Run, Shiloh, Richmond, Chattanooga, too
Were the many battlegrounds where Greycoats met the Blue
Strewn with wounded Yankees dying in the mud
Wet with tears of anguish and all red with Rebel blood
Our nation suffered so let us now recall
For it must stand united or divided it will fall
If we learn the lesson the war has earned its worth
Our nation here united shall not perish from the earth
A hundred years ago (great God!), a hundred years ago
Our leaders sighed, they fought and died
While widows wept and mothers cried
A hundred years ago
I know moon-rise, I know star-rise (Oh, lay this body down)
I walk in the moonlight, I walk in the starlight (Oh, lay this body down)
I walk in the graveyard, I walk through the graveyard (Oh, lay this body down)
I lie in the grave and stretch out my arms (Oh, lay this body down)
I go the judgment in the evening (Oh, lay this body down)
And my soul and your sould will meet in the day (Oh, lay this body down)
I know moon-rise, I know star-rise (Oh, lay this body down)
I walk in the moonlight, I walk in the starlight (Oh, lay this body down)
I walk in the graveyard, I walk through the graveyard (Oh, lay this body down)
I lie in the grave and stretch out my arms (Oh, lay this body down)
I go the judgment in the evening of the day (Oh, lay this body down)
And my soul and your sould will meet in the day (Oh, lay this body down)
I know moon-rise, I know star-rise (Oh, lay this body down)
I walk in the moonlight, I walk in the starlight (Oh, lay this body down)
My Molly won't love me and she won't tell me why
So I'll jine Price's army and fight til I die
I don't mind the Federals, they jest make me made
But when Molly won't love me, it hurts me so bad
CHORUS
I'm a pore Rebel soldier a long ways from home
The fusses and the Federals won't leave me alone
The fusses and the Federals have caused me to roam
I'm a pore Rebel soldier a long ways from home
My mammy's against me, she says it's a shame
To go with the Rebels if fightin's my game
My brother's ole Sherman and my dad is ole Grant
But I'll stay with Price til they take off my pants
CHORUS
They say it's all over, Price laid down the law
So I'll go back home and have hell with my pa
They may take my country and they may take my gun
But I'll still be Rebel and a true Southern son
I'll hang up my rifle and give up my gin
And hope that my Molly will love me again
I'll build me a cabin on the mountaintop high
I'll be a good rebel til the day that I die
CHORUS
Theodrick “Tod” Carter was the tenth child of Fountain and Mary Carter and grew up in the quiet village of Franklin, Tennessee. In the Spring of 1861, Tod left a promising law career to follow his older brother into the Confederate Army. Tod’s love of adventure led him to thrive in the army, and he quickly became Captain Carter. In 1864, Tod found himself only a few miles from home. Energized by the thought of seeing his family, Carter volunteered to lead the 20th Tennessee Infantry in a charge toward the Union lines entrenched just south of Franklin, shouting “follow me boys, I’m almost home!” Tod was mortally wounded in the battle yards from his doorstep. His father found him, and after three years away from home, he died in his front parlor surrounded by his family.
The tenth child born in the early spring, never wanted for much of anything
Most of his life had things his way, 'til black and white turned Blue and Gray
A volunteer soon deployed, just another sandy haired rebel boy
Tennessee born and bred, his Southern blood he gladly shed
Heard the news from John Bell Hood, the Federal boys were up to no good
Dug in deep on Columbia Pike, won't give it up without a fight
He jumped up on his dapple gray, volunteered to lead the fray
With sabre high and a rebel yell, "c'mon boys, let's give 'em hell"
CHORUS
A thousand miles and a thousand days
Brought him back here to this place
Where once in simpler times he'd roam
"Follow me boys, I'm almost home!"
Huddled in the basement there, the sound of cannons through the air
Never once did it cross their minds, their youngest son on the field they'd find
From this world of sorrow torn, in the very house where he was born
As his father said, "You've done your best," he drifted off and took his rest
CHORUS
Most Civil War soldiers had not been more than a few miles from their homes, prior to joining the army, and then they found themselves perhaps hundreds of miles away. Thus, their thoughts of loved ones, mothers, fathers, sisters, brothers, and often sweethearts frequented their minds and dreams. Somehow thinking these good thoughts of home helped them through the rigors and difficulties of long marches, poor food, housing, and battles of simply being a soldier at war. In the song, "I'm Going Home Tonight," a soldier escapes all death and dying of battle by dreaming of home and loved ones, and looks forward to sleep and his dreams.
I left my home down in Kentucky
To fight in this old civil war
Most every day we fight a battle
Every night, I escape once more
I lay down on the cold hard ground
Tired and weary from our fight
Some of my comrades they didn't make it
But I'm going home tonight
I close my eyes and see sweet Becky
Hold her in my arms so tight
It's been a long time since I've seen her
But I'm going home tonight
Ma and Pa run out to greet me
In their eyes love shines bright
They throw their gentle arms around me
And I'm there at home tonight
There is no death or guns or battle
In this place of peace and light
Tomorrow a bullet might find me
But I'm going home tonight
From my dreams I wake come morn'in
And prepare for one more fight
If I make it through another day
I'll go home again tonight
Adapted from Lee's Command by Albert J. Russo
With the Civil War's 1861
Three hundred and thirty four men from Fauquier County
Each riding his own black horse
Enlisted with Jeb's black horse brigade and was off seaking for a fight in war's bounty
Now these horsemen were born to the saddle
And they knew well how to ride a steed
They rode and soon welded together
A great corps of fighting hell and leather lead
Now when McDowell's Union forces
Were badgered into a fight
Jeb Stuart's black horse cavalry
Charged and the Federals broke and ran with fright
Now when Jeb's sabre-riding cowboys
Rode proud behind their black horse banner
Bravely so rattled the Union morale
They couldn't fight in any manner
Fox hunters, planters, and just plain horsemen
Made up this famous black devil brigade
And they had the esprit de corps
And courage of a huge cannon's accolade
The swashbuckling and heroics exploits
Of Stuart's chosen horses and men
Surged forward two full years
Before Yankees even learned horses, or how to stay on them
But in due course of time
As disease and casualties mounted
Their black horses could not be replaced
And the cause for Confederacy discounted
Jeb Stuart's cavalry in Brandy Station's twilight
Bumped into ten thousand horses and Union forces might
The sad news came and General Lee knew
The Federals had learned to ride and fight
General Grant's blues never will forget
Hampton, Jones, Forrest, and Fitzhugh Lee
Equine princes Ashby and Stuart
Before surrender finally stopped the victory.
Those bluebells blooming near the waterwheel
It's springtime in Virginia down by Jenny's Mill
Well, the river bottom's calling for this land to be tilled
It's springtime in Virginia down by Jenny's Mill
CHORUS
How many miles to Virginia
When you're north of the Mason-Dixon Line
There ain't enough Yankee bluecoats
To keep me from springtime
Down by Jenny's Mill
Up the death-riddled road down Appomattox way
Lincoln and Lee agreed the killing stops today
Brother against brother, what's the fighting for?
We all died a little in that bloody war
CHORUS
Woah, as I travel back across the blood-stained hills
I see makeshift cemeteries in barren burned-out fields
What used to be a memory now I see is real
Oh, it's eighteen hundred sixy five down by Jenny's Mill
CHORUS
It's eighteen hundred sixy five down by Jenny's Mill
A mild-mannered country boy got a fire in his eyes
When the Yankee soldiers and beat him while his daddy hung and died
Jesee joined Quantrill's men when he turned fifteen
He was born of a preacher man but he grew up hard and mean
CHORUS
Jesse James, you left your name in the rebels hall of fame
Jesse James, you left your name in the rebels hall of fame
He was one-way ticket Rebel soldier and a damn good friend of mine
Fighting for the Union Army wasn't what he had in mind
Jesse joined Quantrill's men and he learned the outlaw ways
The only thing that Jesse feared was his final judgment day
CHORUS
When the war was done, he gave his gun the Yankee soldiers, then
On the way he home they shot him down and the hell broke loose again
He robbed him twelve Yankee banks and seven northern trains
Give 'em hell, Jesse James, give 'em again
CHORUS
(see also: The Jingling Hole from Linda Lay by John Lawless in Bluegrass Today)
There's a place hidden in the Blue Ridge where the shadows meet the trees
And a secret no one talks about but now the mountains keep
For folks there in those mountains, there was no blue or gray
They just wanted to be left alone to live life their own way
CHORUS
As the wind blows at night through the hollows
If you close your eyes and listen with your soul
The mountains may give up the gruesome story
About the Jingling Hole
Outsiders drew them to a fight they didn't care about
They fought a war within a war to keep those strangers out
Hidden in those mountains, a secret cave was found
Where mountain justice could be served from a deep hole in the ground
CHORUS
An iron pipe securely fit across a small abyss
Where captured enemies were forced to hang by fingertips
With spurs attached to leather boots a dance would soon begin
And the cave would hide screams of death that came from deep within
CHORUS
They just wanted to be left alone to live life their own way
John Wilkes Booth has let me down for the last time
God help us if we can’t pull this rotten tooth
I don’t care it the Civil War starts all over
I’m through waiting for John Wilkes Booth
We need a man like John Brown down in Harper’s Ferry
Dreams jumping out of his head, you can watch ‘em burn
Just a wild-eyed lunatic from Kansas
Somebody to teach ‘em a lesson that’s gonna stay learned
Where is John Wilkes Booth when we need him?
To drop a match in this powder keg?
That son of a bitch is up there in the balcony all alone
C’mon, John Wilkes Booth don’t make us beg
They’re dumping gasoline in the backyard, man I seen ‘em
Draggin’ Herbert Hoover out of that hole
They’re soaping over the windows in the Whitehouse
And they’re sinking all their money into coal
Where is Lee Harvey Oswald?
When we’re shaking and afraid?
We need a shadow in every window along the parade route
To make ‘em wish that they’d never joined that motorcade
Where is John Wilkes Booth when we need him?
C’mon man and shake that broken leg
That son of a bitch is up there in the balcony, man I can see ‘em
John Wilkes Booth don’t make us beg
John Wilkes Booth don’t make us beg
John Wilkes Booth don’t make us beg
John Wilkes Booth was a southern man
Son of an actor in Maryland
Bound for fortune on a gas-lit stage
Bound to die at a tender age
Washington to Baltimore
He played the bills and he slept with whores
And he burned inside with a hatred deep
For the man who caused the south to weep
Young Abe Lincoln wasn't young no more
Tired old man when he won the war
And he dreamed at night of his death by the hand
Of the bitter world and a faceless man
And he saw his body in a ghastly dream
Draped in black while his widow screamed
Two silver dollars on his eyelids lay
Abraham Lincoln has died today
And they said there were five and they said there were ten
Some say that there was never more than just one man
Who would smile to see Mr. Lincoln dead
In the name of God and Dixie
In the name of God and Dixie Land
John Wilkes Booth and his band of men
They'd failed before, but would not again
And Good Friday dawned with a fickle sun
Then Booth declared the day had come
And the word was passed and the guns were brought
Down to Mary Sarrat's boarding house
Sealed in a note, Booth named just four
But would the gallows would swing with many more
And they said there were five and they said there were ten
Some say that there was never more than just one man
Who would smile to see Mr. Lincoln dead
In the name of God and Dixie
In the name of God and Dixie Land
John Wilkes Booth went to his grave
With a bullet in his neck and a broken leg
A patriot and his fantasy
Of redemption, grace, and bravery
And those who were hanged and those who spent
Their lives behind a jailer's fence
Only Booth could have proved them free
Of the taint of the conspiracy
For they said there were five and they said there were ten
Some say that there was never more than just one man
Who would smile to see Mr. Lincoln dead
In the name of God and Dixie
In the name of God and Dixie Land
In the name of God and Dixie
In the name of God and Dixie Land
Well I wish I was in the land of cotton
Old times they are not forgotten
Look away, look away, look away
Dixieland
Oh, musket and cannon have torn his gray coat
Don't he look fine and handsome
Don't he look at his most
For he fought in the foxholes and at this I will boast
Don't they look fine and handsome
My poor Johnny Boy's Bones
CHORUS
Well, who will bring back my Johnny Boy's Bones
To lay beneath the trees of his Tennessee home
A box, a box made of sturdy white oak
With his arms folded up and his blue eyes all closed
Well he died for his country
And he died for his kin
And he died killing men
A most honorable sin
But them mean boys in blue
They done turned him in
When they laid him low
With a laugh and a grin
CHORUS (x3)
What a way to see the country, to get a pension and a half
Ain't no Federal gonna tell me where my gov'ment's gonna be at
Well, I was born in Mississippi, marched all the way through Tennessee
I learned to kill in north Virginia, keeping Yazoo City Yankee free
CHORUS
Johnny Reb, Johnny Reb, don't hold your head so high
Johnny Reb, Johnny Reb, keep your rifle by your side
Johnny Reb, Johnny Reb, don't make your momma cry
'Cause it's hot as hell in Gettysburg early in July
I ain't nothing but a cracker working river delta dirt
Only thing between beans and bacon was how hard I could work
The Thirteenth Mississippi gave almost forty cents a day
Now I gotta live until December or I don't collect my pay
CHORUS (keep your Bible by your side)
Smell of peaches sweet in the orchard, smell of powder in the air
Tween the captains barking orders, I hear the muffle sound of prayer
They say there's glory on Little Roundtop -- I've had all the glory I can stand
I seen the devil in Rappahannock -- I'm meetin' god in Dixieland
CHORUS (x2; first time, Bible, second time, rifle)
From the mountains outside Gettysburg, they marched us north and west
Yankee guns at our backs, and not much food or rest
I'm a prisoner of the Union, after two years in the war
At Johnson Island Prison Camp, just off Erie shore
CHORUS
Johnson Island, cold and damp
Dark Erie waters surround this Yankee camp
The bitter wind and blinding snow chill me to the bone
But in my soul a fire is burning for my Dixie home
In dreams of dear old Georgia, I smell the new-cut hay
Blazing sun bakes your brain and burns your back all day
I never saw a snowflake in that dear old Southern sky
But now the gray Ohio coast is covered solemn white
CHORUS
Been reading from the Good Book, I saw in black and white
St. Peter walked on water with Jesus late one night
Old Peter started sinking till he trusted in the Lord
My faith is in this frozen lake and I'm heading for the shore
Johnson Island, watch me run
Back home to Dixie, and that good old Southern sun
I'm staying in the Southland, but if I ever go
You'll never see this Georgia boy, any place it snows
Julie, oh Julie
Won't you run?
'Cause I see down yonder, the soldiers have come
Julie, oh Julie
Can't you see?
Them devils have come to take you far from me
Mistress, oh mistress
I won't run
'Cause I see down yonder, the soldiers have come
Mistress, oh mistress
I do see
And I'll stay right here 'til they come for me
Julie, oh Julie
You won't go
Leave this house and all you know
Julie, oh Julie
Don't leave here
Leave us, who love you, and all you hold dear
Mistress, oh mistress
I will go
Leave this house and all I know
Mistress, oh mistress
I will leave here
With what family I've got left, they're all I hold dear
Julie, oh Julie
Won't you lie?
If they find that trunk of gold by my side
Julie, oh Julie
You tell them men
That that trunk of gold is yours, my friend
Mistress, oh mistress
I won't lie
If they find that trunk of gold by your side
Mistress, oh mistress
That trunk of gold
Is what you got when my children you sold
Mistress, oh mistress
Don't you cry
The price of stayin' here is too high
Mistress, oh mistress
I wish you well
But in leavin' here, I'm leavin' hell
Just before the battle mother
I was drinking mountain dew
When I heard the sound of gunfire
To the rear I quickly flew
Where the stragglers were all gathered
Thinking of their home and wives
Twas not the Rebs we feared dear mother
But our own dear precious lives
CHORUS
Farewell, mother, you may never
Count my name among the slain
For if I only could skedaddle
Dear mother I'll come home again
This song was originally written by Floridian Don Oja-Dunaway in the 1970s and first recorded by country singer Gamble Rogers. It's now most widely remembered for Claire Lynch's two versions, one with Front Porch String Band and the other as a solo project. Oja-Dunaway apparently released an entire Civil War concept album circa 1989 called Kennesaw, but I've been unable to find much more about this.
I am but a simple man, I've got no command of the written word
I can only try and tell you the things I′ve seen and heard
Listen to the picture forever etched on my mind
The day that hell broke loose just north of Marietta all along the Kennesaw line
The day that hell broke loose just north of Marietta
Oh, the sun rose high above us that morning on a clear and cloudless day
A peckerwood tapped on the tree that would soon be shot away
Well, the heat blistered down through the leaves on the trees, the air seemed hot enough to catch fire
The heavens seemed to be made of brass as the sun rose higher and higher
Everything got real still and quiet, my old mess mate, Walter Hood
Said, "I believe them boys down there they're up to something, you know it ain′t no thing good"
Well the storm broke and swept down on us, rumbled through the hills
Walter sighed and dropped his rifle, he said something to me about whippoorwills
"Sammy, can't you hear 'em singing, singing for you and me
And all the Maury Grays carry me back to Tennessee
God bless the First and the Twenty-seventh, The Grand Rock City Guard
Nobody every told me, oh, that dying would be so hard"
"Sammy, I think I′ve been hurted real bad, ain′t this a hell of a day
Best go and leave me be now, I think I need some time to pray
Well, you know how bad I been wanting to go home, I couldn't see rightly how
Oh, Colonel Field ain′t gonna have a choice this time, I think I'm gonna get my furlough now"
Oh, don′t you tell me that you can't you hear 'em singing for you and me
Oh, and all the Maury Grays, oh, carry me back to Tennessee
Tennessee
I told you all I′m a simple man, I've got no command of the written word
I can only try and tell you the things that I′ve seen and heard
Listen to the picture forever etched upon my mind
The day that hell broke loose just north of Marietta all along the Kennesaw line
The day that hell broke loose just north of Marietta all along the Kennesaw line
Well I wish I was in the land of cotton
Old times there are not forgotten
Look away, Dixie Land
The day that hell broke loose just north of Marietta all along the Kennesaw line
The day that hell broke loose just north of Marietta all along the Kennesaw line
“With so much heartache and loneliness in its past, it is no wonder that Camp Chase cemetery has witnessed a long history of strange occurrences.” – Dr. Von Zuko, author
In Columbus, Ohio, Camp Chase served as a Confederate prison camp where the lives of over 2000 soldiers were ended by disease and malnutrition from the notoriously poor conditions. The majority of these men were buried in the prison cemetery. According to legend, the spirit of a young woman in a gray traveling dress haunts the cemetery, pausing to cry over the grave of the Unknown Soldier and marker number 223, belonging to Benjamin F. Allen of the 50th Tennessee Infantry Regiment, Company D. To this day, the mournful weeping of the Lady in Gray can be heard at night behind the locked iron cemetery gates, and fresh flowers mysteriously appear on the tombstone of her lost love, Benjamin.
In one dark prison in a small Ohio town
Two thousand Rebs were laid to rest in Yankee ground
With their children, wives and mother's miles away
No one would weep or bring fresh flowers to their graves
Until one lonely grieving girl in Tennessee
Who missed the man whose bride she'd never be
Journeyed north to mourn him in her dress of gray
And be close to where her only true love lay
CHORUS
And the Lady in Gray still mournfully cries
At stone 233 where her Benjamin lies
With flowers and tears she grieves to this day
For the soldier who loved the Lady in Gray
She lived close to that graveyard 'til she died
Spending many hours there at Benjamin's side
And for two thousand lonely soldiers lying there
She never failed to weep or bow her head in prayer
Now fragrant flowers often suddenly appear
On unmarked stones when there is nobody there
And on moonlit nights on stone 233
A ghostly figure dressed in gray can still be seen
CHORUS
For the soldier who loved the Lady in Gray
The gray smoke from the battle
Rollin' over the hill
The fires, the dead, the dying
Are in my memory ever still
Oh, can't you hear
Hear that angel band
Singing, "Come home, soldier
To the Promised Land."
Longstreet, he stole away and cried
When Lee gave him the orders to attack
In his mind's eye he could see
That most of his boys would not be back
Oh, can't you hear
Hear that angel band
Singing, "Come home, soldier
To the Promised Land."
Willy Johnson and me
Rebel soldiers both from Tennessee
Willy, he's lyin' by my side
Spoke these words to me, and then he died
Oh, can't you hear
Hear that angel band
Singing, "Come home, soldier,
To the Promised Land."
“Vicksburg is the key. The war can never be brought to a close until the key is in our pocket,” – President Abraham Lincoln
“Vicksburg is the nail head that holds the South’s two halves together.” – Confederate President Jefferson Davis.
Judging from the above quotes, Abraham Lincoln and Jefferson Davis both knew the extreme importance of the city of Vicksburg. The Siege of Vicksburg lasted from May 18th to July 4th. Union General Grant and his Army of Tennessee attacked the fortified city of Vicksburg, Mississippi held by Lt. General John Pemberton and the Army of Vicksburg. The surrender of the city on July 4, 1863 gave the Union complete control of the Mississippi River, and, combined with General Lee’s defeat at Gettysburg the previous day, is considered a turning point in the war. Private Andrew Jackson Andrews was a proud member of the 31st Alabama Infantry. He survived many days of starvation and fighting. He was hospitalized before July 4th and was not on the battlefield the day of the surrender. He passed away on July 9, 1863 in an army hospital from some sort of infection. The family never knew whether he was shot or not. His wife Sarah was given his straight razor, case and strop, items that have been passed down through the family for generations. It’s now in the hands of his great-great grandson, co-writer Terry Foust.
In 1863, on the ninth day of July
In the Mississippi Delta, my great-great grandpa died
Andrew Jackson Andrews stood and faced the call
In the War Between the States where so many men would fall
In Talladega County, in March of '62
The time had come to join the fight against the Union Blue
Alabama's 31st stood eleven hundred strong
An infantry that fought with pride to defend their Southern home
CHORUS
His last day at Vicksburg, he looked battle-worn
His suit of gray was faded, dirty, stained, and torn
He'd never fired a single shot that final July day
His last day at Vicksburg, they carried him away
History tells a story of Vicksburg, under siege
Forty-seven of dying from gunshot and disease
They must of thought they'd walked straight through the gates of hell
Down on the Mississippi, the day that Vicksburg fell
CHORUS
(spoken) On a hot July morning, his young life slipped away
'Cause his pride would not be challenged while he wore his suit of Gray
His last day at Vicksburg, they carried him away
I have heard the cannons thundering at night
And I cannot help but wondering why the rebel's cause is right
And the morphine seems to do no good at all
I would run all the way if I would not fall
CHORUS
And I dreamed of a rose in a Spanish garden
And I kissed you as I placed it in your hair
If I'm ever on my feet again, I will
I will run all the way just to meet you there
Joined the Southern cavalry for fun
I have rode a thousand horses, always had a way with a gun
Now I'm among the horseless riders lying still
Swallowed up by the cause on the hero's hill
CHORUS (x2)
Momma made my uniform, sewed a stripe on the shoulder
Poppa wanted my company flag: "Bring it back when it's over"
Jenny came to say goodbye and she said would wait for me
On the stallion I set out leaving Tennessee
CHORUS
"This is the last time you'll see Jenny"
That's what the cottonwoods keep singing to me
"Cause the last time you'll see Jenny
Will be the last time you see Tennessee"
I took her by the hand, it was last September
My Jenny made that day one I'd remember
I promised to return soon after victory
Down the road I waved her by joining Robert E. Lee
CHORUS
I held her close to me as we lay by the river
And now I'm going to see the baby I gived her
Momma made my uniform that I wore so gallantly
"Poppa, I'm sorry your flag's wrapped all around me"
CHORUS
My calloused hands, they dig the hole
Master's field is full of souls
Cato lying the read oak tree
Heart gave out at sity three
Cato dropped his hoe and fell
Never made it to the evening bell
Never made a break to run
Now I dig his grave in the Asheville sun
The need the fields at the end of day
To bid farewell and sing and pray
We lay him down in a wicker tomb
Mh-hm-hm-hm-hm-hm-hm
Place a stone above his head
On mark for the slave that's dead
Circle the grave and lay the white shells
And Cato leaves this earthly hell
Silent summer evening tolls
For the lost plantation souls
From whip and chains I took flight
I lit out one moonless night
Smell of blood still in the air
Killed him dead, I'll say no prayer
Pattyroller lost my trail
Dig your graves, I ain't for sale
Heading for the Union lines
Who lead me through the lonesome pines
Adapted from Lee's Command by Albert J. Russo
Every hundred years or so, time can count on its hand
Godly and worldly men who lead us and command
Remember rebel Southland's cry and bid for able fame
Called for a man, Robert E. Lee, to keep and call its name
He put his faith and forces, then, and greater deeds to come
In Longstreet, Jackson, and Hood, great ones to mention some
And Traveller, his great white horse, Light Horse Harry reminds
Of revolutionary fame in peace and warring kinds
He drove McClellan out of Richmand, Pope out of Bull Run's hell
Beat Hooker at Chancellorsville, lost Jackson to a southern shell
His ragged and tired army, lacking numbers and supplies
Gave up at Appomattox, surrendered dignity with sighs
Of different and finer metal, cast was he, grandeur herald
Apart and superior to the worthy of the world
Through the hard pages of time his name stands aloft, alone
His Confederacy lost the Civil War but his greatness forever's sown
Instrumental
In a dreary Yankee prison where a revel soldier lay
By his side there stood a preacher Ere his soul should pass away
And he faintly whispered: “Parson” as he clutched him by the hand
Oh Parson, tell me quickly, Will my sould pass through the southland?
Will my soul pass through the Southland, through old Virginia grand
Will i see the hills of Georgia and the green fields of Alabam?
Will i see that little churchhouse, where i pledged my heart and hand
Oh Parson, tell me quickly, will my soul pass thorugh the Southland?
Was for loving dear old Dixie, in this dreary cell I lie
Was for loving dear old Dixie, in this northern state i die
Will you see my littl daughter, wil you make her understand
Oh Parson, tell my quickly, will my soul pass through the Southland?
Then the Rebel soldier died.
“If there be a soft breeze upon your cheek, it shall be my breath. And as the cool air fans your throbbing temple, it shall be my spirit passing by. Do not mourn me dead; think I am gone and wait for me, for we shall meet again.” -Sullivan Ballou in a letter to his wife.
Jennie Wade lived in Gettysburg, Pennsylvania with her husband and childhood sweetheart Johnston “Jack” Skelly, until Jack left to fight for the Union in the 87th Pennsylvania Infantry. He was injured in the Battle of Winchester and taken to a nearby hospital where he ran into a childhood friend fighting for the South, Wesley Culp. He gave Wesley a letter to take to Jennie if he ever was in Gettysburg again, not knowing that two weeks later, Wesley would be there along with the entire Army of Northern Virginia. Before he was able to deliver the message, Wesley was mortally wounded, and his body never identified. Meanwhile, Jennie did her part for the Union baking bread for the soldiers until a stray bullet traveled through the kitchen door and killed her instantly. She never knew the fate of her friend Wesley or her dear Jack. Jennie was the only civilian killed during the Battle of Gettysburg.
Jennie Wade was in the middle of a town tore all apart
Waiting for a true love who would always have her heart
Jack was wounded in Virginia where a rebel shot him down
His dying wish to send a letter back to her in his hometown
He found comfort in a childhood friend who'd joined the Southern cause
He was ordered on to Gettysburg to hold the Union soldiers off
Promised Jack he’d deliver his last words to Jennie's hand
But on a hill above that little town he died making a stand
Now Jennie Wade still lived with hope in Gettysburg
Waiting for the soldier who was never coming home to her
She never knew her boy in Blue would not come back
Cause Jack's letter lay lost in a fallen Rebel's sack
Though some wore Blue and some wore Gray, each night they were in her prayers
And she kept the bread a-baking so they'd not die hungry there
'Til a stray sharp shooter's blast found her kitchen door
She was gone before she knew what hit her, gone forever more
Now Jennie Wade still haunts the streets of Gettysburg
Waiting for the soldier who was never coming home to her
She'll never know those loving words from her sweet Jack
Cause Jack's letter lay lost in a fallen Rebel's sack
Now Jennie Wade still haunts the streets of Gettysburg
Waiting for the soldier who was never coming home to her
She'll never know those loving words from her sweet Jack
Cause Jack's letter lay lost in a fallen Rebel's sack
On the twenty-first of April
Eighteen and sixty-five
The Three-Thirty-One left Washington
For Lincoln's last train ride
Cannons boomed, the bonfires burned
The evergreens wore grey
Three-Thirty-One, in the morning sun
The hearse, that journey made
See that train comin', boys, rollin' down Main
Draped in black, she won't be back; it's Lincoln's funeral train
With a portrait of a martyred man, shot down by a traitor
Now toll the bell and bid farewell to the Great Emancipator
And on the locomotive front
His picture adorning
In the oil lamps' gleaming yellow light
Rumbling on `til morning
The engine, Nashville Number Fifteen
With her black flags flying
Ran from Cleveland to Springfield
Past the mourners, crying
See that train comin', boys, rollin' down Main
Draped in black, she won't be back; it's Lincoln's funeral train
With a portrait of a martyred man, shot down by a traitor
Now toll the bell and bid farewell to the Great Emancipator
Crowds jammed the streets for a final look
At the great man who had stood
At the country's helm, through the bitter war
That seemed of little good
Felled by the bullet of John Wilkes Booth
As the battle died away
His guiding spirit to reconciled
By absence brought dismay
See that train comin', boys, rollin' down Main
Draped in black, she won't be back; it's Lincoln's funeral train
With a portrait of a martyred man, shot down by a traitor
Now toll the bell and bid farewell to the Great Emancipator
Now toll the bell and bid farewell to the Great Emancipator
CHORUS
Mandy play your mandolin
Oh, for your soldier boy
While I'm still at home
Play it softly all night long
In a short while I'll be gone
Mandy, play for me your song
When I left for Tennessee
With Forrest's cavalry
So many fights I've seen
But in my mind I'd always hear
Above the battle's din
You playing on your mandolin
Every fight, we'd try to win
Woah, we fought through thick and thin
We did our very best
Now a bullet's broken me
No more fightin' will I see
Now I'm back at home
CHORUS
Mandy, please, dry your tears
Don't let me see you cry
I wanna see you smile
Just one more time then I'll be gone
But I won't go alone
I'll always have your song
Mandy, turn the lamp down low
One more song then I must go
Play it soft and slow
For it's the last song that I'll hear
Before my crown I'll win
Mandy, play your mandolin
CHORUS
Instrumental
Master, sit down cause I need you
And I want you to hear me, don't steer me wrong
Cause I was six years when I was sold in Vicksburg
The nightmares were creepin', mammy was weepin' loud
And I was in love but they took her away
And sold her to some cotton man
And put her to work in some Dixieland field
Never to touch me again, oh, no, no
See, I was loving that lady, and she's gone away now
Sold off to some cotton man
And they put her far away in some Dixieland field
Never to touch me again, oh, no, no
So, master, sit down, can't you see I need ya
And I want you to hear me now, don't steer me wrong
Cause I was six years old -- I was only six -- when I was sold in Vicksburg
And the nightmares were creepin', mammy was weepin' loud
That Dixieland lady, name of Shawn
She loves her man with her whole heart
That Dixieland man, then, fiddled on
Put it down to the dawn
Well I lost ten bills on a dead-end hope
And thirty more on a stallion
And the sun fell down on a loosing day
And I lost that night in a gallon
And Preacher Williams on Sunday morn'
His congregations collapsing
Everybody is gone to war
'Cept for him and the Lord
That Dixieland lady, name of Shawn
She loves her man with her whole heart
That Dixieland man, then, fiddled on
And put it down til the dawn
Put it down til the dawn
Miss Anne's cotillion in Richmond tonight
On to Richmond, on to Richmond, is the Yank's battle cry
And I know Richmond would make a fine prize
Cause I've got a furrow and I know where I'll go
To help me forget this old fight
It's Miss Anne's cotillion in Richmond tonight
I'm a captain in JEB Stuart's cavalry
And I've shined my boots as well as can be
I've saddled up Reuben, I need to get moving
And leave out while there is still light
For Miss Anne's cotillion in Richmond tonight
The belle of the ball will be Annie McBride
And I hope to dance with her close by my side
We'll eat cakes and candy and sip punch and brandy
And speak of the cause which is right
At Miss Anne's cotillion in Richmond tonight
We'll step lively to the Bonny Blue Flag
And old Soldier's Joy if the fiddlers don't drag
The room will be swaying while the band is playing
Reels and waltzes and the like
At Miss Anne's cotillion in Richmond tonight
Tomorrow it's back in the saddle for me
Hard tack and coffee and fond memories
Of a night down in Richmond where I felt like a rich man
And tasted its special delights
At Miss Anne's cotillion in Richmond one night
A lot of men in blue stood and fell
Haunted by that rebel yell
That damned old Civil War is on
Their on their way and it won't be long
Momma stitched my uniform
But no colors do I choose
They'll never take this mountain
The gray, nor the blue
CHORUS
Cause mountaineers are always free
And almost heaven's good enough for me
Upon this land, I'll stake my creed
Mountaineers are always free
In the year of 1863
It was twenty days in June
When God blessed West Virginia
Like a sweet fiddle tune
Some died for the union blue
And some died for the gray
But I'll day on this mountain
For on to hell he'll say
CHORUS
Montani Semper Liberi
A Civil War folktale shared by Wilma's family from the hills of Webster County, West Virginia tells of an elderly mother whose only son left her alone to join the Confederate Army. Before the war ended, the son was killed and shortly after receiving the news of his death, the broken-hearted mother also died. "A mother's Prayer", written and sung by Wilma, shares the love, loneliness and despair of this elderly mother.
An old gray haired lady lay down to sleep
With thoughts of her only son
So far away in an awful war
His duty to be done
When he was just eight, they'd each made a vow
When his father went away
To care for each other through life here on earth
A pledge they had kept till this day
Theirs was a bond of love so strong
That parting caused great pain
She'd prayed each day for her loving son
That he'd come home again
In her dream he walked up the old home path
As he'd done in his days as a lad
Dear Mother he said, we'll meet again soon
Don't worry or be sad
And holding her hand and kissing her brow
He slowly faded away
On waking she knew she would see him no more
And the sad news came that day
Dear Lord I have no one left on this earth
The heartbroken mother cried
And clutching his picture to her breast
She bowed her head and died
Now Mother and Son are together once more
In a land that's always day
She in a homespun gingham dress
And he in rebel gray
Murderers On The Cumberland Plateau was written after having read Harry Caudill's book Night Comes To The Cumberlands. We were fascinated by his descriptions of how many family feuds started and the relationship between many of the feuds and the Civil War. The first time we ever sang the song was at the Down Home in Johnson City. After our last act a woman from the audience came up to us and said that her great-grandmother had gone through an experience similar to that of the woman in the song. So the song is real to at least one person. - Robin Williams (Now and Then, Vol. 2, Issue 3 (1985), p. 22
Mr. Driftwood: "My Blackbird is Gone," a Civil War Song that the listener will have to interpret for himself. It might be a white boy or a white girl singing about a black mammy that he might have had. It could be a black boy singing about his sweetheart that's gone. Well, as Alan Lomax says, you have to interpret this song for yourself."
She had the soul of an angel
She had a heart that was true
Her lips were sweet as the hummingbird's mouth
All filled with the sweet honeydew
She taught me how to be humble
She taught me how to pray
I thought I would die when she said goodbye
And they carried my blackbird away
CHORUS
My blackbird is gone
My blackbird is gone
My blackbird is gone away
They came with a chain
They called her sweet name
And they carried my blackbird away
List to the roar of the cannons
Look at the battle array
It's all because of the tears that I shed
When they carried my blackbird away
Angels a-singing in heaven
Hushed their sweet songs when they heard
The cries of my heart
When they tore me apart
From the arms of my pretty blackbird
My blackbird is gone
My blackbird is gone
My blackbird is gone away
They came with a chain
They called her sweet name
And they carried my blackbird away
My blackbird is gone
My blackbird is gone
I'll never forget the sad day
They came with a chain
They called her sweet name
And they carried my blackbird away.
I am from Virginia, my brother Paul and me
Paul became a soldier in Virginia's infantry
Soon I will be going north to join the war
A band of soldiers waits for me up in Baltimore
When I arrived in Maryland, the Union line was thin
We took to the higher ground defending Washington
We marched to Antietam in the fall of '62
That's where I saw twelve thousand dead dressed in Union blue
CHORUS
On and on they march us down a never-ending line
To the battlefield and lead us to the fight
I am from Virginia and I'll fight the rebel's cause
But I'll die before I fight my brother Paul
Paul, I hope this letter finds you doing well
I am camped near Gettysburg on Little Roundtop Hill
The battle starts tomorrow, they say it means the war
That we hold all the higher ground, the South will be destroyed
The cannon starts to fire as the rebels form their lines
I can see Virginia's flag marching slowly into sight
But once I feel like running like a coward from the fight
I'd rather face dishonor than to have to take Paul's life
CHORUS
The battle's finally over, somehow I have survived
Without a single round of lead from my rifle being fired
And Paul, I pray from this field today you'll walk away
We'll march back to Virginia, me in blue, you in gray
CHORUS
I am from Virginia, my brother Paul and me
Now I've been traveling with old Mosby
I've been traveling with old Mosby
Lord, I've been traveling with old Mosby
And I never expect to see you anymore
CHORUS
My home's across the Blue Ridge Mountains
My home's across the Blue Ridge Mountains
My home's across the Blue Ridge Mountains
And I never expect to see you anymore
Now how can I keep from crying
How can I keep from crying
Lord, how can I keep from crying
When I never expect to see them anymore
CHORUS
Now if you see my poor mother
If you see my poor mother
Lord, if you see my poor mother
Tell her I never expect to see her anymore
CHORUS
I started out of Jamestown young and fancy free
I went through old Virginia and the hills of Tennessee
I met the French and Indians and we swapped a little lead
They asked about my pedigree and this is what I said
CHORUS
I'm just a good old country boy, that's just what I am
My mammy's Miss America and my daddy's Uncle Sam
I built a hundred campfires beneath that Southern moon
Then I went to old Kentucky with my buddy Daniel Boone
When the settlers crossed the mountains and squatted close to me
I crossed the Mississippi and the mighty Missouri
CHORUS
'Twas on the lone prairie when my horse lay down and died
So I gelded a big buffalo and I broke him out to ride
The boys in California, oh, they gave a big hooray
Their voices shook the mountains every time they heard me say
CHORUS
I traveled with Kit Carson from Montan' to Mexico
'Twas me that gave Bill Cody the name of Buffalo
I was standing with my general when he shook with Robert Lee
I'll be right there the next time my country calls for me
CHORUS
I've helped to raise my country from the valley to the sky
I'm not ashamed to live a while and I'm not afraid to die
I've been this wide world over and I stand right here to say
The place I love the best is in the good ol' USA
CHORUS
At my sitting window
I see people walking by
Clouds up in the sky
At the mercy of the wind
At my sitting window
I see a young boy on his bike
I always wave when he rides by
And pops a wheelie now and then
He reminds me of a lad I used to know
So long ago
At my sitting window
I see a couple and a moving van
With some boxes in their hands
Guess that old house finally sold
They act just like two fools I knew back when
Takes me back again
CHORUS (x2)
And no one knows I'm here
And no one knows my name
I lived in this house for years
I hide behind this pane
And this old rocking chair
Somehow became my tomb
And they wonder why it stays cold in this room
At my sitting window
I still see that Union flag
Feel that hot lead in my back
Turn the snow red on the ground
At my sitting window
I guess I'll always stay 18
And Clara's still the girl for me
But I never got to tell her so
And she hummed Dixie as she watched them lay me down
And every evening I still hear those cannons sound
At my sitting window
This energetically crude duet may very well have been improvised on the spot by Norris and Tanner. It possibly represents a very imperfect impression of the serious minstrel standard I'm Going Back To Dixie. The probably line-up on this cut is: Fate Norris - banjo, lead vocal; Gid Tanner -- fiddle, soprano vocal; Arthur Tanner - guitar. Gwine back to Dixie Gwine back to Dixie I'm gwine back to Dixie far away Going to my home That I love to roam For down in Dixie is my home I am a gypsy I am a gypsy I am a live-right gypsy boy Back to my home Never to roam For I know that Dixie is my home Goin' back to again Goin' back to again I'm goin' back to Dixie far away Gwine to my home There I long to roam For down in Dixie is my home I am a gypsy I am a gypsy I am a little gypsy boy Going to my home Never to roam For down in Dixie is my home Goin' back to again Goin' back to again I'm goin' back to Dixie far away Gwine to my home Never to roam For down in Dixie is my home I am a gypsy I am a gypsy I am a little gypsy boy Going to my home Never to roam For down in Dixie is my home
I remember when we wed at our home on the Tennessee
Moonlit walks on the river road, holding hands, just you and me
And sure as that old river rolled we thought there'd always be
Nights just like those nights on the Tennessee
War sent me away to Georgia in the fall of '63
Always on our guard, fighting so desperately
But tonight the guns are quiet and the stillness reminds me
Of nights just like those nights on the Tennessee
CHORUS
So I'll think of you and how things used to be
And I'll think about how happy you made me
Around our home before the war, we thought there'd always be
Nights just like those nights on the Tennessee
Oh, and if I get back home and you're still there for me
We'll share nights like those on the Tennessee
CHORUS
Oh, and if I get back home and you're still there for me
Hope there's nights just like those on the Tennessee
Elmira Prison was in existence for about one year toward the end of the Civil War, yet 2,933 Southern soldiers, of the 12,122 that were imprisoned, died there. Upon their release, an eye witness to the survivors related, "I speak in all reverence when I say that I do not believe such a spectacle was ever seen on earth... On they came, a ghastly tide with skeleton bones, lusterless eyes, brains bereft of but one thought, and hearts purged of but one feeling, the thought of freedom, the love of home." (Elmira Prison web site). The song "Northern Prison Blues" speaks of the prisoner's desire to be free and to go home, the abiding thought that kept them going in the face of dire, dire circumstances, perhaps even living, more than any other influence.
I'm in prison in Elmira where the chilly winds do blow
On the banks of Chemung River and I'm feeling mighty low
I've been here in this prison since eighteen sixty four
Wondering if I'll ever see the dear old South once more
Chorus
I've got the northern prison blues
Wishing I was home and thinking dear of you
Just waiting for this old Civil War to end
So I can once again be free and go back home again
We were fighting down near Richmond when a bullet brought me down
I could not get away so I lay there on the ground
The Yankees finally found me and carried me away
And I've been here in this prison since that awful day
Life here in this prison is a struggle at it's best
Many men have died here their souls have gone to rest
Every day they call the roll there're less of us to count
I'm determined I'll survive and someday I'll get out
Chorus
Raise me in your arms, my brother
Let me see the glorious sun
I am very faint and dying
Is the battle lost or won?
I remember you, my brother
Who sent to me that fatal dart
Brother fighting 'gainst brother
'Tis well, 'tis well that this we part
CHORUS
Write a letter to my mother
Tell her that her boy is dead
That he perished by his brother
Not a word of that be said
Father's fighting for the Union
You may meet him on the field
Could you raise your arm and smite him?
Could you bid your father yield?
He who loved us in our childhood
Taught the infant prayers we said
Brother, take from me this warning
I'll soon be numbered with the dead
CHORUS
Do you ever think of Mother
In our home within the glen
Watching, praying for her children
Would you see that home again?
Brother, I am surely dying
Keep the secret, from this one*
That would kill our angel mother
If she but knew what you have done
CHORUS
* This was probably meant to be either "from this war" or "just this one" (as in the original)
O captain, my captain, our fearful trip is done
The ship has weathered every rack, the prize we sought is won
The port is near, the bells I hear, the people all exulting
While follow eyes the steady keel, the vessel grim and daring
But heart! heart! heart!
O the bleeding drops of red
Where on the deck my Captain lies
Fallen cold and dead
O captain, my captain, rise up and hear the bells
Rise up -- for you the flag is flung -- for you the bugle trills
For you bouquets and ribboned wreaths -- for you the shores a-crowding
For you they call, the swaying mass, their eager faces turning
Here captain, dear father
This arm beneath your head
It is some dream that on the deck
You've fallen cold and dead
My Captain does not answer, his lips are pale and still
My father does not feel my arm, he has no pulse nor will
The ship is anchored safe and sound, its voyage closed and done
From fearful trip, the victor ship, comes in with object won
Exult, o shores, and ring, o bells
But I, with mournful tread
Walk the deck my captain lies
Fallen, cold, and dead
Exult, o shores, and ring, o bells
But I, with mournful tread
Walk the deck my captain lies
Fallen, cold, and dead
My heart it broke in one little bits and I tell you all what for
My sweetheart was a very patriotic girl and she runs me off with the war
I fight for her the battle of the flag as brave as ever I can
But a long time ago she nixes me and runs off with another man
CHORUS:
Oh, Florie (Florie, Florie), what makes you so unkind?
You went with Hans to Germany and left poor Schnapps behind
We marched all day and the rain come down just like old Noah's flood
I sleeps all night with my head on a rock and my feet all stuck in the mud
The nightmare come and I cotch him by the tail; I dreams I sleep with a ghost
Next day I was frozen in the mud just like a barnyard goat
They gives me hardtack bread to eat but likes to broke my jaw
Sometimes I split him with an iron wedge and sometimes with a saw
The beef he was so salty, Lot's wife killed him, I know
And the general says they put him in the brine ten thousand years ago
At last we takes a southern town and hold him for one year
They puts red pepper in the sauerkraut and vinegar in the beer
I meets a lady on the street as pretty as one could be
I tries to kiss her rebel lips and hoch! she spit on me!
Elijah, oh, and Johnson with Jackson in the war
He served his time in Caroline and the east Virginia shore
And he'd seen enough of that rebel blood to drive any man insane
Somebody'd mentioned Yankee, he'd just spit and cuss the name
They called him Old Elijah from the day that he was born
And he worked the wheel at the grinding mill sacking Carolina corn
And his woman died with a stillborn child and left him there to raise
His only living daughter with a sweet angelic face
CHORUS
And he swore that he would love her
And he swore that he would kill
Any man who threatened danger
To his angel, Sarah Jill
One night as he lay sleeping he heard footsteps in the rain
And he saw a shadow moving in the dim light of a flame
And he swore it was the uniform of the Union man he'd dread
So he fired out in his anger from the window as he said
Your Union killed my brothers when they took their rebel stand
Now I'm gonna spill your Yankee blood here on my Southern land
And when the gun lay silent and all the words were said
He ran to hide his daughter but he found an empty bed
CHORUS
He ran up toward the mill side where he'd seen the shadow go
And he found the lamp still burning and there in the ember glow
Lay a bloody woolen overcoat and a petticoat of lace
And a lifeless body with a sweet angelic face
The preacher and the family sadly bowed their heads to pray
And with solemn words they sought the Lord beside a double grave
Cause they found Elijah laying by her body in the dawn
His finger on the trigger of the pistol he had drawn
CHORUS
“There’s my bullets, and here’s my powder horn, and I know how to use them.” -John Burns, from a letter by Colonel Callis of the 7th Wisconsin
John Burns, a veteran of the War of 1812, was in his early seventies when he heard gunfire outside his home in the Cumberland Valley. Guessing correctly it was the Union army on its way to Gettysburg; he went out to meet them. With an old flint lock pistol in hand, John Burns sought out the commander of the Seventh Wisconsin Volunteers of the Old Iron Brigade and asked to be part of the regiment. Though he was told to stay in the back, Burns refused and joined the front lines. He was shot three times, but even that could not keep Old John Burns down. He tricked rebel soldiers into carrying an innocent old man home to his wife. John Burns was considered a true Union hero. He was visited by President Lincoln when he traveled to Gettysburg in 1863, and when Burns passed away the Iron Brigade decorated his grave in honor of his service.
John L. Burns was older than the hills
And a veteran of the War of 1812
When Lincoln asked for Union volunteers
He'd already served his country well
That brave soul, in 1861
Was the first in line to join the Union cause
But they called him a man too old to serve
They didn't see the fighting man he was
CHORUS
Old John Burns, he was a tough old bird
Born to hold a musket in his hands
Old John Burns, he left them with these words
"You haven't seen the last of this old man"
At Gettysburg in 1863
Old John picked up his musket one more time
When that war came to his Pennsylvania town
He proved his worth there on the battle line
CHORUS
That old rifleman would stand and he would fight
Right beside that brave Iron Brigade
It took three Rebel guns to bring him down
Yet death would have to come some other day
CHORUS
You haven't seen the last of this old man
“…upon this picture his eyes, set in death, rested. The last object upon which the dying father looked was the image of his children…” -“Whose Father Was He?” The Philadelphia Inquirer Oct. 19, 1863
In the October 19, 1863 edition of The Philadelphia Inquirer, an article entitled “Whose Father Was He?” described in detail a picture of three children, all under age ten, that was found clutched in the hand of an unknown soldier killed three months prior in the Battle of Gettysburg. Dr. J. Francis Bourns was determined to find the family. This type of photograph, called an ambrotype, could not be printed in newspapers, so the description was circulated far and wide until it was fatefully read by a woman in Portville, NY. Philinda Humiston recognized the picture of her children Franklin, Alice and Frederick, and knew then that her husband, Amos Humiston, would not be returning home from war.
When that three day battle ended, one man in Blue was found
With no name to tell his story as they laid him in the ground
Just one more unknown soldier, but held tightly to his chest
Was a picture of three children, dressed in their Sunday best
They pried it from his fingers clutched tightly in his grasp
Knowing it was the last thing he'd seen before he passed
The story of that picture traveled farther north each day
Where all the local papers described on their front page
CHORUS
A picture of three children in three little wooden chairs
Two brothers and one sister, sweet faces and dark hair
Three angels to one soldier whose name remains unknown
A picture of three children whose father won't be coming home
In New York, a wife and mother was waiting for some word
From the father of her children, last seen in Gettysburg
When she read about that picture found on a Union man
And knew her husband, Amos, had held tightly in his hand
CHORUS (... whose name was finally known... )
It was a picture of three children, Amos won't be coming home
I’m a poor rebel soldier a long way from home
Ain’t had me no loving since the day I’ve been gone
Can’t find me no woman in this Yankee land
There’s a place in old Dixie I know where I can
Since I left old Georgia a long time ago
We run Grant’s big army in the land where it snows
The cold wind is blowing and freezing the rain
But there’s hot blood still running through these rebel veins
The call of the wild keeps howling to me
From the mountains down yonder in old Tennessee
Got a woman who’s waiting in old Knoxville town
When night falls I’m going to be Tennessee bound
I’m a poor rebel soldier and I’m going home
Cause I don’t call it living when I’m living alone
Come morning they’ll look but me they won’t find
I’m going to be south of that old Dixie line
Them Shelby boys they stayed down in those old woods
Running for hours as long as they could
Soldier was a game they played long into the night
But little did John know back then it would be his life
Now he's just a calvaryman crossing bloody streams
Filled with Blue and Gray, where death is victory
They'll march on, they'll kill on, no fear in his eyes
Only to see again his sweet wife Angeline
He cried Angeline, I see you my mind
And my dear, I'm on my way
Oh, Angeline, with that baby of mine
On your hip, my kisses on your lips
That's where I'm gonna stay
Well they told us to pray every night and every day
And this is mine
God get me back to Angeline
And keep my powder dry
The last shot was fired, the war it was done
John headed back to the house with his horse and his gun
He felt so tormented with pain in his mind
He knew she could heal him, the love of his life
He reached that old hillside place he called home
Only greeted with ashes and sorrow
And he prayed to the Father, his dear he would not find
A-laying in the doorway, his son and Angeline
And he cried Angeline, now in Heaven you abide
And my dear, I'm on my way
Oh, Angeline, with that baby of mine
On your hip, my kisses on your lips
That's where I'm gonna stay
Well they told us to pray every night and every day
And this is mine
God take me now to Angeline
And keep my powder dry
Oh, keep my powder dry
So I can see the light
Keep my powder dry
So I can see the light
Oh, Angeline, now in Heaven we abide
And my dear, I fell my way
Oh, Angeline with that baby of mine
On your hip, my kisses on your lips
Tis is where I'm gonna stay
Well they told us to pray every night and every day
And this was mine
God get me back to Angeline
And keep my powder dry
“God smote the hillside and gave them drink” – Inscription at Providence Spring
In November 1863, Confederate Captain Sidney Winder chose the village of Andersonville in Sumter County, Georgia as the location for a new prison for captured Union soldiers. The prison was completed in February of 1864, and by August there were over 33,000 Union soldiers enclosed in an area meant for 10,000 men. The stream that supplied the camp with water soon became polluted by human waste, and deaths from disease and gangrene rose, with up to 90 soldiers dying each day. In desperation, a group of soldiers began to pray for water. Soon, a storm broke out, and thunder roared, and where lightning struck the prison ground, a fountain of pure spring water erupted. Whether it was the prayer or construction of the prison that caused the underground water to well up, no one knows, but that clean water saved the lives of thousands of Union soldiers, and continues to flow to this day.
Life was hell on earth in a deadly Georgia prison
Where the stench of death could break the strongest soldier's will
For those Union men the reaper showed no mercy
For few survived the agony of Andersonville
For thirty thousand men it was standing room only
With no shelter from the burning sun or the pouring rain
One wretched stockade creek, the only source of water
Left union soldiers dying in misery and pain
CHORUS
'Til Providence Spring flowed like magic through that prison
They drank their fill while listening to the rumbling waters sing
In the face of deep despair, hope was finally there
In those pure, healing waters of Providence Spring
One day a storm cloud moved across the walls of that prison
One loud clap of thunder roared and lightning struck the ground
From that spot there flowed a pure and sparkling fountain
That quenched the thirst of many till freedom came around
CHORUS
CHORUS (3rd line: In the face of deep despair, hope was finally there)
In those pure, healing waters of Providence Spring
There were many
Came to call on dark-eyed Jenny
Underneath that blood-red lantern in New Orleans
French Quarter, trés gentille
Make a man forget about what he don’t wanna feel
Circumstances
Make her wonder what the chance is
He’ll still have her if he lives to see
How his Alabama rose
Had to close the mouth of poverty
We’re all broken
True love knows
And it reaches out the healing hands of hope
To the body, to the soul
To the rebel and the rose
Abijiah
Stumbled over many miles
Like all the southern boys he was runnin’ scared
Unsure whether he
Should follow the letter she sent toward the first of the year
He reached the city
Determined to leave if pity
Was the only thing he read in her gaze anymore
Would she want a man
Who couldn’t hold her like he had before
We’re all broken
True love knows
And it reaches out the healing hands of hope
To the body, to the soul
To the rebel and the rose
Her arms around him, they stand
Lookin’ on their promised land
And thank the Lord for bringing forth
From barren ground
This crop of cotton and kids
A whole lotta happiness
They thought could never be found
We’re all broken
God only knows
He reaches out the healing hands of hope
To the body, to the soul
To the rebel and the rose
To the body, to the soul
To the rebel and the rose
“A liberal reward is offered for information leading to the whereabouts and eventual capture of a Miss Nancy Hart, about 16 years of age, black hair, dark eyes, fair complexion. Considered to be comely in appearance, and known to be a Rebel guide and spy.” – Civil War warrant circulated throughout Western Virginia early in 1862
Nancy Hart grew up on a small farm in the mountain districts of Roane County, Virginia. She was always known as the ‘rebel of the family,’ a moniker that proved apt when Nancy, unlike her Union soldier brothers, joined a band of pro-southern guerrillas known as the Moccasin Rangers in 1861. She could ride and shoot as well as the men, and she used her gender to lure unsuspecting Yankees into revealing information that she could take to Confederate Generals. Once, Nancy was recognized and captured in Summersville, but she seduced her guard and tricked him into giving her his rifle. She killed the guard and escaped, and came back a week later with 200 mounted infantry. Nancy managed to avoid the rope throughout the war, and ended her days in Greenbrier County with her husband Joshua. The south may have lost the war, but it seems the “Rebel Hart” came out a winner.
Born to be a rebel with a rifle in her hands
Nancy Hart could ride and shoot as good as any man
At just 14 her young heart embraced the Southern way
Another family divided between the Blue and Gray
With rangers in Virginia, as a soldier and a spy
A pretty country girl could pass right through those Union lines
She gathered information that brought those Yankees down
Until her reputation was spread for miles around
CHORUS
They called her Rebel Hart, and put a bounty on her head
When she was finally caught, she charmed a guard and shot him dead
Leaping out the window, a small shadow in the dark
Escaping on a stolen horse, that girl called Rebel Hart
She knew it wasn't over; there was more blood to be spilled
As Nancy led her rebel troops straight back to Summersville
She caught her captors by surprise as they wept and moaned
Seems like this time Rebel Hart was taking prisoners of her own
CHORUS
Escaping on a stolen horse, a girl called Rebel Hart
Instrumental
Adapted from Lee's Command by Albert J. Russo
John Singleton Mosby broke away from his band
Headed behind enemy lines, took everything in the land
Bravely brought it back, more and more like a ghost
Piled it where the Rebel men needed it bad and needed it most
CHORUS
Sneaked in here, poked in there, a certain in and outer
As Yankee bullets chased around, in stature he grew stouter
With a sly look and a grin as wide as high
Took everything from the North -- left Federals yelling to the sky
Sneaked behind the Yankee camps, took their hay and their horses
Took their guns and ammunition, took them to the southern forces
CHORUS
Ran the gauntlet with his men, sometimes with, sometimes without
Captured a general in his tent, took him south without a shout
A wincing thorn he was in the side of Yankee vent
Never stayed still very long, left trails of trouble wherever he went
Worried was the fidgety North over his every thought and breath
Daring deeds and warring work priced high his death
CHORUS (x3)
I came back from the Civil War, just 22 years old I done killed near 50 men, and now the devil owns my soul
Well, I've always been a Christian man and that's not hard to tell
But with all the killing that I've done, well I'll surely go to hell
CHORUS Well I am a rebel soldier, no, I'm not afraid to fight
For the lives of the innocent and all my southern pride
Well I am a rebel soldier, no I'm not afraid to die
You may hang me in the morning but I'll haunt you in the night
Me and my brothers went to war, I was the oldest of the three
I was the only one who came home to a murdered family
Well, the Yanks had burned my house down with my family inside And my dad got shot tryin to fight em off and they left me there to die
CHORUS
Me and my friends got together to start a guerilla band
To track down them sons of bitches that torched up all our land
We left early in the morning on the 14th of July
And by the 26th of the very same month we put 'em in the by and by
CHORUS
Now I am a wanted outlaw, bounty hunter's on my trail
There's a law man behind every tree, wants to put me in the jail
Well, they cornered me in August of the very same year
And by noon on the next I was hanging by rope with a grin from ear to ear
CHORUS
CHORUS
Could there be any greater cause
Than the one you fought for and lost
Could a man give more than his own life
Rebel soldier, your memory will never die
General Johnston, we lost you at Shiloh
Fighting for the South you loved so
Beauregard, you were given his command that day
And I know you fought all the way
"I'll water my horse in the Tennessee
Or else Hell can make a place for me"
Beauregard, these were your words on that fatal night
Rebel soldier, your memory will never die
CHORUS
Stonewall Jackson, you walked Shenandoah
Fought til you couldn't fight no more
In Chancellorsville you fell, a bullet in your side
The South will always speak your name with pride
General Lee, you were a leader supreme
And a man this world had never seen
Victory for you, they said could never be
But you'll always be a winner to me
CHORUS
1863 was an awful place to be
I never thought I'd make it out alive
But a dying man's request helped me pass the rugged test
And see the end in 1865
He called me to his side and just before he died
That rebel soldier made it clear to me
That his one last desire before his soul, it did retire
Was returning home and there forever be
CHORUS
Take me back to the southland
Mississippi is my home
Let me rest with those green fields above me
Nevermore will I roam
So I dug a shallow grave, marked the place where he was laid
By a nearby lonesome weeping willow tree
And in case I lost my life or another took my knife
I carved those final words he said to me
CHORUS
Came 1865, and I'd made it out alive
So I returned to fill his final plea
But I found nobody there, just a feeling in the air
And enchanted words upon the willow tree
CHORUS (He's gone back ... &c.)
(see also: The Story Behind the Song – Reflections of Love by Richard Thompson in Bluegrass Today)
In her gingham gown, flowing to the ground
He placed fragrant daisies in her hair
By the sweet gentle stream, together they dreamed
Of their life and the wedding day to share
Just a boy of seventeen filled with life, love, and dreams
And the pride from the land where he was raised
In his southern gray, prepared to go away
He did vow to return to her someday
CHORUS And together they would walk through flowered meadow green
Past the church where they'd have their wedding day
In the twilight of the eve, down by the flowing stream
They saw reflections of the sweet love they made
As the time passed along, the war lingered on And many Southern sons never returned And she prayed to God above to watch over the man she loved For his loving arms her poor heart did yearn As he turned 21, a new had dawned The ragged men in gray laid down their guns With his spirits scarred at war, his gray coat old and torn His thoughts did return to his true love
CHORUS
He returned to the place where she pledged she would wait On that warm sunny day four years before But the sorrow filled the air when she found wasn't there And her hand he would never touch no more
Her soul left the earth on the day she gave birth As a babe I came in this world alone Now it's just me and dad, and his memory's all we have Strolling by the little stream like long ago
Now dad and I, we walk through the flowered meadow green
Passed the grave where my dear sweet mother lay
And each time he looks at me I know that he can see
The reflections of the sweet love they made
CHORUS
Restless spirit wandering, come on home again
Tell me about your days of old, wander back again
You don't admit your life is taken, to your death not yet awakened
Restless spirit wandering, come on home again
Oglethorpe was around this place some hundred fifty years
Since a Union bullet hit its mark and his teenaged heart it pierced
Years ago a young girl lived here, she became his friend
But when their family moved away their friendship had to end
And when we bought this house the neighbors came and talked about him
Though we've not heard or seen a thing, I hope he comes again
I'd like to ask him lots of things, and hear the way he talks
Describing local battle scenes on some slow morning walk
CHORUS
The room I write in used to be a two car garage
A nineteen fifties chrome and fin and white wall tired montage
Years later it became a church, and they moved an organ in
And these walls would shake with holy songs and sermons against sin
And I like to think this place was made for the kind of work I do
And I'll try to be ready when the spirit comes back through
I'll write it down and sort it out and make it fairly rhyme
And marry it to the melody of highest flying kind
I want to try to be a friend to souls that cannot rest
I would not blame their anger, don't claim to know what's best
But souls are all connected like the branches on a tree
And things they see beyond the grave might help out you and me
Restless spirit wandering, come on home again
Tell me about your days of old, wander back again
Tell me as you come and go, things that people need to know
Restless spirit wandering, come on home again
Don't admit your life is taken, to your death not yet awaken
Restless spirit wandering, come on home again
Most Civil War soldiers possessed a deep faith and trust in God to protect them during battles and illness. Both music and literature portray them as accepting death that lurked ahead in any battle believing that they had a home in Heaven. Like most units, the 28th Virginia had a chaplain who traveled with them, prayed with them, and often preached to them. Reverend Peter Tinsley served this role for the 28th Virginia and remained with them throughout the war. He was away from them only when he was captured and imprisoned after Pickett's Charge when he walked with them in that charge. Griffith Creasy spoke highly of him for his friendship and bravery. The song, "Reverend Peter Tinsley," tells about his actions and ideals, and the faith and trust the men of the 28th placed in him.
In eighteen sixty one with our country torn apart
Many lives were broken as well as many hearts
we all needed comfort as on this path we trod
We put our faith and trust in a man of God
Chorus
Now Reverend Peter Tinsley would bring us to our knees
To pray to the Lord to take care of our needs
He'd walk with us in battle and pray with us at night
And preach to us on Sunday to get our souls all right
The Twenty Eighth Virginia depended on this man
To pray before each battle with Bible in his hand
He'd ask for our protection and forgiveness from the Lord
He was our friend and chaplain throughout the Civil War
with bullets flying round us, you'd see him standing there
With his hand raised to the sky as if he was in prayer
We put our very lives in the hand of the Lord
And went about the business of fighting in this war
Chorus
My thoughts had turned to dying the fear I could not hide
He took me by the shoulder and walked by my side
Said God will not forsake you and leave you all alone
You must trust in God my son and be ready to go home
His words of comfort gave me strength enough to move along
My legs and steps grew steady and once again were strong
I marched into the battle knowing that full well
I had a cloak of Armour against their ball and shell
Chorus
“A more fearless creature never lived. He gloried in danger. He would go boldly over into the enemy’s camp and filch the fugitives to freedom.” – The Cincinnati Commercial Tribune, written shortly after Parker’s death
By the age of 8, John P. Parker had been ripped from his mother’s arms and forced to walk from his home in Virginia to Mobile, Alabama. He spent the next decade as a slave, working at an iron foundry where he showed a great aptitude for the work, and for invention. At 18, he had earned enough to buy his freedom from the Widow Ryder, and he moved north, where he married and settled on the banks of the Ohio River. He spent the rest of his life there in Ripley, Ohio, an iron worker by day and a conductor on the Underground Railroad by night. Risking constant danger, Parker carried hundreds of men, women, and children over the river to the freedom that lay on the other side. He continued fighting for justice until 1910, when he died in his bed surrounded by family as a free man.
John P. Parker lived his life with one foot in the grave
A white man was his father, his mother was a slave
Living in the misery of slavery's painful grip
His back came to know the bite of a cruel master's whip
Bought and sold till the Widow Ryder -- well she made a deal
To let him earn his freedom in a foundry in Mobile
Then on the banks of the Ohio, the best iron man around
Ran that river for the railroad's secret underground -- The River Man
CHORUS
River man was an iron master by daylight
River man ran a secret freedom train by dark of night
Those who came searching for the Promised Land
Crossed that water with a helping hand from The River Man
For fifteen years John put his freedom in harm's way
He risked his life running that river more and more each day
And with a thousand dollar bounty lying on his head
He rescued many others from the life that he once led -- The River Man
CHORUS
The war between the states, well it finally came
Men he saved from bondage joined the fight in freedom's name
'Til the General Lee surrendered in 1865
'Tween the foundry and the river, John led a double life -- The River Man
CHORUS
And those who came searching for the Promised Land
Crossed that water with a helping hand from The River Man
Whoa, The River Man
The River Man
The thirty-first day of December
Three thousand dressed in blue and gray
All sons of the heavenly father
Lay in a watery grave
And the river runs red
The river runs red
One shot woke the Tennessee morning
Soon fire and smoke filled the sky
Then rain came down with no warning
As sorrow fell down from all sides
The river runs red
The river runs red
No winners or losers
When you count the dead
We watch it roll by
We all bow our heads
The guns have gone silent
But the river runs red
Now Rogers was from Alabama
And Thomas an old New York town
But soon they would die like blood brothers
In the stream where their souls would flow down
The river runs red
The river runs red
No winners or losers
When you count the dead
We watch it roll by
We all bow our heads
The guns have gone silent
But the river runs red
Some say you could see red for miles
And it flowed that way so many years
Now the water looks clean and untainted
But Stones River will never run clear
The river runs red
The river runs red
No winners or losers
When you count the dead
We watch it roll by
We all bow our heads
The guns have gone silent
But the river runs red
Chick Chick Chickamauga
Chick Chick Chickamauga
Bragg came down the river
with Longstreet by his side
It was an awful battle
and many a soldier died
The rebs came through the wheatfield
Rosecrans ran away
But George Thomas stood his ground
and saved the Union on that day
He was the rock (He was the rock)
of Chickamauga (Chicka Chicka Chickamauga)
The solid rock (the solid rock)
of Chickamauga (Chicka Chicka Chickamauga)
He faced the foe
He stood his ground
No one could push that Yank around
He was the rock (The solid rock)
of Chickamauga (Chick Chick Chickamauga)
(Chick Chick Chickamauga)
The cannonballs were dancing
The rifles played a tune
Rosecrans was a-runnin’
like the cow had jumped the moon
The rebels were a-yellin’
Their voices loud and shrill
But they couldn’t drive George Thomas
from the top of Snodgrass Hill
He was the rock (He was the rock)
of Chickamauga (Chicka Chicka Chickamauga)
The solid rock (the solid rock)
of Chickamauga (Chicka Chicka Chickamauga)
He faced the foe
He stood his ground
No one could push that Yank around
He was the rock (The solid rock)
of Chickamauga (Chick Chick Chickamauga)
(Chick Chick Chickamauga)
(Chick Chick Chickamauga...)
A long, long time ago where Scotland meets the water
They climbed onboard a schooner heading west
For safe passage they did pray, with their sons and their daughters
To a new world they hoped to be the best
They rode the waves for weeks, into the mouth of the St. Lawrence
And crawled off that boat in Montreal
A generation lived and died between the river and the border
But from the other side, there came a deadly call
Far to the south, sabers had been rattled
And it was said that any brave should take a stand
Young men loved the fight, the pistol, and the saddle
So he made his way on down to Dixieland
And his mother prayed for him
She prayed for his safe passage
She prayed that he came barely back alive
That boy returned old but he got his 40 acres
And declared to him a lot from that low hill side
He built my father's house and a barn when he was able
Still standing tall to prove he was alive
Our daddy told us young that he would be the last one
To raise a living from that rocky land
So across these many miles, back again too often
My journey with a guitar in my hand
My mother prays for me
She prays for my safe passage
She prays that I will make it back home alive
Sam Smith was an old man by the time I first saw him
Wild eyes and a wicked beard hanging from his chin
I thought I'd seen the devil as a boy in ninety nine
But Daddy called him the hermit from on the borderline
CHORUS
He said "They're never gonna take him back again and march him off to war
Where gray-headed men in long wool coats assign their bloody chores
They can look, but they won't find Sam Smith this time
He's somewhere north of Canaan hill along the borderline
They say old Sam was a veteran, he rode in the Cavalry
Came home on a limping leg some time in sixty three
He bought a saw and a scatter gun at Gadway's general store
He said "I'm taking to the woods so they can't find me anymore
CHORUS (No, they're never gonna...)
Now every month on the twenty fifth, he'd come back to the store
With a broken down old blue tick that would wait outside the door
And he'd yell "Where's my check from the government and I want a block of cheese
Then he put it in a handkerchief he kept tucked in his sleeves
CHORUS (No, they're never gonna...)
I placed my knapsack on my back
My rifle on my shoulder
I'm going away to Shiloh
And there I'll be a soldier
We caught the Yank's a-sleepin'
Their cannons never thundered
We chased 'em down to the river
We whipped ol' Grant, the drunkard
Then Heaven be with us in the strife
Be with the Southern soldier
We'll drive the mercenary horde
Beyond our Southern border
I placed my knapsack on my back
My rifle on my shoulder
I'm going away to Shiloh
And there I'll be a soldier
Instrumental
NOTE: This song was originally played by Dennis Walters' band Misty Mountain Drifters; he first posted it online in 2012 (link), which is where the year comes from. It may have been on an album uploaded by that band to iTunes (in December 2011) but I could find no details on that album's existence. All former links Walters posted redirect to the version linked above, transcribed below, which includes a solo male vocalist playing guitar.
There's a tale that's told in Gettysburg
Where lies an unknown grave
They say if you're there at midnight
A shadow arrives from the grave
CHORUS
It's seen each time at midnight
Rising from the grave
Lost in time, and left behind
The shadow from the grave
Some people say that they believe
Its a soldier of the Civil War
And they buried him where he fell
And his soul will rest no more
CHORUS
CHORUS
You'll get those sharpshooter's blues if I get my sights on you
Don't think that you can get too far away
It's bad news for you that I'm so good at what I do
You won't know what hit you if you get those sharpshooter's blues
Ten shots in ten at two hundred yards
Makes me the best shot in these parts
In just a flash you'll be glory bound
And I'll have sargeant's stripes 'fore you're cold in the ground
Cause I'll take that aim in this killing game
Being a sharpshooter's been my claim to fame
I'll hit the mark, Matthew Luke or John
Give them all a ride to the great beyond
CHORUS
So stick your head up just one more time
I'll draw a bead and let a bullet fly
I can make sargeant if all that I got
Was a big old general and a good clean shot
Woah, a general's funeral is a sight to see
They's pomp and circumstance, a sobbin' family
When he's all laid down in his finery
Too bad that he won't see these new stripes on me
CHORUS
Well now who is that up in that tree?
Through the smoke and the haze, it's kinda hard to see
Wait a minute, he's got a bead on me
Now I guess that I'm just a used-to-be
CHORUS
In the time of troubles, as the war drew near
I became a soldier, a Virginia volunteer
Left my farm and family, and as I fell in step
I heard my Peggy crying on the Shenandoah wind
CHORUS
Take this pack from my shoulder
Let me rest here, friend
Tell my Peggy I love her
And I'll be home on the Shenandoah wind
Days were hot and dusty, nights bitter cold
We followed General Jackson down the valley road
We met the Yankee army, through the smoke and din
I could hear the crying of the Shenandoah wind
CHORUS
Now I walk the valley, wander in the hills
Whisper on the water, and blow across the fields
Through the Blue Ridge Mountains to the place so dear
Where I kissed my Peggy, and I dry her tears
CHORUS
Instrumental
Adapted from Lee's Command by Albert J. Russo
In the beautiful state of Tennessee
Where the beautiful Tennessee river lazily winds its way
Could we look back a hundred years or more to the 1860s?
I wonder what our thoughts would be and what we would really say?
Well, let's take ourselves back to April, the 6th and 7th, 1862, Shiloh, Tennessee
There we find the Union soldiers resting in the wood
Waiting for General Buell
To join 'em just as quick as he could
When General Albert S. Johnson came
Upon Grant's men unaware
The flaming line burst with shell and shot
Grant's forces fought all they could there
As General Hurlbut's 4th Division
Held the grove of blooming peach trees
And after seven hours of hell and shell
The assaults and horrible slaughter, was awful for the human eye to see
General Hurlbut's blue stand will always be remembered
For its ferocity and pain endurance and for so many medals
And the dead on the ground were thicker than peach blossoms
Their flowers falling on the men as petals
In the awful slaughter at Shiloh, Grant lost fourteen thousand men
The Confederates eleven thousand for the cause
Can anyone ever dismiss the deaths
Of twenty five thousand men without the proper pause?
Albert Sidney Johnson made a promise: then and there, his
Promise of attack was fulfilled
He led his mighty troops on Shiloh
And along with twenty five thousand others, Johnson was killed
Thus ended another milestone in the Civil War
Shiloh, Tennessee, you paid your price, and you'll be remembered forevermore
One of the early notable battles of the Civil War became known as Shiloh's Hill. Approximately 10,000 Union and Confederate soldiers lost their lives when Union soldiers assaulted a well-entrenched Confederate Army that held the high position on the field. This Civil War era song vividly describes the battle and its aftermath with a battlefield strewn with dead and wounded men from each side. The Union Army finally carried the field after a bloody struggle that included hand-to-hand combat. Sung in traditional style, the feelings of that hour, that battle, tend to pull the listener into the actual battle.
Come all ye valiant soldiers -- a story I will tell
About the bloody battle that was fought on Shiloh's Hill
It was an awful struggle will make your blood to chill
All from the bloody battle that was fought on Shiloh's Hill
Twas on the sixth of April about the break of day
The drums and fifes were playing for us to march away
The feeling of that hour -- I do remember still
When first my feet went tromping up on Shiloh's Hill
About the hour of sunrise the battle did began
Before the fight had ended we fought them hand-to-hand
The horrors of that field did my heart with anguish fill
For the dead and the dying that lay on Shiloh's Hill
There were men from every nation laid on those bloody plains
Fathers, sons, and brothers were numbered with the slain
That has caused so many homes with deep mourning to be filled
All from the bloody battle that was fought on Shiloh Hill
The wounded men were crying for help from everywhere
While others who were dying were offering God their prayer
"Protect my wife and children if it is Thy holy will"
Such were the prayers I heard that night up on Shiloh's Hill
Twas early next morning we were called to fight again
Unmindful of the dying unuseful to the slain
The struggle was renewed again ten thousand was the kill
And their blood flowed like water down off Shiloh's Hill (or This was the second conflict of the famous Shiloh Hill)
The battle it raged on, though dead and dying men Lay thick all o'er the ground, on the hill and on the glen
And from their deadly wounds, the blood ran like a rill
Such were the mournful sights that I saw on Shiloh Hill
Before the day had ended, the battle ceased to roar
And thousands of dead soldiers had fell to rise no more
I pray to God the Savior consistent with thy will (or They left their vacant ranks for some other ones to fill)
To save the souls of all those boys who died on Shiloh's Hill (or And now their mouldering bodies all lie on Shiloh Hill)
And now my song is ended about those bloody plains
I hope the sight by mortal man may ne'er be seen again!
But I pray to God, the Saviour, "If consistent with Thy will
To save the souls of all who fell on bloody Shiloh Hill."
Lord , save the souls of all who fell on bloody Shiloh's Hill.
When in Camp Letterman Hospital, following wound and capture in Pickett's Charge, great uncle John Creasy, whose wounds were not as severe as others, related to family after the war that he wrote several letters for soldiers who were gravely ill from wounds or were dying while there. "A Soldier's Last Letter Home" represents such a letter to a father of a dying soldier. In it the soldier pleads with a comrade that the letter be mailed today, showing the urgency to get his last words home to help comfort his loved ones.
Well dear father I write this letter
Cause I wont be coming home
I was wounded here at Shiloh
And now must die alone
The good Doctor says it's fatal
And that I prepare to go
So I'm writing you this letter
A few lines to let you know
Chorus
Now Soldier take this letter
And mail it out today
I see the angels coming
For to carry me away
My last thoughts are of family
And how you cared for me
But I had to join this army
To help keep the southland free
Tell sweet Mary that I will miss her
And give her this kiss goodbye
Tell her that I will meet her
Some day up there in the sky
Chorus
Tell dear mother that I love her
And grieve not to long for me
From all this pain and suffering
I know I'll soon be free
Now dear father please forgive me
For leaving you all alone
And sweet Mama I'm so sorry
That I won't be coming home
Chorus
Yes I hear the beat of angel wings to carry me away
Now place my knapsack on my back
My rifle on my shoulder
I'll march away to the firing line
And kill that enemy soldier
And kill that enemy soldier
I'll march away to the firing line
And kill that enemy soldier
I'll bid farewell to my wife and child
Farewell to my aged mother
And go and join in the bloody strife
Til this cruel war is over
Til this cruel war is over
I'll go and join in the bloody strife
Til this cruel war is over
If I am shot on a battlefied
And I should not recover
Oh, who will protect my wife and child
And care for my aged mother
And care for my aged mother
Oh, who will protect my wife and child
And care for my aged mother
If I must die for my home and land
My spirit will not falter
Oh, here's my heart and here's my hand
Upon my country's altar
Upon my country's altar
Oh, here's my heart and here's my hand
Upon my country's altar
'The Yankee Soldier.' From an anonymous typescript which Dr. White, both from the manner of the accompanying note and from the mention of Mrs. Buchanan of Horse Creek, assigns confidently to Mrs. [Maude Minish] Sutton. The note says in part : "It seems strange that there are so few Civil War ballads in the mountains.... 'The Yankee Soldier' is neither pretty nor gruesome.... I am indebted for this copy to Mrs. Buchanan of Horse Creek." Of course it is not really a Civil War ballad; merely an adaptation. Dr. White notes on the typescript that he found this song in Alabama in 1916.
A story about a Yankee a-comin' from the war.
He courted Lilly Marrit, a secret from her pa.
Her pa was so wealthy it scarcely can be told.
She loved that Yankee soldier because he was so bold.
'Lilly Margaret, daughter, my word you'd better mind. I'll shut [you] in a cave, your body I'll confine.'
'O father, cruel father, my body you can confine,
But you can't put the Yankee soldier from out my mind.'
Then up spoke the Yankee soldier: 'Oh, never mind the tattle.
If I'm to be a married man I shore can fight a battle.'
So his bride she hel' the horses and the Yankee fought the battle,
So his bride she hel' the horses and the Yankee fought the battle.
The first man that come lie shot through the brain,
An' the next man that come he served him the same.
'Fly,' said the others, 'your sons will all be slain;
To fight the Yankee soldier you see it is in vain.'
5
'O Yankee, O Yankee, don't strike your licks so bold,
Fur I'll give to you my daughter and forty pounds o' gold.'
'No,' says the daughter, 'the sum it is too small.
Fight on, my Yankee soldier, you soon will git it all.'
In the year '64, we were fighting a war
For a reason that we hardly knew
Many tears had been shed, many loved ones left dead
In the fight 'tween the gray and the blue
I recall that lad, to his mother and dad
Said goodbye at the old garden gate
And I heard mother say "Son, we'll watch and we'll pray
If it takes you forever, we'll wait"
CHORUS
If they carry me back on that long, Southern track
I hope you will answer my plea
When they lower me down in that sweet Georgia ground
Can someone play Dixie for me?
Many years slowly passed til a letter at last
From his captain had finally come home
"For the one that you yearn, he will never return
Lord, he's died in a camp way up north"
CHORUS
With a rose on his chest, we fulfilled his last request
What God gave, He'd now taken away
With his battles now won, Lord, his song it was sung
While the tune to sweet Dixie they played
CHORUS (... Have someone play Dixie for me)
When they lower me down in that sweet Georgia ground
Have someone play Dixie for me
Cotton on roadside, cotton in the ditch
We all picked the cotton but we never got rich
Daddy was a veteran, a Southern Democrat
Said "They oughta kill a rich man to vote like that"
CHORUS
Song, Song of the south
Sweet potato pie and I shut my mouth
Gone, gone with the wind
There ain't no body looking back again
Well I was eighteen 'fore I ate my fill
We lived on the garden and the cow's goodwill
Winter was wet and summer was dry
And momma, she was old at thirty-five
CHORUS
Well somebody told us that Wall Street fell
So damn poor we couldn't tell
The cotton was short, and the weeds was tall
Mr. Roosevelt's a' gonna save us all
CHORUS
Well momma got sick, and daddy got down
The county got the farm, and we moved to town
Daddy took a job with the TVA
We bought a washing machine, and then a Chevrolet
CHORUS
I cannot listen to your words, this land’s so far and wide
Go find some happy northern girl to be your loving bride
My brothers they were soldiers. The youngest of the three
was slain while fighting by the side of General Fitzhugh Lee
Hurrah! Hurrah! For the sunny South I say
Three cheers for the southern girl and the boys that wore the gray
My lover was a soldier, too, he fought at God’s command
A sabre pierced his gallant heart. You might have been the man
He reeled and fell but was not dead, a horseman spurred his steed
and trampled on his dying brain. You might have done the deed
They left his body on the field whom the fight the day had won
A horseman spurred him with his heel, you might have been the one
But there’s no hatred in my heart, nor cold nor righteous pride
for many’s the gallant soldier’s fell upon the other side
But still I cannot take the hand that smote my country sore
nor love the foe that trampled on the colors that she wore
Between my heart and yours there rose a deep and crimson tide
My lover’s and my brother’s blood forbids me be your bride.
Instrumental
The year was 1861, in the farmlands of the South
The family was small and poor, they lived from hand to mouth
The father told his only boy "Please, son, don't leave"
The boy said "Dad, I'm sorry, my country's calling me"
CHORUS
And they fought for what they thought was right
And they thought that victory was in sight
To the bitter end, they spilled their tears and their blood
Fighting for the South in the cruel Virginia mud
Well, the boy joined the army with many courageous men
And they fought very bravely, their freedom to win
What they thought would last a little while turned to long years
They outgrew their sadness and forgot all their fears
CHORUS
The battle raged for three long days, men were wounded and dying
The young son went down, but there was no one by his side
He looked up to Heaven and this was his plea:
"Lord, I don't want to die, I'm only seventeen"
CHORUS
Dying for the South in the cruel Virginia mud
My roots are deeper than the bones the others
My colors they change with the sun
My branches we're higher than anything on the hillside
On the day that I watched them all come
Some were the color of the sky in the winter
Some were as blue as the night
They came like a storm with the light of the morn
And they fell thru the whole day and night
Colors flew high and they danced in the sky
As I watched them come over the hill
Then to my wonder sticks that made thunder
Such a great number lay still
When the light came again there was death on the wind
As the buzzards made way for the worms
And the little white trees that don't bend in the breeze
For the ones that will never return
The colors flew high and they danced in the sky
As I watched them come over the hill
Then to my wonder sticks that made thunder
Such a great number lay still
Those that have fallen they come when I call them
And answer the best that they can
But all they can see is what they used to be
And that's all that they understand
The colors flew high and they danced in the sky
As I watched them come over the hill
Then to my wonder sticks that made thunder
Such a great number lay still
Colors flew high and they danced in the sky
As I watched them come over the hill
Then to my wonder sticks that made thunder
Beats of Civil War we hear, over and over again
How the foot cavalry marched far, thirty miles of daily pain
How the Second Virginia Infantry made up of Stonewall's men
And how Lee's Northern Army did valor for them win
How Gettysburg and Bull Run fought endlessly and on
They pushed themselves on a ceaseless drive, forced Federals to be gone
Chancellorsville bears witness, how Lee's right-arm man stood
They looked for a man to replace him, but Lee nor no man could
And still the battle flag waves proud, turmoils of war to tell
Stonewall's brigade we honor yet, memory taps for those who fell
Beats of Civil War we hear, over and over again
How the foot cavalry marched far, thirty miles of daily pain
And still the battle flag waves proud, turmoils of war to tell
Stonewall's brigade we honor yet, memory taps for those who fell
This song is about the Colley family of Gray, Maine, who were faced with the problem of what to do with the body of a Confederate Soldier mis-idenfified as their son. See more here and here.
From that Cedar Mountain battle of 1862
Came a fallen soldier's casket as the 10th Maine paid its dues
Grieving parents braced to see their Union say lay dead
But in his place they found a boy in southern gray instead
As the tears rolled down their faces, they searched vainly for his name
But they never learned who journeyed to their village up in Maine
Without the funds to send him back, he was burried like buried like their own
And there above his resting place, carved "Stranger" on a stone
CHORUS
And the stranger in gray is lying there today
A misdirected casualty of war
Surrounded by the ones who'd fired the Union guns
The stranger in gray will see Dixie nevermore
Fate must have a sense of humor as it winds along its way
For it sent the gray-clad stranger to a little town named Gray
But even when the real son was found and buried there
The town made sure the stranger was included in their prayers
And when the ladies placed the flowers and the flags are left to wave
Beside the strangers' flowers, a Rebel flag flies on his grave
Now he lies there with the others who in life he sought to kill
All the rifle fire has ended while the cannonballs are still
And the flowers of blue grow softly on the strangers' marble stone
To show to all that blue and gray don't have to be alone
CHORUS (... The stranger in gray is no stranger anymore)
Yes the stranger in gray will see Dixie nevermore
I'm gonna burn like a sweatshop fire
I'm climbing up into the rafters, I'm gonna clip that angels wire
I'm gonna lock the factory doors an let 'em sweep the ashes away
If you was holding out for the union to save
I guess you just turned up on a bad day
Cause this time I ‘m gonna burn like a sweatshop fire
I'm getting drunk... like Ulysses S. Grant
I'm going down to Antietam with a quart of bourbon in my hand
I'm gonn akick the shit out of Vicksburg, strip the silver from that dime
You better hope that the Confederacy comes to its senses
Before I start drinking cause this time
I'm gonna get fucked up like Ulysses S. Grant
I'm caving in like a Pittsburgh mine
Just as black as a Tuesday in 1929
Don't you know I'm gonna shake it like I'm from Memphis, Tennessee
And when the timbres start to rattle and the walls come down
There ain't no Tupelo midnight got nothing on me
Cause this time I ‘m caving in like a Pittsburgh mine
Just as sure as Jack Ruby’s gonna set things right
There’s always daybreak at the edge of night
And this time I’m gonna burn like a sweatshop fire
I'm blowing in, the last blizzard of the year
I'm giving up on the church, like I was never even here
This storm's gonna hi in the springtime, burn out the roots like a frost
I'm gonna leave the county at the mercy of the salt trucks
This heart is as black as any union boss
I'm gonna sink down like a frost I'm gonna burn out the roots
Just as sure as Jack Ruby's gonna set things right
There's always daybreak at the edge of night
And this time I'm gonna burn like a sweatshop fire
This time I'm gonna burn like a sweatshop fire
This time I'm gonna burn like a sweatshop fire
Just as sure as Jack Ruby's gonna set things right
There's always daybreak at the edge of night
And this time I'm gonna burn like a sweatshop fire
Well, he came from the land of Cherokee
Where the hills stand high and the creeks run clean
Lemme tell you 'bout them Tatham boys
Six brothers stood straight and proud
Allegiance to the South they vowed
Lemme tell you 'bout the Tatham boys
CHORUS
At Fredericksburg and Malvern Hill
Sharpsburgs awful killing fields
Petersburg and Five Forks, too
They carried on til it was through
This family, this fighting family
From thirty one to just sixteen
The farmer's life was all they'd seen
Lemme tell you 'bout the Tatham boys
In uniforms of southern gray
They shouldered arms and marched away
Lemme tell you 'bout the Tatham boys
CHORUS
Two of the boys lost their lives
But the other four kept up the fight
Lemme tell you 'bout the Tatham boys
Six tombstones stand straight in proud
In the graveyard of Valleytown
Lemme tell you 'bout the Tatham boys
CHORUS
We march near most the days
lines of butternut and gray
Playing games of cat and mouse
with Billy Yank down south
can't help but feel strange
headin north in a pouring rain
Another lonesome night
shadows move by fire light
Fiddle plays a melody
whippoorwill cries mournfully
in my pocket I keep a cross
right now I never felt so lost
Oh angel, carry me
Make sure I find my way back home
to Tennessee
to Tennessee
Been a year since I've been gone
write another letter home
Tell about the boys that fell
I still hear their rebel yell
and it haunts me in my sleep
I find escape in revere
Shell shattered country side
mini balls whistle by
My company's stripped bare
smell of sulfur fills the air
Strange burning in my side
I find I'm staring at the sky
'The Texas Ranger.' Communicated by Mrs. [Maude Minish] Sutton, with the notation, "This, like many others I have, must be attributed to Mrs. J. J. Miller. She could not read or write when I first heard her sing it. She had doubtless never seen a cowboy nor did she have the least idea of what the work and life of a 'Texas Ranger' was. Yet she liked these songs very much and took a lot of pleasure in their melancholy. She said she thought her father learned the latter in the war. He taught it to her. Like many people whose range of experience is limited, she has a marvelous memory." Observe that the action here is transferred from Texas to the Civil War in Virginia.
Come all ye Texas Rangers
And listen unto me,
I will tell you of some trouble
That happened unto me.
My name is nothing extry,
My name I will not tell.
It is to you, all true rangers,
I know I wish ye well.
At the age of sixteen
I joined a jolly band
And marched from Western Texas
To old Virginia's land.
Our captain did inform us,
Because he thought it right,
Before we reached Manassas
We sure would have to fight.
We seen the Yankees comin',
Our captain give command:
'To arms, to arms!' he shouted.
'And by your horses stand.'
We saw the Yankess comin',
Their bullets round us hailed.
My heart sunk within me,
My courage purt' near failed.
We charged agin them Yankees,
We give the Rebel yell,
And many of them Yankees,
They soon woke up in hell.
Thunder of hooves, the dust it chokes the day
Flames took my home, the smoke was my child's grave
Run away, run away, shoulda killed me where I lay
Run away, run away, revenge is the price you'll pay
Dixie has fallen, the Union Might has won
Our boys swore your oath, but you fed 'em to your guns
On the run, on the run, I'll hunt you every one
On the run, on the run, my war is not yet done
I headed west, with the Jayhawkers on my trail
I'm heading down into Texas, I’m gonna take ‘em straight to hell
Run away, run away, shoulda killed me that first day
I run away, run away, I'll lead you to your grave
Last of my kin with a price upon my head
Five thousand reasons for them to want me dead
On the run, on the run, I'll hunt you every one
On the run, on the run, my war is not yet done
My name called out from the captain of the Cavalry
My gun ran dry, but with his sword I bled him slowly
On the run, on the run, I'll hunt you every one
On the run, on the run, my war is not yet done
This morning I awoke to the sound of the hammer
Building the scaffold high
If the pardon don't come from the president
Today I will die
Anna, don't you weep, my dear daughter
I can stand anything but that
Lay my body near the simple stone that says
Missus Surratt
One man pulled the trigger
Two men told a lie
Three men will hang with me
And thirteen steps we will climb
Mary Jenkins I was born on the Maryland shore
Married at sixteen
To a gentleman, but then we lost the land
Then we had to leave
To Virginia we did go, Prince George's County
Troubles there were few
John did well in Surrattsville
Til he died in '62
Four cards around me
Five words of hope
Six feet they've dug for me
And thirteen steps to the rope
Here, my boarding house up on Eighth Street
In the heart of Washington
Many men passed but I never asked
Just friends of my son
On that April morn, on Good Friday
I saw John Wilkes Booth
He said "Tell Lloyd to watch the store"
Cause they'd be riding through
On the seventh day of seven
Eighteen sixty five
Nine men said guilty
And thirteen steps til I die
They paid for my son, John M. told me
Where he had run
When I saw those two words I understood
What those boys had done
They say the War is through, the killing's over
I hear it in the song
As I ask with my last breath
Please, don't let me fall
Ten weeks in prison
Eleven is my name
Twelve gates to the city
And thirteen steps to the grave
Those who could, came, traveled by train
To gather together in kind
To honor the slain, frail of frame
Now our final remind
Borne on stretchers with wheelchairs and canes
White bearded uniformed, a faded parade
The drums of battle are silent now
Three score and fifteen have passed
On Cemetery Ridge the rifles are still
Please the army of the land
On either side of the wall they stand
As brothers this time in this favored land
It's a long road
They've not much longer to go
Remember
John Boston
Sires Noble
Marah Kinney
Collin O'Bond
With wives and sons and daughters they've come
To forgive the ghost of the past
(see also: The Story Behind the Song – Three Days in July by Richard Thompson in Bluegrass Today)
I was born in Pennsylvania in 1851
Grew up on my father’s farm, the youngest of three sons
The Civil War was raging the year that I turned twelve
My father joined the ranks of blue and left us by ourselves
Boys I’ll tell you true, I learned things I never knew
In summer heat we prayed for rain, the first day of July
Far off thunder rumbling, no storm clouds in the sky
My brothers grabbed their rifles—”stay,” my mother urged
Mama, that’s the sound of cannon up by Gettysburg
Boys I’ll tell you true, I learned things I never knew
Two fearful days and sleepless nights, we waited with no word
‘Til the guns fell silent on the morning of the third
My mother watched the road all day, and kept me there close by
‘Til dusk was hard upon us and the water jug was dry
With bucket and a lantern I crossed the field alone
Heard the sound of snapping twigs, and then a quiet moan
Captured in my lantern light, his face an ashen grey
Huddled in a bloody coat a rebel soldier lay
Boys I’ll tell you true, I learned things I never knew
“I see you have a kind face, please don’t raise the cry
If I am taken prisoner, I know I’ll surely die
I’m wounded and I mean no harm, just need to rest a spell
I have fled the battlefield, I’ve seen the face of hell
We came by tens of thousands, the battle for to lose
And we only marched on Gettysburg, because we needed shoes”
I looked down at his swollen feet, and tried to understand
And wondered if my brothers had died at this man’s hand
Boys I’ll tell you true, I learned things I never knew
I walked back in the cabin, I set the bucket down
I spoke no word to mother of why I’d been so long
All night we sat beside the fire, praying for good news
Then mother she looked down and asked: “Son, where are your shoes?”
Boys I’ll tell you true, I learned things I never knew
Boys I’ll tell you true, I learned things I never knew
On the day that ol' Marster died
All the slaves we stood and cried
Those agonizing cruel slavery days
For they knew we would be sold
for the silver and the gold
Those agonizing cruel slavery days
Oh, They sold my brother Sam
To a man from Alabam'
My sister went to Georgia far away
Then they broke my heart for life
when they sold my darlin' wife
Those agonizing cruel slavery days
In that ol' Virginia State
Where they made us separate
Those agonizing cruel slavery days
Well they broke the old man's heart
when they said we had to part
Those agonizing cruel slavery days
When I'm all alone at night
and the fire is burning bright
And I think of happy days of long ago
When us darkies all would sing
and the banjers they would ring
Those days could never come to me no more
When our work on earth is done
and we gather one by one
In that land where all tears are washed away
There we'll need to part no more
on that beautiful golden shore
Where there will never be no cruel slavery days
The song, "Traveller" is a tribute to the greatness and valor of General Robert E. Lee's favorite horse that served him throughout the Civil War as his main mount. Traveller was raised in Greenbrier County, Virginia, now West Virginia. West Virginia seceded from Virginia, June 20, 1863 and became the only political change resulting from the Civil War. General Lee Purchased Traveller, then named Greenbrier, from Captain Joseph M. Broun, quartermaster of the 3rd Virginia Infantry. General Lee is represented astride Traveller on monuments at the Gettysburg National Battlefield and in Richmond, Virginia and in many paintings and photographs. Following General Lee's surrender, he rode Traveller home. When General Lee died in 1870, Traveller was led behind the hearse in the funeral procession.
This is the only song recorded about Traveller.
For four long years he labored to keep the Southland free.
In the War Between the States many soldiers brave and true
Gave their all to fight the cause for the grey or blue
But one we seldom hear about who never showed his fear
Was a horse named Traveler that General Lee held dear
From the hills of West Virginia came this valiant horse so stout
To serve the Rebel Army as the General's mount
He never once complained about the burden that he bore
He was his trusted comrade throughout the civil war
Chorus
A proud and gentle steed, he gladly did his part
For in his chest of silver grey, there beat a southern heart
Amid the smoke of battle, he stood by the General's side
Carried him ten thousand miles and did it all with pride
With great dignity and valor, he carried General Lee
And earned a place of honor in our Nation's History
In eighteen sixty-five when the North had won
And their job was over, he carried him back home
Chorus
He was the trusted comrade of Robert E. Lee.
Two Little Boys had two little toys
Each had a wooden horse
Gaily they played each summer day
Warriors both of course
One little chap had a mishap
And broke off his horse's head
Wept for his toy then cried with joy
When he heard his brother say:
"Do you think I could leave you cryin'
When there's room on my horse for you
Climb up here, Jack you stop your cryin'
We'll mend up your horse with glue
When we grow up we'll both be soldiers
Our horses will not be toys
And maybe you will remember
When we were two little boys."
Long years have passed, war came at last
Bravely they marched away
Cannons roared loud and in that wild crowd
Where wounded and dyin' Joe lay
Then came a cry a rider dashed by
Out from the ranks of blue
Galloped away to where Joe lay
Then he heard his brother say
Do you think I could leave you dyin'
When there's room on my horse for two
Climb up here, Joe - we'll soon be flyin'
To the ranks of the boys in Blue
Can't you see, Jack I'm all a-tremble
It may be the flash and the noise
Or maybe because I remember
When we were two little boys.
'The Two Soldiers.' "Sent to C. Alphonso Smith by I. G. Greer, of Boone, N. C., Aug. 6, 1913." Professor Smith gave this and other songs to Professor Brown. This text shows a considerable number of differences from both of Belden's, is in general more colloquial, and more often misses the sense of what the original must have conveyed (e.g., "fate," for "faith"? in stanza 3).
It was just before the last fierce charge,
Two soldiers drew their reins,
With a parting word and a touch of the hand--
They might never meet again.
One had blue eyes and curly hair,
Nineteen but a month ago;
There was red on his cheek, and down on his chin;
He was only a lad, you know.
The other was a tall, dark man,
Whose fate in this world was dim,
But he only trusted the more on those
Who were all the world to him.
They had ridden together thru many a round,
And marched for many a mile,
But never before had they met their foe
With a calm and a helpless smile.
The first to speak was the tall, dark man,
Saying, 'Charlie, my time has come;
We'll up yonder hill together,
But you'll come back alone.
'Will you promise a little trouble to take
For me when I am gone?
I have a picture next to my heart,
With blue eyes and curly hair.
'As morning light she was to me,
For she gladdened a lonely life,
And little cared I for the thought of fate
When she promised to be my wife.
'Oh, Charlie, write to her tenderly,
Send her back this fair, fond face,
Tell her tenderly how I died
And where is my resting place.
'Tell her my soul shall wait for her
In a bordering land between,
In a space between heaven and earth,
And it won't be long, it seems.'
Tears dimmed the blue eyes of the boy;
His voice was low with pain.
'I'll do your bidding, comrade mine,
If I ride back again.
'But if you ride back and I am dead,
You must do as much for me.
My mother at home must hear the news;
Write to her tenderly.
'One after another of those she loved,
She buried both father and son,
And I am the last of my country's call;
She prayed and sent me on.
'She's praying at home like a waiting saint,
Her fair face wet with tears;
Her heart will be broken when she hears I'm dead.
But I'll see her soon, I know.'
Just then the order came to march.
For an instant hand touched hand.
They answered, 'Aye'; then on they rode,
That brave, devoted band.
Right over the crest of the hill they dashed,
Where rebels with shot and shell
Poured earth of dust in their towering ranks,
And they charged them as they fell.
And of those that were left among the dead
Was the boy with the curly hair,
And the tall, dark man that rode by his side
Lay dead beside him there.
No one to tell the blue-eyed girl
The words her lover said;
No one to tell the weeping mother
Her only son was dead.
They never will know the last fond thoughts
That were sought to soften a pain,
Until they cross the river of death
And stand by their sides again.
Gettysburg was his home, and on Culp's Hill he played
Til as a young man he said goodbye to his family
Then the War Between the States found him in Virginia
Fighting for the South and Robert E. Lee
Well, he came upon and old friend, a wounded boy in blue
Who asked him if he'd take a message home
Home to his sweetheart, Jack Skelly, he was dying
"Please, Wes, can you take this message home"
Back home, his Jenny Wade is waiting
Waiting for Jack Skelly's face to see
For she had no way of knowing
That her hopes and dreams would never be
As the Rebels marched to Culp's Hill, Wes carried Jack's message on
But a Yankee bullet found its mark that day
And with his dying breath he whispered, "Jack, I tried to keep my word
So close, my friend, but oh so far away"
Jenny heard the battle raging all around her on Culp's Hill
She prayed for peace and wished that it was so
A stray shot through the window, her precious life was taken
Whether or South, no one will ever know
From the Old Dominion to the Keystone
He knew he would be back home somde day
To the hill he'd played on in childhood
Wesley Culp was coming home to stay
Fallen snow lay in patches like a faded pony side
And a tiny stream ran crimson from the blood of those who died
There were no bands a-playing, nor crowds to shout with joy
One lad left of the regiment, the Union drummer boy
CHORUS
Drummer boy, I see the tears for the many friends you've lost
Just as you, I wonder too, at the price that freedom cost
Well, the Autumn day so far away keeps coming to your mind
When the company of men in blue marched to your drumming time
The general reviewed his men, then spurred his horse to trot
The Autumn leaves, like a patch-work quilt, lay on the mountaintop
CHORUS
Well, it was so many years ago, it seemed like yesterday
To the old man in his rocking chair, as his voice begins to fade
A tiny drum rests in his lap, not real, it's just a toy
And a sparkling tear runs down his cheek, the Union drummer boy
Two horses were running, they pranced as they ran
They'd both been commanded by a cavalry man
Two horses stood grazing where their dead riders lay
A Union mare and Confederate grey
They nuzzled each other as they pranced and had fun
They bathed in the warm rays of that old Southern sun
No more senseless orders for them to obey
So they frolicked like lovers, this mare and this grey
Now these are such sad times that we're all living in
For killing your brother is the mightiest sin
But, oh, how happy we'd be if we just lived for today
Like the Union mare and Confederate grey
Adapted from Lee's Command by Albert J. Russo
They loved the role of rugged boys in a military school
Back then they didn't even know New Market's dreaded rule
When disaster bluntly told to dress for battlefield parade then
Too soon the boys' rapture left, and suddenly they were men
Two hundredy forty seven marched in Breckenridge's command
And when they got to New Market, they were fighting hand to hand
Then bullets answered to their charge; ten died with muffled cries
Now forty seven boys were wounded men and their dying quelled their sighs
Their white and gold flag proudly waved as they charged up the hill
The pice they paid, we'll ne'er forget, their memories living still still
Young heroes brave from V.M.I., their faces wet with rain
Charged up the hill and turned the tide as they fought pain with pain
CHORUS
Lay me down, turn it on over
In that ground of hard, red clay
Don't no one shed a tear for me
'Cause I'll see you all on the Judgment Day
Well, I once rode with a boy named Billy
Through the hills of Arkansas
He promised me a big pile of money
But I knew we'd have to break the law
We rode down in the Mississipi
South of Memphis, through the Natchez Trace
We stopped somewhere outside of Vicksburg
Where we were to camp and wait
CHORUS
We woke up to the sound of thunder
Rolling in, thirty horses strong
They caught wind of us in Jackson
That little girl had done us wrong
A river boat floating through Vicksburg
Big Miss Kimbell was in the stair
We could've been out of there by Sunday
But Billy had to spread a little cane
CHORUS
Yeah, see you all on the Judgement Day
Adapted from Lee's Command by Albert J. Russo
When General Lee refused to ruin a state who him befriended
He chose his beloved Virginia, many Federal ties were ended
Manassas, Richmond, and Chancellorsville, Fredericksburg, and Petersburg's crater
Appomattox with its sad sequel made hallowed history later
The Army of Northern Virginia, ever present as the dogwood trees
They did Virginia's valor proud, Stuart and Stonewall of Lee's
Sixty percent of Civil War battles were fought on Virginia soil
Abundant red blood earth holds heroes sweat and blood and toil
Virginia didn't fail our country as "mother of Presidents" state
Confederate capital in Richmond made Richmond's honor great
Brandy Station saw the charge, Stuart's horses galloped hard
Ten thousand Federal cavalrymen were beaten by Virginia's guard
Let's stand and count Virginia's blessings, with heavy heart and hand
The Southland, with its "stars and bars," lives on in Lee's command
When the Federals nearer Richmond came, a whisper in a churchly pew
Jefferson Davis hastily moved his capital to Danville as the war pursued
Sixty percent of Civil War battles were fought on Virginia soil
Abundant red blood earth holds heroes sweat and blood and toil
CHORUS
When the bands played "Home Sweet Home" they all just sang along
Each and ever word to that bittersweet old song
The men in Blue, the men in Gray, found comfort in those tones
When the bands played "Home Sweet Home" they all just sang along
Christmas time in '62 camped two armies Gray and Blue
So close that they could hear the other band so clear
And on both sides of the line for home they all did pine
Brave spirits, their bands played favorite songs of the day
As the lights began to fade, "Dixie's Land" was played
And the "Hail Columbia" we heard, sure enough
Then one struck up a tune and the others joined in too
As the soldiers sang along, the words to Home Sweet Home
CHORUS (x2; first time normal, second time: Though cold and tired and hungry, they found comfort in those tones)
CHORUS
Possum up a gum tree, sugar in the corn
Tell you what's gonna be sure as you're born
I ain't just a-whistling Dixie
We're gonna have a jubilation down south
Way down yonder in the cotton field
I used to work all the day long
When I was just a little babe my momma rocked me in the cradle
And she'd always sing this song
CHORUS
Some folks born just to sit around
Yeah, life's kinda funny that way
Now I was born to pick the cotton but I sure ain't forgotten
Every dog's gonna have his day
CHORUS
Well, right away soon, it won't be very long
I'm gonna lay down all of my cares
And the bells'll be a-ringin' and the angels a-singin'
As we climb up the golden stairs
CHORUS (We're gonna have a jubilation, a mighty celebration, have a jubilation down -- way down south)
I was just an old widow, in the world all alone
All I had left was a farm and my home
Tending the land, so to reap what I'd sown
I felt more pain that I'd care to know
I had a husband and we had a son
Both killed from the blast of the Union guns
My skin, it turned dark, in the Georgia sun
And your fades to gray when the work's never done
When you've got nothing left you just do what you can
The war was a darkness my heart could not stand
I bought me a rifle to hold in my hands
And killed any damn Yankee who stepped on my land
I could hear them a-coming 'cross the valley below
Singing bully of the soldier, it's Billy Barlow
I fired my gun as they raided the ford
They froze in the water as they heard the retort
I wept in the clay as the shots, they let go
It tore through my body while freeing my soul
From the sea to Atlanta, when the sun's sinking low
You can still hear my singing old Billy Barlow
Oh, I'm rough, I well know
But a bully of a soldier was Billy Barlow
Oh, I'm rough, I well know
Well, a bully of a soldier was Billy Barlow
Oh, I'm rough, I well know
But bully of a soldier was Billy Barlow
Oh, I'm rough, I well know
Well, a bully of a soldier is Billy Barlow
Brave men fought with the battle cry
Tears filled the eyes of their loved ones and their brothers in arms
And so it went, for Joseph Warren
It should have been different
It could have been easy
His rank could have saved him
But a country unborn needs bravery
And it spread like wildfire
Wildfire
From the ashes grew sweet liberty
Like the seeds of the pines when the forest burns
They open up to grow and burn again
It should have been different
It could have been easy
But too much money rolled in to ever end slavery
The cry for war spread like wildfire
Wildfire
Wildfire
Civil War came, Civil War went
Brother fought the brother, the South was spent
But its true demise was hatred passed down through the years
It should have been different
It could have been easy
But pride has a way of holding too firm to history
And it burns like wildfire
Wildfire
Wildfire
I was a born a southern son
In a small southern town where the rebels run wild
They beat their chests and they swear we're going to rise again
It should have been different
It could have been easy
The day that old Warren died hate should have gone with him
But here we are caught in the wildfire
Wildfire
Wildfire
Wildfire
Wildfire
I'm not actually sure this song is diretly related to the Civil War, but I've left it here nonetheless
Alabama home, and the dirt where daddy broke his back in labor
Working for the man, white folks they all live high on the hog
Oh, Willie's seventeen and people shake their heads when he goes by
Acts just like a man and the only friend he's got, a one-eyed dog
Woah, look out Willie boy, don't raise your head so high
Big man gonna get you bye and bye
Woah, lock him in the jail, oh, the way he walks, it makes my blood run angry
He's a-living with a girl, skin as white as snowfall on the hill
So the sherriff come around, but when he kicked the dog, well, Willie's mind went crazy
Left him on the ground, the white man that he didn't mean to kill
Woah, look out Willie boy, done laid a white man down
Big man gonna get you bye and bye
Woah, third day on the road, Willie heard the hound dogs all a-calling
Made him think of home and he clear forgot what he was running for
Knealed down by the road just like he was somewhere years ago
One shot brought him down just as he was reaching for the dog
Woah, look out Willie boy, don't raise your head so low
Big man gonna get you bye and bye
They laid him in the ground, just a muddy hole, the boy don't get no preacher
No stone marked the grave, no man come on Sunday there to mourn
Well, the story's back in town how Willie boy he wouldn't run no more
There where Willie lies, a one-eyed dog, he cries to nearly dawn
Woah, look out Willie boy, don't raise your head so high
Big man gonna get you bye and bye
Big man gonna get you bye and bye
I wish I could see my home in Georgia
And the pine trees in the rolling red clay hills
Instead of Union troops and their dirty coats of blue
Forming up to cross the field
And I wish I could hear the crickets
Or the crackling of the homefires like before
Instead I hear the rattle of the muksets
And the deadly cannon's roar
CHORUS
I shouldn't waste my time a-wishin'
While it's rainin' shell and shot
'Cause all this wishing can't help me
But right now, wishing's all I got
I wish I could smell honeysuckle
Or fields of freshly cut hay
Instead of the smoke, the dirt and the fear of dying
In this God-forsaken place
Oh, the sweat from my brow, gun powder on my lips
And the bitter taste that this war brings
Is a far cry from momma's table back home
And one cool drink from her spring
CHORUS
'Cause all this wishing can't help me
But right now, wishing's all I got
Like it or not, this wishing's all I got
Jeff Davis rides a white horse, Lincoln rides a mule
Jeff Davis is the president, Lincoln, he's a fool
Won't you come along and go?
Jeff Davis has a bully cow, Lincoln's got a calf
Jeff Davis's is a full blood, Lincoln's is a half
Won't you come along and go?
CHORUS
Won't you come along and go, won't you come along and go?
Your country is a-calling, can't you hear the bugles blow
Won't you come along and go?
The Yankees were a-bragging til they got to Bully Run
Jeff Davis fired a pistol and you oughta seen 'em run
Won't you come along and go?
Old Abe has got his dander up, he's gonna try again
Jeff Davis is a-laughin' 'cause he knows we're gonna win
Won't you come along and go?
CHORUS
Price is on the bivouac, Shelby's by his side
We've got our horses saddled and we're gonna take a ride
Won't you come along and go?
Get ya some tobacco and shoulder up your gun
We're going to Missouri just to see the Yankees run
Won't you come along and go?
CHORUS
You may talk about your Beauregard
And sing of General Lee
But the gallant Hood of Texas
Played hell in Tennessee
He started into the sunset, tears rolled down his face
You could tell he was just a kid who missed his old homeplace
A duty now had called him to join the boys in gray
Go and fight that Civil War we talk about today
CHORUS
No more singing dixie songs, no more playing Soldiers' Joy
Rebel flags are flying now for one more Dixie boy
At dawn one Sunday morning, near the Mason-Dixon line
Three hungry rebel soldiers were trapped behind the line
They heard one Yankee leader say "We'll check their southern pride
But when the smoke and fighting cleared, ten Yankee soldiers died
CHORUS
At the Battle of Atlanta some Yankee shot him down
The southern sun was setting as he lay there on the ground
His old homeplace was calling, he knew his race had run
One more bugle sounding taps for one more rebel son
CHORUS
The Rebel flags are flying now for one more Dixie boy
Last updated: 8/6/2024